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1267-1337 frescoes, simple perspective |
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1381-1455 door panel depicts sacrifice of Isaac |
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1389-1446 founder of modern sculpture |
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1444-1510 established an image of female beauty |
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1452-1519 use of sfumato (Italian word fumo, or smoke) which uses mellowed colors and a blurred outline |
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1483-1520 School of Athens Sistine Madonna |
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1477-1510 innovations in the subject matter of landscapes |
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1488-1576 well known for his portraits of patrons and greatest colorist |
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1518-1594 distortion of elements, acidic colors, twisted positioning chiaroscuro- dramatic contrasts of dark and light |
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1475-1528 religious scenes and depiction of Christ's crucifixion |
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combined naturalistic detail with theoretical ideas developed |
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1571-1610 caravaggesque- use of light and dark naturalism |
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1593-1652 self portraits and Old Testament Women |
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1598-1680 child prodigy influence of theatrical background |
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1577-1640 works of great energy |
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1606-1669 broke tradition and depicted members with more attention than others |
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1599-1660 building figures from patches of color |
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works of gaiety, romance, and grand life at court |
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1684-1721 inventor of fete galante depicted members of nobility enjoying leisure time |
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1703-1770 favorite painter of Madame Pompadour |
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direct challenge to Rococo and associations with aristocracy |
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1748-1825 joined members of the new government dedicated painter to Napoleon |
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1780-1867\sharp outlines, unemotional figures, careful geometric composition, and rational order |
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1819-1877 Realism Stonebreakers |
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1832-1883 first Impressionist Luncheon in the Grass caused uproar |
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1840-1926 urged his fellow artists to work outdoors |
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1839-1906 Post-Impressionism redefining art in terms of form |
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1859-1891 placed an emphasis on the scientific rules of color. |
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1853-1890 vigorous brushwork and twisting forms |
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