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Courbet
Burial at Ornans
1849 Realism Genre Scene |
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Courbet Stonebreakers
1849
Realism First Socialist Painting ever created |
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Courbet The Painter's Atelier: A Real Allegory of Seven Years of my Artistic Life 1855 lots of representation in this image of upperclass/lowerclass |
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Millet The Gleaners 1857 Realism France |
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Millet The Sower
1850 Realism
France |
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Daumier The Third-Class Carriage 1862 Realism |
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Daumier The Laundress 1863 Realism |
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Ingre Apotheosis of Homer
1827 French |
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Tiepolo The Apotheosis of the Spanish Monarchy
1766 Spain |
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Goya Portrait of the Duchess of Alba 1797 Spain |
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Goya Saturn Devouring His Children 1819 Spain |
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Goya The Family of Carlos IV
1800 Spain |
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Goya The Sleep of Reason Produces Monsters From Los Caprichos 1796 Spain |
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Goya The Execution of the Rebels on the Third of May 1815 Spain |
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Overbeck Italia and Germania 1811 Germany |
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Overbeck Portrait of Franz Pforr
1810 Germany |
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Runge Rest on the Flight into Egypt 1805 Germany |
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Friedrich Abbey in the Oak Forest 1810 Germany |
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Friedrich Monk by the Sea 1810 Germany |
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David Death of Marat
1793
France |
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David
Napoleon Crossing the Alps at the Saint-Bernard Pass 1800 France |
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David Coronation of Napoleon in the Cathedral of Notre-Dame 1805 France |
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David Oath of the Horatii 1784 France |
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Ingres Grand Odalisque 1814 France |
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Ingres Portrait of Napoleon on his Imperial Throne 1806 France |
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Gros Napoleon in the Plague House at Jaffa 1804 France |
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Gericault Raft of the Medusa 1819 France |
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Delacroix Death of Sardanapalus 1827 France |
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West Death of General Wolfe 1770 Narrative Neoclassical Philly |
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West Agrippina Landing at Brundisium with the Ashes of Germanicus 1768 Neoclassicism |
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Kauffman Cornelia, Mother of the Gracchi, Pointing to her Children as her Treasures 1785 Neoclassicism |
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Canova Perseus 1805 Neoclassicism |
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Boyle Chiswick House 1729 London Neoclassicism |
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Jefferson Monticello 1772 Charlottesville Virginia Neoclassicism |
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Pritchard & Darby III
Severn River Bridge 1776 Shropshire Enland |
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Boffrand Salon de la Princesse Hotel de Soubise 1732 Paris Rococo |
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Curvillies Hall of Mirrors early 18th Cen. Amalienburg, Nymphenburg palace park Munich Germany Rococo |
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Watteau L'Indifferent 1716 Rococo |
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Boucher Cupid as Captive
1754 Rococo |
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Watteau Return from Cythera 1717 Rococo |
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Fragonard The Secret Meeting
1771 Rococo |
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Fragonard The Swing 1766 Rococo |
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Chardin Grace at Table 1740 Rococo |
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Greuze The Village Bride 1761 Rococo |
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a philosophy of science based on the view that in the social as well as natural sciences, data derived from sensory experience, and logical and mathematical treatments of such data, are together the exclusive source of all authoritative knowledge. |
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French landscape painters |
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o Significant to turn of events in art history
o Call into question whole system of the salon
§ Becomes related to class
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a sketch for a tapestry, a work for which another work is based |
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terms for people from the lower classes of Spanish society |
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The Caprices a group of etchings |
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o “man is born free, and everywhere he is in chains”
§ connection to the tea party
§ most natural state when unfettered by government and it’s rules
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· empirical, fanciful, etc.
o “medieval tales of adventure” – not love story more fantastical
o a little different in different places
o Not a kind of trend for just painting – applied to poetry, literature, drama, and such.
o Arose as explicit and implicit
o shift toward that faith was a huge thing
o asserting your nationality
o particular way of seeing nature
o less faith in government
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Nazarenes (Lucas Brotherhood) |
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o Group of young german painters, the Nazereens, renaissance painters belonged to guilds, not academies. Academy – art school, guild – labour union. Lucas brotherhood.
o Believed religion was the key to art
o Refused to draw from female nudes, religious reasons
o Clear bright colors, Christian symbolism,
o Converts to Catholicism, which is a big deal because being Lutheran was a bit part of his being German
Overbeck
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Raphael - Sistine Madonna |
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§ Famous baby angels looking up from the bottom
§ Becomes really popular and influential in the 19th Cen. It was the Mona Lisa of the time.
