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Matthias Grunewald
Isenheim Altarpiece
1510-1515 o/p 16th
Northern Europe
Closed: Crucifixion, Lamentation, St. Sebastian, St. Anthony First: Annunciation, Virgin & Child w/angels, Ressurection Second: Temptation of St Anthony |
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Albrecht Durer
The Four Horsemen of the Apocalypse
1498
Woodcut
16th Northern Europe |
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Pieter Bruegel the Elder
The Blind Leading the Blind
1568
o/p |
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El Greco
The Burial of Count Orgaz
1586
o/c |
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Definition
a tempered steel rod, with a lozenge-shaped point and a rounded handle, used for engraving furrows in metal. |
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one of a series of printings |
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a printing process, such as engraving, letterpress, etc, that employs raised surfaces from which ink is transferred to the paper Ink on surface |
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incised carving, as opposed to carving in relief. Ink on burrs |
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the art of forming designs by cutting, corrosion by acids, a photographic process, etc., on the surface of a metal plate, block of wood, or the like, for or as for the purpose of taking off impressions or prints of the design so formed. |
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Bernini Gianlorenzo
Baldacchino (canopy)
1624-1633
gilded bronze |
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Carvaggio
Calling of St Matthew
1600
o/c |
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Artemisa Gentileschi
Judith and her Maidservant with the Head of Holofernes
1625
o/c
Baroque |
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Annibale Carracci
Loves of the Gods Ceiling of the Grand Gallery of the Farnese Palace, Rome
frescoes
1597-1601 |
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Pietro Da Cortona
Allegory of Divine Providence
ceiling of the great hall of the Barberini Palace
1633-9
frescoes |
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Giovanni Battista Gaulli
Triumph of the Name of Jesus
1676-79
fresco and stucco |
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Diego Velasquez
Las Meninas
1656
Baroque |
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Peter Paul Rubens
Raising of the Cross
1610 |
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Peter Paul Rubens
The Garden of Love
1638 |
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Rembrandt van Rijn
The Militia Company of captain Frans Banning Cocq
(The Night Watch)
1642 |
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Jan Steen
The Feast of St Nicolas
1665-68 |
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Jan Vermeer
Woman Holding a Balance
1664
Holland |
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Peter Bruegel the Elder Peasant Wedding 1568 Northern Renaissance |
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Bernini The Ecstasy of St. Teresa 1645-52 Cornaro Chapel |
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Watteau A Pilgrimage to Cythera 1717 Rococo |
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Chardin Back from the Market 1739 Rococo |
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Goya Family of Charles IV 1800 Neoclassical |
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Ingres Grande Odalisque 1814 |
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Hogarth The Orgy (The Rake's Progress) 1734 Enlightenment |
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David Oath of the Horatii 1784 Neoclassical |
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Fragonard The Swing 1766 Rococo |
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David The Death of Marat 1793 Neoclassical |
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Gros Napoleon in the Pesthouse at Jaffa 1804 French Romanticism |
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Delacroix Death of Sardanapalus 1826 Romanticism |
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Goya The Third of May 1814 Romanticism |
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Turner The Slave Ship 1840 Romanticism |
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Gericault Raft of the Medusa 1818-19 Romanticism |
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Constable The Haywain 1821 Romanticism |
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Watteau Gersaint's Signboard 1721 Rococo |
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French term referring to some of the celebrated pursuits of the idle, rich aristocrats in the 18th century—from 1715 until the 1770s |
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French Enlightenment writer, historian and philosopher famous for his wit and for his advocacy of civil liberties, including freedom of religion, freedom of expression, free trade and separation of church and state |
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Rococo in France and England |
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lighter colors, more delicate than Baroque Sensuous brushwork Decorative Erotic & exotic Purpose is to titillate the senses and entertain the viewer Sense of informality and spontaneity in capturing the moment Challenges Baroque’s formalism Subject matters: romantic love – its dreams and disappointments, pleasures and pains, realities and fantasies. Artists studied: Watteau, Fragonard |
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Neoclassicism in France and England |
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Characteristics: emphasis on a linear definition of forms rather than loose painterly brushwork Crisp modeling Sculptural forms Academic, intellectual Subject matters: illustration of heroism and civic virtue, subjects from Antiquity, history painting Artists studied: David, Ingres |
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Terrible, horrific, causing strong emotions |
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Characteristics: painterly (loose brushstrokes, strong colors) Dramatic, sometimes violent Dynamic Emotional, nostalgic, moody Exotic Subjects-matters: individual’s struggle against the state (political freedom and social activism), religious mysticism, insanity, distant places and far-away times, landscape. Artists studied: Gros, Gericault, Delacroix, Goya, Constable, Turner |
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