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Giotto di Bondone, Ognissanti Madonna, originally painted for the Church of All Saints, tempera on panel, c. 1310, Galleria degli Uffizi, Florence |
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Giotto, The Last Supper, fresco, c. 1305, Arena Chapel |
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Giotto, Betrayal (Kiss of Judas), Arena Chapel, south wall, 1305 |
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Limbourg Brothers, (Pol, Herman, and Jean), Les Très Riches Heures du Duc de Berry: February, illumination, c. 1413-16, Musée Condé, Chantilly, France |
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Filippo Brunelleschi, Dome of Florence Cathedral, 1420-1436 |
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Filippo Brunelleschi, Ospedale degli Innocenti (Foundlings Hospital), Loggia, begun 1419, Florence |
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Filippo Brunelleschi, Interior nave of San Lorenzo, at right, and side aisle, below, Florence |
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Filippo Brunelleschi, Interior nave of San Lorenzo, at right, and side aisle, below, Florence |
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Lorenzo Ghiberti, East Doors, detail below: Isaac and Esau, 1425-47, The Baptistery, Florence |
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Lorenzo Ghiberti, East Doors, detail below: Isaac and Esau, 1425-47, The Baptistery, Florence |
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Donatello, St. Mark, marble, 7’ 10” high, 1411-1413, Orsanmichele, Florence |
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Donatello, St. George, marble, 1415-1417; with St. George Slaying the Dragon, “rilievo schiacciato” (flattened relief), 1417, Orsanmichele |
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Donatello, St. George, marble, 1415-1417; with St. George Slaying the Dragon, “rilievo schiacciato” (flattened relief), 1417, Orsanmichele |
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Donatello, Herod’s Feast, gilded bronze relief, 1423-27, Baptistery font, Siena |
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Donatello, David, bronze, c. 1430, thought to have been commissioned by Piero de’ Medici c. 1469 |
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Masaccio, The Holy Trinity, fresco, 1427-28, Santa Maria Novella, Florence |
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Masaccio, overview of fresco cycle from the Brancacci Chapel, c. 1427, Santa Maria del Carmine, Florence |
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Masaccio, The Tribute Money, (with detail of two apostles, Jesus and Peter), fresco, c. 1427, Brancacci Chapel |
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Masaccio, The Expulsion of Adam and Eve from the Garden of Eden, fresco, c. 1428, Brancacci Chapel, Florence |
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Paolo Uccello, Sir John Hawkwood, fresco, Florence Cathedral, 1436 |
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Piero della Francesca, Brera Altarpiece, (Madonna and Child with Saints and Federico da Montefeltro), c. 1472, Brera, Milan |
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Domenico Veneziano, Virgin and Child with Saints (St. Lucy Altarpiece), 1447 |
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Pietro Perugino, Christ Giving the Keys to St. Peter, fresco 1480-82, Sistine Chapel |
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Jan van Eyck, Man in a Red Turban (Self-Portrait), oil on wood, 1433
Inscriptions:
Bottom: Jan van Eyck Made Me in the Year 1433 October 21
Top, van Eyck’s personal motto: AIC IXH XAN (As I can, or The best I am capable of doing) |
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Hubert van Eyck, completed by his brother Jan van Eyck, The Ghent Altarpiece, The Adoration of the Mystic Lamb, 1426-32, tempera and oil on panel, St. Bavo, Ghent, 11 x 7 ft. when closed, 20 panels; Ghent Altarpiece, opened: Center top, God/Trinity flanked by the Virgin and St. John the Baptist, flanked by Saint Cecilia and angels, then Adam and Eve at far left and right, below, Adoration of the Mystic Lamb |
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Jan Van Eyck, Arnolfini Portrait, oil on oak panel, signed and dated 1434 |
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Jan Van Eyck, Madonna of Chancellor Rolin, oil on panel, c. 1433-1435,
Commissioned by Nicholas Rolin, member of the Burgundian court that ruled the Low Countries at this time |
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Robert Campin (?), Mérode Altarpiece, Annunciation, c. 1428 |
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Rogier van der Weyden, Deposition, oil on wood, c. 1436 |
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Rogier van der Weyden, St. Luke Drawing the Virgin, oil on oak panel, c. 1440-50, |
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Michelangelo, Battle of Lapiths and Centaurs, marble relief, c. 1492, Casa Buonarroti, Florence |
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Michelangelo, David, marble, 1501-1504, as originally sited before the Palazzo Vecchio, Florence, below; now in the Accademia, Florence (at right) |
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Michelangelo, Sistine Ceiling, fresco, 1506-1512, The Vatican |
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Michelangelo, Creation of Adam, fresco, 1506-1512, Sistine Chapel, The Vatican |
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Michelangelo, Libyan Sibyl, fresco, 1506-1512, Sistine Chapel, The Vatican |
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Michelangelo, Tomb design for Pope Julius II, 1513 |
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Michelangelo, Dying Slave, marble, c. 1514 |
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Michelangelo, Tomb of Giuliano de’Medici, marble, 1519-1534, San Lorenzo, Florence |
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Michelangelo, Tomb of Giuliano de’Medici, figures of Giuliano, Night, and Day, 1519-34, Medici Chapel, San Lorenzo, Florence |
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Michelangelo, Last Judgment, fresco, 1531-41, Sistine Chapel |
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Albrecht Duerer, Self-Portrait, oil on limewood, 1500 |
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Albrecht Duerer, The Apocalypse (woodcut series), 1498 (frontispiece added) |
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Albrecht Duerer, Melencholia, engraving, 1514 |
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Leonardo da Vinci, preparatory ink drawing for the Adoration of the Magi |
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Leonardo da Vinci, Adoration of the Magi, oil on panel, 1481-82 |
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Leonardo da Vinci, Vitruvian Man, pen and ink, 1485-1490 |
