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Name:Dipylon Krater Location: the Dipylon cemetery, Athens, Greece Date: ca. 740 BCE Period: Geometric Period
-One of the earliest examples of paintings on pots
-Marked the grave of the Athenian Man
-Hole in the bottom for practical and/or ritual purposes |
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Name:Kroisos Location:Greece Date:ca. 530 BCE Period: Archaic Period
-Marked a Grave
-Archaic Smile, Naturalist |
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Name:Peplos Kore Location: the Acropolis, Athens, Greece Time: ca. 530 BCE. Period: Archaic Period
-Wore Peplos, a column shaped garment
-might be either a maiden or g-ddess |
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Name: François Vase Artist:Kleitias and Ergotimos Date: ca. 570 BCE. Period: Archaic Period
-Volute Shaped
-200 figures in 6 registrars
-shows various greek mythology |
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Name: Achilles and Ajax playing a dice game Artist: Exekias Time: ca. 540–530 BCE. Period: Archaic Period
-Two Soliders playing a dice game
-one is saying 4 the other is saying 3
-calm before the storm moment |
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Name: Herakles wrestling Antaios Artist: Euphronios Date: ca. 510 BCE. Period: Archaic Period
-Shows the middle of a fight
-Renders human anatomy
-Red Figure Technique: pigment applied to background, no paint on figures
-Middle of Story, no Climax |
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an archaic Greek statue of a young man. |
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A statue of woman produced in Ancient Greece |
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In later Greek pottery, the silhouetting of red figures against a black background, with painted linear details; the reverse of black-figure painting. |
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In early Greek pottery, the silhouetting of dark figures against a light background of natural, reddish clay, with linear details incised through the silhouettes. |
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a free-standing, more or less square room entered at one side through one or more anterooms and a two-columned porch |
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characterized by, among other features, capitals with funnel-shaped echinuses, columns without bases, and a frieze of triglyphs and metopes. |
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characterized by, among other features, volutes, capitals, columns with bases, and an uninterrupted frieze. |
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The uppermost member of a column, serving as a transition from the shaft to the lintel. |
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The panel between the triglyphs in a Doric frieze, often sculpted in relief. |
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A slightly projecting rectangular element of the DORIC FRIEZE characterized by two or three vertical cuttings. |
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A spiral, scroll-like form characteristic of the ancient Greek Ionic and the Roman Composite capital. |
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The convex profile (an apparent swelling) in the shaft of a column |
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In classical architecture, the triangular space (gable) at the end of a building, formed by the ends of the sloping roof above the colonnade; also, an ornamental feature having this shape. |
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Name:Dying warrior Location: West pediment, Temple of Aphaia, Aegina, Date: ca. 500–490 BCE Period: Archaic Period
-No archaic smile
-Looking down in saddness
-Beard, old looking |
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Name:Dying warrior Location: the east pediment, Temple of Aphaia, Aegina Date: ca. 490–480 BCE. Period: Archaic Period
-Nature Perfected
-Archaic Smile
-Doesn't look in pain or hurt |
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Name: East pediment Location: Temple of Zeus at Olympia Date: ca. 470-456 BCE Period: Classical Period
-Nature Perfected
-natural but idealized
-Chariot Race btwn Pelops vs Oinomas
-Calm Before the Storm Moment
-Roughly Se-metrical |
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Name: Seer Location: from East pediment, Temple of Zeus at Olympia Date: ca. 470-456 BCE Period: Classical Period
-View Empathizes with Seer because like the seer, the viewer knows what happens at the end of the story depicted at the East pediment |
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Name:Kritios Boy Date: ca. 480 BCE Period: Classical Period
