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2500-2300 BCE Cycladic Marble Matriarchal society Exaggerated figure Relief/sculpture in the round dead or sleeping (mummies) negative space geometric |
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2700-2500 BCE Cycladic Marble NOT A KING Convention set for face: |> Simplistic |
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1700-1400 BCE Minoan Rubble & Bricks Loosely gathered civilization crenelations & open architecture Megaron picked up by Myceneans frescoes |
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1450-1400 BCE minoan fresco tiny waist and feet in women, convention animated expressions curly hair influencing egypt in 1400 |
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1450-1400 BCE fresco minoan |
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Landscape with Swallows** |
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1650 BCE fresco minoan First pure landscape animated colorful bands of wildflowers |
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Sarcophagus from Hagia Triada |
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1600 BCE Faience? not monumental sculpture clay tiny wrists and waists Assyrian relief? Apotropaic (warding off evil) minoan |
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1500-1475 BCE Ivory, gold, serpentine and rock crystal prefigures greek kouros left foot forward Chryselephantine minoan |
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1500 BCE hagia traida gold leaf, luxurious use of overlapping understanding of human anatomy animation of faces egyptian influence minoan |
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1800-1700 BCE phaistos [fish] minoan |
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Marine style octopus jar* |
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1500 BCE Palaikastro minoan Dark on white highly passionate |
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1400-1200 BCE Mycenean Cyclopian architecture Massive Megaron from Minoans |
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in the Tyrins citadel (1400-1200) Myceneans famous corbeling corbeling=sloping arches of stone 3 methods: post&lintel corbeled arch arch |
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1300-1250 BCE mycenean limestone predated gate of Persepolis post&lintel+relieving triangle with lion relief lion's gate from hittites in Turkey minoan-little head, big body |
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1300-1250 BCE mycenean Tholos used relieving triangle vault=largest uninterrupted interior space for 1500 years vault=tomb |
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1600-15 BCE mycenean Grave circle A beaten gold first attempts at life-size face Egyptian influence |
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Inlaid dagger blade depicting lion hunt |
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1600-1500 BCE mycenean bronze |
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1200 BCE mycenean great contrast from minoans reminiscent of standard of Ur |
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a rise in prevalence of study and appreciation of the human figure (Greek) |
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740 BCE greek preclassical-geometric krater vase from Dipylon cemetary narrative set pattern conventions gravemarker use of registers geometric bodies- minoan waists and cycladic triangles |
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750-730 BCE greek preclassical-geometric human composite phallic emphasis convention |
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625-600 BE greek preclassical-orientalizing black figure amphora heraldic composition eastern rosettes |
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625 BCE greek archaic cella based on megaron pronoas=vestibule convention built to house cult statue technically sculpture based on perfect proportion and harmony |
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650-625 BCE greek preclassical-orientalizing limestone egyptian influence |
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beginning of large, freestanding, human sculpture |
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600 BCE greek preclassical-archaic marble nude use of negative space egyptian hair, face, body type represented gods, warriors, atheletes |
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560 BCE greek preclassical-archaic "moschophoros" archaic smile=figure was alive not kouros christian imagery from the acropolis |
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530 BCE greek preclassical-archaic a step up from Kouros 1 |
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530 BCE greek preclassical-archaic may be goddess mechanical function in arm greek mastery of drapery |
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520-510 BCE greek preclassical-archaic leftover color encaustic-wax for paint |
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francois vase (kleitias and ergotimos) |
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570 BCE greek preclassical-vase painting kletias and ergotimos black volute krater found in italy use of registers signed by artist found in etruscan tomb |
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achilles and ajax playing dice |
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540-530 BCE greek preclassical-vase painting Exekias attic black figure amphora work vessel |
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herakles wrestling antaios* (euphronios) |
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510 BCE greek preclassical-vase painting Euphronios attic red-figure calyx krater foreshortening |
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three revelers* (euthymides) |
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510 BCE greek preclassical-vase painting euthymides athenian red-figure amphora foreshortening knowledge of anatomy |
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warrior taking leave of his wife* (achilles painter) |
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440 BCE greek achilles painter white-ground lekythos profile eye |
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Artemis and Apollo slaying the children of Niobe (niobid painter) |
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450 BCE greek Niobid painter no ground line attempt at landscape |
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Doryphoros** (polykleitos) |
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450-440 BCE greek low classical Polykleitos "spear-bearer" Canon (treatiste) Chiastic (cross-balance) Perfect balance and harmony posture and posing no expression (classical) |
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480 Persia sacked Athens Pericles rebuilt Athens |
