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Charles Wilson Peale. Artist in his Museum. 1820 -naturalist, collected artifacts -didn't want any association with Europe -clothing is American |
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Charles Bird King. The Poor Artist's Cupboard. 1815 -has tromp l'oiel -studied with West -not a genre more still life |
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John Lewis Krimmel. Fourth of July in Center Square Philadelphia. 1810 -genre -sense of different classes, black figures |
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William Sydney Mount, Eel Spearing in the Setauket, 1840 -contradictions of black people at this time -the patron is an old man who wants a memory from his childhood |
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George Caleb Bingham. Fur Traders Descending the Missouri. 1840 -noted for landscapes -there was a fear of inter-race mingle -originally called "half breed son" -luminism reflected in water |
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George Caleb Bingham. The Jolly Flatboatman Port. 1860 -genre and riverboat painting -theatrical, dancing -idealized the midwest as better more relaxed |
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Lily Martin Spencer. Kiss Me and you'll Kiss the 'Lasses. 1860 -mostly self-taught -falls into stereotypes but teases viewer -takes pleasure in herself, safe, domestic place |
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David Gilmore Blythe. Art versus Law. 1860 -almost forgotten artist -genre -turned to satire -social injustice -creativity is not valued |
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