-Body is shifting to the left
-Naturalistic pose |
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Name: Riace Warrior Date: ca. 460-450 BCE Period: Classical Period
-Bronze
-Found in a Shipwreck
-One of a very few amount of Bronze sculptures preserved |
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Name:Doryphoros (Spear Bearer) Artist: Polykleitos Date: ca. 450–440 BCE Period: Classical Period
-Roman marble copy from Pompeii, Italy, after a bronze original
-based on pthyagorous
-Underlying Harmonic Proportions that are found in everything beautiful
-Chlastic Balance, X shape of engaged muscles and relaxed muscles
-Controposto stance |
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Name: Parthenon Artist: Iktinos and Kallikrates Location: the Temple of Athena Parthenos, The Acropolis, Athens, Greece, Date: 447–438 BCE. Period: Classical Period
-Doric Order On the Exterior
-Ionic Order on the Interior
-Covered in archeticual sculpture
-Nothing is straight, all lines are curved slightly |
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alliance formed by Athens with other city-states after Persian wars; later taken over by Athens and became Athenian empire. |
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the disposition of the human figure in which one part is turned in opposition to another part (usually hips and legs one way, shoulders and chest another), creating a counter-positioning of the body about its central axis |
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The third of three steps of a Greek temple on which the columns rest |
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a rule or especially body of rules or principles generally established as valid and fundamental in a field or art or philosophy |
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made or covered with gold or ivory |
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Name: Goddesses (Hestia, Dione, and Aphrodite?) Location: east pediment, Parthenon, Date:ca. 438–432 BCE. Period: Classical Period
-shows 2 g-ddesses
-sculpture shows the g-ddesses wearing very sheer fabric, with their bodies showing through |
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Name: Details of the Panathenaic Festival procession frieze: Horsemen of north frieze, gods and goddesses, elders and maidens of east frieze, Date: ca. 447–438 BCE. Period: Classical Period
-Outside the Dipylon Gate
-Festival for "new outfit" for Athena Statue
-people in the world are shown: idealized middle age people
-top part has more depth on it than the bottom |
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Name: Erechtheion Location: Acropolis, Athens, Greece Date: ca. 421–405 BCE. Period: Classical Period
-needed to be at the acropolis despite poor areas to construct on
-holds the tree of Athena, and Posidens salt water rock
-honors Athena, houses another Athena Statue
-Ionic Order |
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Name: Hermes and the infant Dionysos Artist: Praxiteles Date: ca. 340 BCE. Period: Late Classical
-Marble copy after an original -interaction btwn g-ds
-balance shift
-s curve- similar to controposto
-people are longer and thinner than before |
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Name: Aphrodite of Knidos Artist: Praxiteles Date: ca. 350–340 BCE. Period: Late Classical
-Roman marble copy after an original
-first nude female; first nude g-ddess
-g-ddess of love: evokes a sexual errotic tone
-suceeded in representing an idol |
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Name: Grave stele of a hunter Date: ca. 340-330 BCE Period: Late Classical
- Idealized figure =represents the dead
-Older philosopher, contemplation= represents a living person
-Young Boy crying- represents a living person
-Sad Dog- represents a living person |
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Name: Apoxymenos (Scraper) Artist: Lysippos Date: ca. 330 BCE. Period: Late Classical
-Roman marble copy after a bronze
-conntraposto stance
-athletic- arm sticking out into space
-scraping oil/sand to clean from athletics
-engagment of body by viewer |
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Name: “Battle of Issus,” Artist: Philoxenos of Eretria Date: ca. 310 BCE Period: Late Classical
-mosaic copy from Pompeii
-Alexander; great big eyes, looking up, curly hair
-Battle between Alexander/ Darius III
-Optical tricks represented |
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A strigil was a small, curved, metal tool used in ancient Greece and Rome to scrape dirt and sweat from the body before effective soaps became available. |
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mall stone cubes used to make mosaics |