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447-438 BCE greek high classical Iktinos and Kallikrates housed Athena Parthenos lay in ruins due to sack by Persians image of perfection of Greek architecture devoid of sculpture that once adorned it |
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438 BCE greek high classical Phidias statue was lost in sacked adorned in gold set standard for monumental statue |
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Helios, his horses, and Dionysos |
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438-432 BCE greek high classical from east pediment of parthenon |
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Three goddesses (hestia, dione, and aphrodite)* |
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438-432 BCE greek high classical from the east pediment of parthenon positioned to describe timeline of Athena's birth |
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held every 4 years depicted in the processional frieve, 447-438 BCE entered through the propylaia |
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eventually used as a harem for the persians |
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421-405 BCE greek high classical from the south porch of the erecthion based on the kore reminiscent of atlantids |
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Nike adjusting her sandal |
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410 BCE greek high classical informal view of the goddess humanization at work |
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Aphrodite of Knidos** (praxiteles) |
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350-340 BCE greek late classical proportions stretched head smaller first female statue nude? venus love sign language |
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Hermes and Dionysos* (praxiteles) |
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340 BCE greek late classical informal representation of the gods reminiscent of akhenaton elongated figure |
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spread greek culture via Alexander the Great expressionism |
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Battle of Issus & Detail ** (philoxenos) |
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310 greek hellenistic pompeii tessera mosaic |
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175 greek hellenistic destroyed? ionic collonade 400 ft frieze |
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190 BCE greek hellenistic alighting on a warship baroque sculpture |
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Venus de Milo** (alexandros of Antioch on the meander) |
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150-125 BCE greek hellenistic signed by artist |
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Laocoon** (athanadoros, hagesandros, and polydoros of rhodes) |
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100 CE greek hellenistic odysseus laocoon sculptors |
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women high in society pirates originated from middle east |
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650 BCE etruscan orientalizing use of eastern rosettes and lions gold from egypt small, portable object |
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600 BCE etruscan destroyed (terra cotta and wood) left with vitruvius' description romans inspired 3 cellas statues on top staircase etc etc etc |
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510 BCE etruscan sun god roof of temple terra cotta lively action pose (not quite archaic) sim to Kore from Greek |
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520 BCE etruscan meant to be planted in tombs between egyptian line of depth & greek love of beauty archaic expression, full body figures |
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7-2 c BCE etruscan tufa (volcanic rock) refined hillock tombs |
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flute player (tomb of the leopards)* |
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480-70 BCE etruscan painted tombs=$$$ heraldic composition women & men celebrating on murals decoration on ceiling |
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tomb of hunting and fishing* |
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530-20 BCE etruscan egyptian themes displayed dying youth in greece 480 BCE landscape, minoans 1650 BCE |
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500-480 BCE etruscan romulus&remus bronze 509-Romans expelled last of etruscan kings 15th century CE boys added Roman Republic |
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4th c BCE etruscan greek inspired mythical |
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1st c BCE etruscan link between Roman and etruscan |
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temple of fortuna virilis* |
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75 BCE roman republican pseudo peripteral tufa composite of greek and etruscan |
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portrait bust of roman patrician* |
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mid 1st c BCE roman republican verism old republican bust |
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late 2nd c BCE roman republican styles 1-5 mosaics, still life, family portrait, real life fresco, windows, masonry |
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20 BCE (early 1st century) Roman early empire augustus son of god (JC) spearbearer/orator cupid anklebiter |
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13-9 BCE roman early empire augustus altar of peace |
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16 BCE Roman early empire aqueduct (nimes france) keep romans happy use of the arch roman innovation built to be serviced |
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70-80 CE roman Early empire flavian (ampitheatre) renewed use of concrete 50000 spectators |
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90 CE roman early empire flavian idealistic and pretty |
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81 CE romans early empire flavian triumphal arch latin on top |
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81 CE roman early empire flavian relief from arch of titus |
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the good emperors insula, forum, basilica, nave, clerestory |
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100 CE roman high empire trajan castrum- roman camp convention cardo and decumanus |
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112 CE roman high empire trajan moving on from religious connotations |
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118-125 CE roman high empire hadrian use of oculus and coffering honor all the gods 8 columns back is round agrippa no directional staircase |
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