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Story by Edith Worton and tragic character in her her book of the same name |
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The name given to the cultural, social, and artistic explosion that took place in Harlem between the end of World War I and the middle of the 1930s. |
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Refers to a group of writers and poets who were American, but several members emigrated to Europe. The most famous members were Gertrude Stein, Ernest Hemingway, F. Scott Fitzgerald, and T. S. Eliot. |
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Protagonist in Washington Irvings Sleepy Hollow |
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Poet and a noted member of the Harlem Renaissance. |
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Style of writing often organized into stasis which contain the authors thoughts containing the authors thoughts on a theme |
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Works that contain elements of characters, dialog, and plot |
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A style and theory of representation based on the accurate depiction of detail. |
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Refers to taking notes as you read but not just on “what happens.” As an active reader, you take notes on how the setting affected a scene, how a character changed, what you learned about a character, or how you saw the theme of the story in a scene. |
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Short story by Edgar Allen Poe |
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the character who opposes or works against the protagonist |
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The dramatic struggle between two forces in a story |
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Basic triangle plot structure that used the beginning middle, and end to describe a story that moves in a linear path |
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Uses words that have more than one meaning through sarcasm, irony, or a play on words. It can be used to imply hidden meaning |
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An American poet born in Amherst, Massachusetts. |
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an artistic movement in which artists and writers represent objects, events, or social conditions as they really are. |
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Starting from Aristotle in the 4th century BCE, studies the art of literature and explores the ways that literature affects us emotionally, intellectually, and aesthetically. |
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American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. He was one of the earliest innovators of the then-new literary art form called jazz poetry. |
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Refers to the way that an author uses words— diction, syntax, figurative language, imagery—and how these rhetorical devices work together to create the mood, tone, and meaning of a text. |
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The formalist critic looks at the literary work itself – its forms, designs, or patterns – and assesses how the work functions as a harmonious whole. |
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