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San Hunter Gather Rock Art
Age: About 60 - 40,000 BP Site: Apollo 11 Cave, Namibia
Age: About 77,000 - 75,000 BP Site: Blombos Cave, Republic of South Africa |
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Rock painting Nswatugi Cave, Matopos (Zimbabwe) |
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Rock painting of giraffe and horse Nswatugi Cave, Matopos (Zimbabwe) |
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Rock painting of recumbent trancer Diana’s Vow, Rusape (Zimbabwe) |
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Rock painting of trance dance with shamans and clapping women Drakensberg (South Africa) |
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South Africa, Drakensberg Eland staggers, head lowered, representing both its death agony and entry into trance. Therianthropes—behind it have eland hooves and human bodies. |
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Rock painting of depicting armed conflict between San and mounted colonists Drakensberg (South Africa) |
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Rock painting depicting eland stepping out of crack in the rock Drakensberg (South Africa) |
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Rock painting of oval shape . . . according to Garlake a symbol for the “abdominal wall” Mashonaland (Zimbabwe) |
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Defaced rock painting Domboshava (Zimbabwe) |
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Inland Niger Delta Jenne-Jeno Excations 1977
Inland Niger Delta Figurative sculpture excavated at Jenne-Jeno in 1977 Terracotta 11th-14th century CE h. 22 cm Excavated by McIntosh |
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Inland Niger Delta Figurative sculpture excavated at Jenne-Jeno in 1981 Terracotta 12th-14th century CE h. 27 cm |
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Inland Niger Delta Equestrian figurative sculpture Terracotta 9th-12th century CE h. 44 cm |
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Inland Niger Delta Figurative sculpture Terracotta 9th-12th century h. 30 cm |
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Inland Niger Delta Figurative sculpture of woman holding a smaller figure Terracotta 9th-12th century (Garlake) h. 44 cm |
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Inland Niger Delta Figurative sculpture Bankoni style Terracotta 14th-15th century CE |
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Bura (Asinda-Sikka) Cemetery with pots Terracotta 3rd-10th century CE |
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Bura (Asinda-Sikka) Sculptures of human heads Terracotta 3rd-10th century CE h. 20 cm, 17 cm |
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Tumulus of Karauchi (Sokoto) Nigeria Male bust 50 CE (± 200) h. 21 in. |
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Nok Head of human figure (“Jemaa head”) Terracotta ca. 500 BCE h. 25 cm (near life-size) |
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Nok Head of human figure (“Dinya head”) Terracotta 500-200 BCE h. 36 cm (life size) |
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Nok Figurative Sculpture Terracotta |
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Durbi Takusheyi 15th century TL: Burial 5, textile fragment TR: Burial 7, beads from beaded belt BL: Burial 7, gold jewelry BR: Burial 7, beads with preserved thread |
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Durbi Takusheyi Mamluk brass bowl (14th century) Burial 7 Large bowl w/ rollout of decoration/inscription |
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Timbuktu Sankore mosque Built ca. 1300 |
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Timbuktu Djingure Ber mosque Built ca. 1325 |
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Songhay Empire Gao Tomb of Askia Muhammed Built ca. 1500 |
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Jenne Great Mosque 1500 / 1907 |
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Jenne Great Mosque 1500 / 1907 |
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Igbo Ukwu Cuprous roped-pot h. 32.3 cm Isaiah’s compound ca. 800-1000 CE |
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Igbo Ukwu Two views of cuprous altar stand h. 27.5 cm Isaiah’s compound ca. 800-1000 CE |
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Igbo Ukwu Curpous bowl (gourd skeuomorph) diam. 25.7 cm Isaiah’s compound ca. 800-1000 CE |
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Igbo Ukwu Cuprous vessel (skeuomorph of snail shell) with leopard l. 20.1 cm Isaiah’s compound ca. 800-1000 CE |
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Igbo Ukwu Cuprous staff head h. 17.5 cm Isaiah’s compound ca. 800-1000 CE |
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Igbo Ukwu Hilt or finial of equestrian figure h. 15.7 cm Richard’s compound ca. 800-1000 CE |
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LEFT Head of an Oni 14th-early 15th century Wunmonije’s Compound Discovered 1938-39 h. 32.5 cm, 10.5 lbs. Willett #11
RIGHT Head of an Oni 14th-early 15th century Wunmonije’s Compound Discovered 1938-39 h. 29.9 cm, 15 lbs. Willett #5 |
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Obalufon II mask 14th-early 15th century Made of copper h. 33 cm (13 in) |
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Figure of Oni Late 13th-early 15th century Thermoluminescence date of ca. 1365 Ita Yemoo Discovered 1957 h. 47.3 cm, 25.5 lbs. |