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Leonardo da Vinci, Madonna of the Rocks, 1486 |
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Leonardo, Last Supper, 1495-98, Santa Maria delle Grazie, Milan |
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Leonardo da Vinci, Mona Lisa, oil on canvas, 1503-1506,
Portrait of Lisa di Antonio Maria Gherardini, wife of a prominent Florentine citizen, Francesco del Giocondo |
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Raphael, School of Athens,1508-1512 |
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Raphael, Sistine Madonna, oil on canvas, 1512-1513 |
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Giorgione, completed by Titian, Sleeping Venus, c. 1510, |
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Titian, Sacred and Profane Love, c. 1515, |
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Caravaggio, Bacchus, c. 1597-98. |
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Caravaggio, The Martyrdom of Saint Peter, 1600-01. (Cardinal Tiberio) Cerasi Chapel, Santa Maria del Popolo, Rome. |
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Caravaggio, The Conversion of Saint Paul, 1600-01. (Cardinal Tiberio) Cerasi Chapel, Santa Maria del Popolo, Rome. |
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Cerasi Chapel – Annibale Carracci |
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Gianlorenzo Bernini, Apollo and Daphne, 1622-24. |
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Gianlorenzo Bernini, Santa Bibiana, 1624-26. Santa Bibiana, Rome. |
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Gianlorenzo Bernini, Ecstacy of Saint Theresa of Avila, 1645-52. Cornaro Chapel, Santa Maria della Vittoria, Rome. |
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Gianlorenzo Bernini, Cathedra Petri (Saint Peter’s Throne), 1657-66. St. Peter’s Basilica, Vatican, Rome. |
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Bernini, Sant'Andrea al Quirinale, 1658-61. Rome. |
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Bernini, Sant'Andrea al Quirinale, 1658-61. Rome. |
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Pietro da Cortona, Divine Providence. Glorification of the Reign of Pope Urban VIII, 1633-39. Rome, Palazzo Barberini. |
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David Bailly. Vanity Still-Life with a Portrait of a Young Painter, 1651.
“Vanitas Vanitatum et omnia Vanitas (Vanity of vanities, all is vanity)” |
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attr. to Lodewyck van der Helst, Portrait of a Gentleman and a Lady Seated Outdoors, c. 1670. |
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Jan Steen, The Dancing Couple, 1663. |
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Nicolas Maes, The Eavesdropper, 1657. |
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Johannes Vermeer Young Woman with a Water Pitcher, c. 1662 |
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Johannes Vermeer, The Painter and His Model as Clio, c. 1665-66. |
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Rembrandt van Rijn (1606-69), The Anatomy Lesson of Dr. Nicolaes Tulp, 1632. |
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Rembrandt,
Night Watch—The Company of Frans Banning Cocq and Willem van Ruytenburch, 1642. |
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Rembrandt van Rijn, Self-Portrait, 1668-69. |
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Peter Paul Rubens, Elevation of the Cross (Central Panel), 1609-10.
Antwerp, Cathedral of Our Lady (Onze Lieve Vrouwkerk). |
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Peter Paul Rubens left: Henri IV Receives the Portrait of His Bride Marie de’ Medici, 1621-25. |
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Peter Paul Rubens, Marie de’ Medici Cycle.
Disembarkation at Marseilles (3 Nov. 1600); 1621-25. |
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Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon and Cucumber, c. 1602. |
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Diego Velázquez, Equestrian Portrait of Philip IV, 1635. |
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Bartolomé Estebán Murillo, Self-Portrait, 1670s. |
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Hyacinthe Rigaud, Portrait of Louis XIV, 1701. |
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Diego Velázquez, Las Meninas (Maids of Honor), or the Family of Philip IV, 1656 |
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Charles Le Brun, Jules Mansart, Louis Le Vau, Château de Versailles, c. 1623-1710 [main final stage of construction, c. 1669-84]. West façade [court moved here from Paris in May 1682] |
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Charles Le Brun, Jules Mansart, Louis Le Vau, Château de Versailles, c. 1623-1710 [main final stage of construction, c. 1669-84]. East facade |
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Charles Le Brun, Jules Mansart, Louis Le Vau, Château de Versailles, c. 1623-1710 [main final stage of construction, c. 1669-84]. West façade [court moved here from Paris in May 1682] |
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Bedchamber of Louis XIV, c. 1700-10 |
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Charles Le Brun, Expression of the Passions: Terror, 1690. |
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Charles Le Brun, Queens of Persia at the Feet of Alexander (The Tent of Darius), 1660-61. |
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Nicolas Poussin (1594- 1665), Self-Portrait, 1650.
"Portrayal of Nicolas Poussin of Les Andalys, done at Rome during the Jubilee Year of 1650, aged 56 years." |
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Nicolas Poussin, The Abduction of the Sabine Women, c. 1633-34. |
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Nicolas Poussin, Judgment of Solomon, 1649. |
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Johann Wolfgang Baumgartner, Rocaille: Landscape with Monk and Huntsmen, not dated. |
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Jean-Honoré Fragonard, (Happy Accidents of) The Swing, 1767. |
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Jean-Antoine Watteau, Embarkation for the Island of Cythera, 1718. |
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Elisabeth Vigée-Le Brun, Queen Marie-Antoinette and Her Children, 1787. |
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J.-L. David, Marie-Antoinette on the Way to the Guillotine, 1793. |
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Jacques-Louis David, The Oath of the Horatii, 1784. |
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Jacques-Louis David, The Lictors Bring Brutus the Bodies of His Sons, 1787-89 |
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Jacques-Louis David, The Intervention of the Sabine Women, 1799. |
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Jacques-Louis David, The Death of Marat, 1793. |
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