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beauty that is indescribable – beauty mixed with terror – something that is overwhelming |
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reminder of death, don’t get caught up in the superficial things of this earth |
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a pivotal event during the first days of the French Revolution. The Oath was a pledge signed by 576 of the 577 members from the Third Estate who were locked out of a meeting of the Estates-General on 20 June 1789. The only person who did not sign was Joseph Martin-Dauch, a politician who would not execute decisions not sanctioned by the king. They made a makeshift conference room inside a tennis court located in the Saint-Louis district of the city of Versailles, near the Palace of Versailles. |
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French Revolution began around 1789 when Louis the 16th raised taxes
Louis the 16th married to Marie Antoinette and continued to deplete treasury
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just wants to party and be frivolous and throws big lavish parties and creates her own estate and spends even more money and because of this becomes very unpopular |
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§ Marat was also a revolutionary and a friend of David’s, he was hated and feared
§ One enemy was Charolette Corday, she had a lot to lose in the revolution
§ Marat suffered from a skin disease causing him to have to spend a lot of time in the bathtub
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Maximillien de Robespierre |
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a French lawyer, politician, and one of the best-known and most influential figures of the French Revolution.
dictatorship pretty much, kills people who support revolution |
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someone who supports a centralized Republic, with power concentrated at the federal level in contemporary usage. At its inception during the French Revolution, the term was popularly applied to all supporters of revolutionary opinions. Specifically, it was used to describe members of the Jacobin Club, a revolutionary, far-left political movement that had been the most famous political club of the French Revolution. |
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killed Marat and had a lot to lose in the Revolution |
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a harem girl, kind of like a Turkish prostitute |
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· Scientific method becomes really important during this era
· Theatrical presentation, dark colors, intense, shadowing, realistic, sculptural, linear, hard, different portrayal of masculine beauty
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a Frenchmathematician, mechanician, physicist, philosopher, and music theorist. He was also co-editor with Denis Diderot of the Encyclopédie.D'Alembert's formula for obtaining solutions to the wave equation is named after him. |
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Johann Joachim Winckelmann |
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a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the difference between Greek, Greco-Roman and Roman art. |
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European aristocrats in 18th cen. – leave home for year or two traveling in Italy and Greece to study major monuments, round out your education and expand language (studying abroad)
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an architect active in the Republic of Venice. Palladio, influenced by Roman and Greek architecture, primarily by Vitruvius, is widely considered the most influential individual in the history of Western architecture. |
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· derogatory term that came later in the 1790s, applied to art in French monarchy and aristocracy
· Rococo represents everything the people were against in the French Revolution
· Rococo over the top, ornate, excess, crazy, fanciful, pretty, fluid, palates are often soft and light
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Rocaille is one of the more prominent aspects of theRococo style of architecture and decoration that developed in France during the reign of King Louis XV (1715–74). The Rocaille style has been defined as a reaction both to the classic rigidity of the waning Baroque style and to the new interest in nature and the natural sciences. In French, rocaille means “rubble,” or “pebbles,” and style rocaille is synonymous with Rococo. |
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a French art collector at the center of a broad circle of cognoscenti |
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a French philosopher, art critic, and writer. He was a prominent person during the Enlightenment and is best known for serving as co-founder and chief editor of and contributor to theEncyclopédie along with Jean le Rond d'Alembert. |
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Callet Portrait of Louis XVI |
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Vigee-Lebrun Portrait of Marie Antoinette |
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Blake The Ancient of Days 1794 |
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Constable The Hay Wain 1821 |
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Cozens Lake Albo and Castle Gandolfo 1783-88 |
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Fuseli Titania and Bottom 1790 |
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Hunt Awakening Conscience 1853 |
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Hunt The Hireling Shepherd 1851 |
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Millais Death of Ophelia 1851-52 |
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Rossetti Beata Beatrix 1864-70 |
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Turner Dido Building Carthage 1815 |
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Turner Snow Storm - Hannibal Crossing the Alps 1812 |
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Turner St. Edmund's Church, Salisbury 1800 |
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