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Ritual pot from Obalara’s Land 13th-14th century Buried in a potsherd pavement with only neck showing, bottom broken before placed in the pavement, suggesting that libations poured into it were meant to penetrate the earth. h. 21.5 cm |
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Crowned hippopotamus head Lafogido Compound, Ife 12th-15th century h. 12.7 cm |
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Fragment of Obalara’s Land 12th-15th century Discvered in 1974 by Peter Garlake h. 15.3 cm
About the iwa (beauty) . . . the beauty of “differentness” (creation of Obatala, patron of dwarfs, hunchbacks, other physically extraordinary individuals) |
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Seated figure From Tada (Nupe Village on right bank of Niger River) Late 13th-14th century Thermoluminescent dated to c. 1300 Copper |
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a : of or relating to the walls of a part or cavity b : of, relating to, or forming the upper posterior wall of the head |
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Hunter-Gather Tribe of South Africa |
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Hills in south-west Zimbabwe that house the Nswatugi Cave Rock Paintings. |
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National monument site in Zimbabwe that houses rock paintings; the example of the defaced painting. |
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Caves in South Africa, houses examples of San ceremonial rock art, including depictions of dying Eland, Trance Dances, and war with colonialists. |
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Revolutionized the understanding of San Rock Art by interpreting images through ethnographic evidence from Drakensberg. |
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(esp. of a deity) combining the form of an animal with that of a man. |
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The process of, or particles fallen from, the weathering of rock. |
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Process of seeing light without it having entered the eye, a type of hallucinogenic experience associated with trance dances. |
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"interpretation of archaeological remains by comparison to historical cultures." What David Lewis-Williams used to understand the San rock paintings. |
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"large area of lakes and floodplains in the semi-arid Sahel area of central Mali, just south of the Sahara desert." Supported complex trade systems and home of the town, Jenne-Jeno. |
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Modern-day Jenne-Jeno, home of the Great Mosque. |
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The Songhai are thought to have settled at Gao as early as 800 CE, but did not establish the city as their capital until the 11th century, during the reign of Dia Kossoi. During the second half of the 13th century Gao was conquered by the Mali Empire, and remained under its control until the 15th century, when Songhai reclaimed it as its capital. |
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Askia Muhammad I (ca. 1443 – 1538), born Muhammad Toure in Futa Tooro, later called Askia, also known as Askia the Great, was an emperor, military commander, and political reformer of the Songhai Empire[1] in the late 15th century, the successor of Sunni Ali Ber. Askia Muhammad strengthened his country and made it the largest country in West Africa's history. At its peak under Muhammad, the Songhai Empire encompassed the Hausa states as far as Kano (in present-day Nigeria) and much of the territory that had belonged to the Songhai empire in the west. His policies resulted in a rapid expansion of trade with Europe and Asia, the creation of many schools, and made Islam an integral part of the empire. Due to his efforts, Songhai experienced a cultural revival it had never witnessed before, and the whole land flourished as a center of all things valuable in learning and trade.[2] |
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Musa I (c. 1280 – c. 1337), was the tenth Mansa, which translates as "King of Kings" or "Emperor", of the wealthy Malian Empire. At the time of Mansa Musa's rise to the throne, the Malian Empire consisted of territory formerly belonging to the Ghana Empire and Melle (Mali) and immediate surrounding areas, and Musa held many titles, including: Emir of Melle, Lord of the Mines of Wangara, and Conqueror of Ghanata, Futa-Jallon, and at least another dozen.[1] |
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Askia Muhammad I (ca. 1443 – 1538), born Muhammad Toure in Futa Tooro, later called Askia, also known as Askia the Great, was an emperor, military commander, and political reformer of the Songhai Empire[1] in the late 15th century, the successor of Sunni Ali Ber. Askia Muhammad strengthened his country and made it the largest country in West Africa's history. At its peak under Muhammad, the Songhai Empire encompassed the Hausa states as far as Kano (in present-day Nigeria) and much of the territory that had belonged to the Songhai empire in the west. His policies resulted in a rapid expansion of trade with Europe and Asia, the creation of many schools, and made Islam an integral part of the empire. Due to his efforts, Songhai experienced a cultural revival it had never witnessed before, and the whole land flourished as a center of all things valuable in learning and trade.[2] |
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