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Sandro Botticelli The Birth of Venus ca. 1485 |
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Camera Picta, Andrea Mantegna 1465-74 |
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Campidoglio Michelangelo Rome 1537-45 |
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Piero della Francesca Double Portrait of Battista Sforza and Federigo da Montefeltro ca. 1474 |
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Fresco of naumachia Pierino del Vaga c. 1545 |
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The Holy Trinity Masaccio 1425 |
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“The Beautiful Gardener” Raphael 1507 |
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Ospedale degli Innocenti (Hospital of the Innocents) Filippo Brunelleschi Florence, Italy Begun 1421 |
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Il Gesù Rome Giacomo della Porta 1575-84 |
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Kiss of Judas, Scrovegni Chapel Giotto 1305 |
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The Delivery of the Keys Pietro Perugino 1481 |
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The Last Judgment Michelangelo Sistine Chapel unveiled 1541 |
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Michelangelo Libyan Sibyl (and study) 1508-12 Sistine Chapel, Vatican |
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Palazzo Medici-Riccardi Michelozzo Florence Begun 1444 |
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Palazzo Rucellai Leon Battista Alberti Florence 1453 |
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Palazzo Venezia Architect Unknown Rome 1455 |
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Santa Maria del Fiore “Duomo” Dome by Brunelleschi Florence 1420-1436 |
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Tempietto Bramante Rome 1502 |
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The Tribute Money Masaccio Begun 1425 |
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Venus with the Mirror Titian 1555 |
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Villa Rotonda Vicenza, Italy Andrea Palladio ca. 1567-70 |
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Vitruvian Man Leonardo da Vinci 1485-1490 |
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noting or pertaining to the group of architectural styles existing in Italy in the 15th and 16th centuries as adaptations of ancient Roman architectural details or compositional forms to contemporary uses, characterized at first by the free and inventive use of isolated details, later by the more imitative use of whole orders and compositional arrangements, with great attention to the formulation of compositional rules after the precepts of Vitruvius and the precedents of existing ruins, and at all periods by an emphasis on symmetry, exact mathematical relationships between parts, and a general effect of simplicity and repose. |
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a space within the body of a building but open to the air on one side, serving as an open-air room or as an entrance porch. |
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a mathematical system for representing three-dimensional objects and space on a two-dimensional surface by means of intersecting lines that are drawn vertically and horizontally and that radiate from one point (one-point perspective) |
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pertaining to or involving right angles or perpendiculars: |
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a line intersecting two or more lines |
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the subtle and minute gradation of tone and color used to blur or veil the contours of a form in painting. |
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full scale drawing of the future fresco. |
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Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals and restrained naturalism associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. |
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