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Daguerre, The Artist’s Studio, 1837 |
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Louis Jacques Mandé Daguerre, Boulevard du Temple, Paris, ca. 1838. Daguerrotype. |
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William Henry Fox Talbot, Latticed Window at Lacock Abbey, 1835. Calotype negative. |
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William Henry Fox Talbot, The Open Door (Plate VI, The Pencil of Nature), 1843. Salted paper print from calotype negative. |
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Anonymous (American), Spirit Photograph--Woman’s Spirit behind Table with Photograph, ca. 1865. Albumen print carte-de-visite. |
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Albert Sands Southworth and Josiah Johnson Hawes, Postmortem photograph of an unidentified child, ca. 1850’s. Daguerrotype. |
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Lewis M. Rutherford, Moon, March 4, 1865. Albumen print. |
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Théodore Maurisset, La Daguerréotypomanie, 1839. Lithograph. |
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Anonymous (American). Woman Seated, Holding Daguerrotype, ca. 1850. Daguerrotype. |
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Albert Sands Southworth and Josiah Johnson Hawes, Portrait of Albert Sands Southworth, ca. 1848. Daguerrotype. |
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David Octavius Hill and Robert Adamson, Mrs. Elizabeth (Johnstone) Hall, ca. 1866. Salted paper print. |
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Carleton E. Watkins, Cape Horn near Celilo, 1867. Albumen print. |
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Maxime du Camp, Thebes: The Eastern Part of the Peristyle of the Temple of Ramases, 1849-51. Salted paper print. |
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André Adolphe Eugène Disdéri, Portrait of an Unidentified Woman, ca. 1860-65. Uncut albumen print from a carte-de-visite negative. |
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Nadar (Gaspard-Félix Tournachon), Sarah Bernhardt, ca. 1860. Printed from a collodion negative. |
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Etienne Carjat, Charles Baudelaire, ca. 1863. Salted paper print. |
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Roger Fenton, Still Life with Fruit and Decanter, ca. 1856. Albumen print. |
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Oscar Gustav Rejlander, The Two Ways of Life, 1857. Combination albumen print. |
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Oscar Gustav Rejlander (top) and Guillaume-Benjamin Duchenne de Boulogne (bottom), Illustration from Charles Darwin’s The Expression of Emotion in Man and Animals, Plate VII, 1872. Collotype print. |
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Gustave Le Gray, Seascape with Sailing Ship and Tugboat, ca. 1857. Albumen print. |
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Henry Peach Robinson, Fading Away, 1858. Combination albumen print. |
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Charles Nègre, Henri Le Secq at Notre Dame Cathedral, ca. 1851. Gelatin silver print from the original calotype negative. |
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Peter Henry Emerson, Poling the Marsh Hay, 1886. Platinum print. |
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