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Name:Athena battling Alkyoneos, detail of the gigantomachy frieze, Location: the Altar of Zeus, Pergamon, Turkey Date: ca. 175 BCE Period: Hellenistic Period
-based on parthenon pediment
-violent movement
-shows Athena's birth |
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Name: Gallic chieftain killing himself and his wife Artist: Epigonos Location: Pergamon, Turkey Date: ca. 230–220 BCE
-Roman marble copy after a bronze original
-center of the attalid group
-intensely expressive faces
-woman's limp/lifeless
-theatrical gestures |
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Name: Old market woman Date: ca. 150–100 BCE. Period: Hellenistic Period
-old woman carrying chickens and fruits/veggies
-face is wrinkled, back is bent over
-spirit seems broken
-no one knows the purpose of the statue |
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Name: Laocoön and his sons Artist: Athanadoros, Hagesandros and Polydoros of Rhodes Date: early 1st century CE Period: Hellenistic Period
-based on a group of hellenistic masterpiece depicting Laocoon and sons
-represents g-ds punishing laocoon for trying to warn Troy of the Trojan horse |
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Name: Model of an Etruscan Temple Date: sixth century BCE Period: Etruscan
-model of a typical temple
-wooden columns and roofs
-wall were sun-dried bricks
-narrow staircase for entrance
-Greek style doric columns |
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Name: Apulu (Apollo) Artist: Vulca of Veii (attrib.) Location: from Veii Date: ca. 510-500 BCE Period: Etruscan
-Energy and Excitement
-from temple in Veii
-Brightly painted and depicts rippling folds of a toga garment |
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Name: Tomb of the Reliefs Date: 3rd cent BCE Period: Etruscan
-most elaborate of underground tombs in decoration
-accommodated several generations of one family
-domestic purpose |
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Name: Sarcophagus with reclining couple Location: Cerveteri Date: 520 BCE Period: Etruscan
-reclining at a dinner party
-woman is there which was unheard of before
-shows no influence of the after life
-No death ritual |
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an unglazed hard-baked clay pottery; a reddish brown colour |
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cemetery: a tract of land used for burials |
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the three-headed dog guarding the entrance to Hades |
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Name: Capitoline Wolf Location: Rome, Italy Date: c. 500-480 BCE Period: Etruscan
-Symbol of Rome
-Associated with Roman Republic
- 2 babies (Romulus and Remus) drinking the wolfs milk
-Completed by Atrusion Artists
-blends different styles |
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Name: Aule Metele (Orator) Location: Cortona, Italy Date: early first cent BCE Period: Etruscan
-Addressing the crowd
-expert bronze casting
-depicts a main of high standards, because of his toga and high laced boots |
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Name: Temple of Portunus Date: ca. 75 BCE Period: Roman Republic
-g-d of ports and harbors
-greek style; ionic columns/pediments -Etruscan style; Oriented to front/podium
-built out of Roman stone stuccoed with marble |
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Name: Sanctuary of Fortuna Primigenia Location: Palestrina Date: begun ca. 100 BCE Period: Roman Republic
-made out of concrete
-Rounded buildings
-named after Fortuna= G-ddess of Fortune
-Top of building- held a cave with a fortune teller in it |
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Name: Head of a Roman Patrician Date: ca. 75-50 BCE Period: Roman Republic
-Veristic= all realism very detailed
-age meant power and wisdom
-associated with religion and family
-portrait of family member, showed status |
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Name: Funerary relief with portraits of the Gessii Date: ca. 30 BCE Period: Roman Republic
-3 relief portraits
-L/R= Slaves that were set free
-M= The Slave Owner who set them free |
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Name: House of the Vettii Date: rebuilt 60-79 CE Period: Roman Republic
-Upper-class lifestyle
-Implovian- space for recieving guests
-garden with small rooms surrounding it |
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Of, related to, encountered in, or derived from experience |
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a mythical hero of Corinth who performed miracles on the winged horse Pegasus |
