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El Cerro de Chimayo, NM
1960's planned in early 18th Century
Defensive walls, ceremonial central plaza.
Centralized ideology |
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Plan of New Haven, Connecticut
James Wadsworth
1748
Grid system. Church in middle square and green pasture land.
Straightness and right angles were good and orderly, and godly. Biblical preceps. (New Jeruselum)
Perfectly square, outer squares private property, |
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The Town of Boston in New England
Francis Dewing
1722
Organic. Also found in New York (New Amsterdam). Parrellels the rivers and natural curves of the land. |
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John Freake
The Freake-Gibbs Painter
1671-4
NeoMedevial Style. Textures emphasize, 2-dimensional.
Merchant, to show wealth and link the family back to the high society of England. |
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Mrs. Freake and Baby Mary
The Freake-Gibbs Painters
1671-4
Baby added later, to show heritage. Paired portraits - seperate but meant to hang next to each other.
Shows puritan uprightness by the rigidity of the child.
Portraits have no resale value. |
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The Mason Children: David, Joanna, and Abigail
The Freake-Gibbs Painter
1670
Again to trace heirs. David is breached, meaning the start of training as a man of 8.
Age of children writen on the canvas flattens it. Rigidity again shows puritan values. |
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Self Portrait
Captain Thomas Smith
1680
Attempt at introducing 3-dimensionality in face, lace collar, fold in letter over table.
Issue with horizon line in window in background.
Reminder of mortality with will and skull, one of the 1st self portraits done in the colonies. |
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Portrait of Edward Winslow
School of Robert Walker (attributed)
1651
In contrast to the Freake-Gibbs paintings, this one has more realism - Anglo-Dutch style.
Governor, trying to rise up in society from working class.
Cunning, wants to be depcited as a kind and cunning gentleman. |
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Santero - anonymous artisans produced images of saints for domestic and communal use.
Bulto - figure of th saints, carved in wood and produced throughout the catholic cultures of the southwest.
Retablo - usually a religous image of a saint, typically painted on wood panel, either separate or part of a larger ensemble.
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Retablo in Church of San Jose, Laguna Pueblo
1800-1809
Triune Trinity - from medieval period but fallen out of use in Renaissance. All same, where as everyone else had three separate trinities. |
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Castillo de San Marcos, St Augustine, FL
1672-87
based on renaissance designs made with coquina mixture of shells and sand compressed). Indian laborers added to the population and spurred development. |
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Meeting House, Hingham, MA
1681
Designed as social and civic place and house of worship. Puritan idea that god could be experienced in any setting (no need for steeples and crosses).
Did its best to look ordinary. |
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St. Luke's Church (Newport Parish) VA
1632/1685
Could be mistaken for a small medieval church in England. Gothic-style windown/altar table.
Also began to mimick the Spanish churches beginning to rise of the other side of the continent. |
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John Ward House, Salem, MA
1684
Steep gables, and decorative chimney (sometimes false chimneys to seem more wealthy).
Second-story overhang or jutt charateristic of New England homes.
Ground floor as a hall and a parlor
Upstairs beds and textiles.
Shared quarters were not minded, and extra money went to liverstock and land rather than home improvements. |
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Fairbanks House, Dedham, MA
1636, 1654, before 1668
lean-to - fireplaceless back room with a shed roof reaching almost ot the ground.
houselets - one room on sides of house with dormer room above. (for married sons)
Girt - cross section to provide suppport
Gambrel roof - one slope shallow, the other steep.
Stayed in the family until this day, additions added depending on families social scale. |
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