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an independent, self-governing city |
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the way in which an artist organizes forms in an artwork, either by placing shapes on a flat surface or arranging forms in space. |
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one of a series of superimposed bands or friezes in a pictorial narrative, or the particular levels on which motifs are placed. |
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gift of gratitude to a deity |
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a carved stone slab used to mark graves or to commemorate historical events. |
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the distinctive identifying aspect of a person, for example, an object held, an associated animal, or a mark on the body. |
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the ways images could act in the world and the world around them. Culturally embedded ideas. |
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upright stone or slab structure |
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stepped pyramid. Monumental base for a temple. Held cult images. Only for priests and rulers. Sumerian. |
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Large room with lines of columns of support columns along the hall. |
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Figures arranged in order of where they stand in the grand sceheme of society |
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Crown of upper Egypt. Shaped like a bowling pin. |
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a slate slab used for mixing makeup. Sometimes ornately decorated. |
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a composition that is symmetrically on either side of a central figure. |
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an Egyptian rectangular brick or stone structure with sloping sides erected over a subterranean tomb chamber connected with the outside of the shaft. |
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a small concealed chamber in an Egyptian mastaba for the statue of the deceased. |
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a half-rounded column attached to a wall. |
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Column not attached to a wall |
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A temple erected for the worship of a deceased person |
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the wide entrance gateway of an Egyptian temple, characterized by its sloping walls |
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Carefully cut and regularly shaped blocks of stone used in construction, fitted together without mortar. |
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A hall with a roof supported by columns. Temple of Amon-Re at Karnak. |
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a cubic stone image with simplified body parts. |
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A rule, for example, of proportion. PALATE OF NARMUR IS CANON OF EGYPTIAN ART |
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relief in which artist cuts the design. Goes into the piece. |
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Minoan pottery, creamy white and reddish brown against a black background. Sometimes abstract designs and patterns, repeating. |
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Priest King Fresco (Knossos) |
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Incorporates relief with fresco. Figure projects from background of the wall. Figure has been reconstructed on other works of the era, such as the Chieftain cup. Standing upright in stride, arm behind body. |
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Sculpture at Knossos, low fired and opaque,
painted, woman with exposed breasts holds snakes in both hands, flounced skirt[image] |
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Low-fired opaque glasslike silicate (Ex: Snake goddess statue) |
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Hard fired surface is turned into fragile delicate piece with plants and reeds on it. Stylized flowery decorations. Elegant. |
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Dark figures on light ground. Sea creatures like octopus depicted. Torsion, fit vessel perfectly. Impression of motion. |
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Incorporated Floral and Marine elements, but also adds features, such as the practice of confining decor in reserves and bands, emphasizing the base and shoulder of the pot and the movement towards abstraction |
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Ceremonial vessel for drinking. Often shaped like an animal’s head. |
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oblique placement of a design so the dynamic aspect is emphasized |
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Beehive shaped tomb with a circular plan. Saved for the elite. |
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Passage leading to a Tholos tomb |
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Method of stone construction, using massive irregular blocks without mortar. Used in Mycenaean sites. |
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Large reception hall and throne room in a Mycenaean palace. Fronted by an open 2 columned porch. |
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monumental gateway, possibly leading to a temple |
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courses of stone or brick that priject beyond the beneath it. When two meet at a topmost point, creates a corbeled arch. |
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Triangle opening above the lintel (opening) that serves to lighten the weight carried by the lintel (opening). |
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Major God in Mesopotamia. Goddess of fertility, love, war, human sexuality. Depicted by bundles of reeds. (Uruk Vase) (Sumer) |
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In Stele of the Vultures, Won a minor skirmish (Sumer) |
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King Narmer- “United” Upper and Lower Egyptian Kingdoms. On Palate of King Narmer. |
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Architect of Steppe Pyramid of King Djoser at Zakara. First definitively recorded artist. Revered as nobility and Godlike. |
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First recorded female pharaoh of Egypt. New Kingdom. Often times, depictions of her were destroyed or made to look like a man. Had great funerary monument.
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Pharaoh during Amarna period. Stele of Akhenaten. Through out religious beliefs, worshipped sun disk Aten. Married to Nefertiti. Departure from accepted. Unorthodox. |
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Rich German banker, used fortune to try to research Homeric poems and prove they were fact. First to excavate Bronze Age Aegean sites |
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The “Schliemann” of Knossos. Found Minoan civilization and described Linear A and B. Contemporary and friend of Schliemann, continued his work after he died. |
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