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the basin in an atrium for the collection of rain water, normally connected to a cistern |
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A central room off the atrium of a Roman house. |
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Name: Augustus of Primaporta (Augustus as a general) Date: early 1st cent. CE copy of a bronze of ca. 20 BCE Period: Early Roman Empire
-quotes earlier scupltures
-hands out gesture to people
-wearing roman armor
-Cupid is featured, because he claims to be the son of venus, and cupid is also a son of venus
-conntraposto stance
-quoting earlier works to make up for his young age |
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Name: Ara Pacis Augustae (Altar of Augustan Peace) Location: Rome Date: 13-9 BCE Period: Early Roman Empire
-Alter of peace relates to Pax Romanana
-depict the procession to commence building
-built in a four year period |
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Name: Domus Aurea (Golden House) of Nero Artist: Severus and Celer Date: 64-68 CE Period: Early Roman Republic
-120 foot statue of himself marking his home
-innovated use of concrete
-famously covered in precious materials
-self indulgent space |
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Name: Portrait of Vespasian Date: ca. 75-79 CE Period: Early Roman Empire
-Roman General takes over Roman Flavian Dynasty
-brings back the aged philosopher-like look
-veristic |
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Name:The Colosseum (Flavian Amphitheater) Location:Rome Date:ca. 70-80 CE Period: Early Roman Empire
-big public works project
-built on Neros "private" land
-made in barrel vaults in concrete
-base: Doric Order -2nd Row: Ionic Order -Top: Corinthian Order |
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Name: Arch of Titus Date: after 81 CE Period: Early Roman Empire
- details of the ‘Spoils of Jerusalem,’ ‘The Triumph of Titus,’ and ‘The Apotheosis of Titus’
-commemorates activities of Titus
-shows the people carrying the treasures of the Jewish Temple |
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Name: Forum of Trajan Artist:Apollodorus of Damascus Location:Rome, Italy Date: ded. 112 CE Period: High Roman Empire
-statue of trajan in the middle
-vasilica- largly used for trials
-2 libraries behind the Vasilica |
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Name: Column of Trajan Location: Rome Date: dedicated 112 CE Period: High Roman Empire
-bronze sculpture of Trajan
-decorated all the way up the column
-Images of campaign all the way up
-Trajan appears a lot recognizable and idealized |
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Name: Markets of Trajan Artist: Apollodorus of Damascus Location: Rome Date: 100-112 CE Period: High Roman Empire
-Market place
-equivalent to a modern day malll |
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Name: Pantheon Location:Rome Date: c. 118-125 CE Period: High Roman Empire
-Temple dedicated to all the roman g-ds
-commemorates old temple that was on the land
-on a high podium
-Corinthian Columns, sculptures in pediment |
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Name:Equestrian Statue of Marcus Aurelius Date: c. 175 CE Period: High Roman Empire
-bronze preserved b/c it was thought to be constantine
-similar gesture to Augustus, gesture of mercy
-beard, looks old= philosopher and knowledgeable
-On a horse, military association , control
-wearing a toga= not wearing armor |
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Name: Septimius Severus, Julia Domna, Geta and Caracalla Date: c. 200 CE Period: Late Empire
-Depicted Septimius Severus, wife, and 2 sons
-Geta's picture was scratched out when his brother killed him and took over rome
-Marcus has a beard= which was a tribute to the older leaders with philosopher beards |
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Name: The Tetrarchs Date: c. 305 CE Period: Late Roman Empire
-Showed the 4 rulers (2 Augustus and 2 Ceasars)
-Each Pair was holding their counterpart
-Abstract and Stylized
-No individual likeness
-made out of Prophiry: Hard purple stone |
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Name: Arch of Constantine Location:Rome Date: 312-315 CE Period: Late Roman Empire
-Typical roman form
-next to forum
-symbols from previous empirical artworks= weird because that usually is to disrespect the past rulers but this seems to flatter or honor them |
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Name:Constantine Date:315-330 CE Period: Late Roman Empire
-Giant sculpture
-bronze surrounding it
-re-carved portrait
-youthful, idealized, looking up |
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