Cimbaue Madonna Enthroned with Angel and Prophet

1280-90 Tempura on wood

-She is much larger

-In point of triangle

-Surrounded by angels

-Wings create implied lines

-Hands pointing towards her-her hand points toward christ child

-Gold background and apline nose are influenced by brzyantine icons

-prophets are below horizontal line

-Has linear perspective

Giotto- Arena Chapel

1305-6

-Light source very important

-Created entire series of fresco in room

-Light source is also in the paintings

Donatello- Saint Mark

Florence Italty

ca 1411-1413

-Marble 7'9 tall

-Hypo realism

-controposto

-realism of clothing-linen garment

-Holding book of bible

-Looks like a figure of the greek roman world

-First time controposto has been seen since Greek

Donatello- David

ca 1440-1460

-Bronze

-First nude figure in Renassaince

-Standing on Giants Head ( After Slaying)

- David is portrayed as a young boy holding a sword

Masaccio- Tribute money

Brancacci Chapel

Santa Maria del carmine

1424-1427

Fresco

-Jesus wearing traditional blue and red

-everyone is looking at him and pointing at him

-Mountains imply lines towards him

-Short toga: money collector, not as important, controposto,increasing naturalism

-Asking christ for taxes

-Foreground and background is used by architecture

-Aerial perspective in background

-light source on left creates dramatic shadows

Leonardo Da Vinci- Last Supper

1495-8

-Linear perspective

-jesus outlined in window with a half circle on top representing a halo

-your both inside and outside the scene

-Jesus wears blue and red which embodies the colors of everyone else surrounding him

Leonardo da vinci- Mona Lisa

1503-6

-Most famous portrait

-naturalistic

-Doesnt hold anything that depicts her class in society

-She is looking directly at the viewer which in that time wasnt allowed for women

-Vistas and roads in the background lead to nowhere

Chiaroscuro: Lights and darks to show modeling, 3D with lights and darks

Sfumnto:Haziness

Michael angelo- Sistine Chapel: Creation Of Adam

1510

-Muscular figures

-Adam looks over at God while God Looks at Adam

-The hands in this piece are famous

-Unformed landscpae

-Adam is still material or part of the unformed earth

-Figure near god is debated to either be eve or mary with the christ child

-Viweres eyes follows left to right and then back to middle

-Arms lead back to the christ child

-Curves and Diangionals are present

-Adams concave body fits Gods convex body

Bramante-Tempietto

1502-1510

-Ideal church

-modern renassaince version of ancient temple

-The location is the most important part: believed to be where saint peter was cruxified

-activated by the relics with in the church

-Very minimal

-Integrates the dome, drum and base

-Bramante Tempietto started high renassaince era

Pontormo-Descent from the cross

1525-8

-Mannerist characteristic ( small head large body)

-color palette very light and bright

-Mary in blue

-Mannerist artists did not try to conceal

-christ appears sleepy

-vertical orientation

-Gap in middle of composition

-no focal point

Grunewald-Isenheim altarpiece (closed)

-1513-5

-parts of panels close in

-palette is limited in color

-createed for a hospital

-consists of a wooden shrine with two saints

-4 subjects: cruxifiction in middle, two saints on right and left,  prevella(Little section below)christ is off of the cross

-Panels hint of dying from dieases and miracles to relieve suffering

Giotto -Lamentatin 1305

-Light is directly above them

-your looking in

-main focus on jesus

-emotion in angels amd faces of diciples

-Wall leads you to jesus

Nicola Pisano, Pulpit in pisa Bapistery 1259-1260

-people get baptised here

-animal base

-fancy capitol

Nativity Pulpit:

-large figure of mary most important

-compossed of a bunch of scenes containing mary

Competiton panels for Florense bapistery doors

Ghiberti, sacrifice of Issac 1401-2

v.s

Brunelleschi, sacrifice of Issac 1401-2

Ghiberti Won: rocky division of space that creates a divsion of figure-it is very clear abraham is going to sacrifice Issac, flowy drapery creates movement, controposso by Issac, More relevent to the time period

Ghiberti cast doors ( Gates of paridise)

-Issac and son

-you can identify Issac because we can always see his face

-Mulitply scenes in one picture

-The archieture displays linear perspective

Massacio- Holy trinity, santa maria Novella, Florence Italy

-Fresco

-1424-27

-copper ceiling leads you to feet

-blue figure ( mary) pointing at him

-implied x by color to reinforce focal point at feet

-implied cross by sarcophagus

-implied cross by feet

-praying people are patrons

Sandro Botticelli-Primavera

-1428

-Allegory Representation

-Themes of spring

-narrative

Allegory:

Michael angelo-David

-was originally outdoors

-sligshot

-Scale;hands larger than life size and so is head( it person it appears to be accurate)

-You have to look at it in a certain angle

-marble

-eyes have facet cut

-moment before slaying galleth

-controposto

Micheal angelo-Fall of men

-sistine chapel

-1510

-more than one narrative-contineous narration(2 or more moments)

-Moment before and moment after

-serpent made into gender of female to represent tempation

-second scene angel casting them out of Garden of eden, Adam and eve then realize modesty

Michaelangelo-The last Judgement

-1534-41

-very large fresco

-small heads/contorted features

-triumphing angels/ascending good

-falling damned/demons on right tortue damned

-right & left

-self portait of michaelangelo on the man who skinned men

Raphael-Mariage of the virgin

-1504

-Pyramdal composition

-rich tones, lights, clarity

-mary-Paegan beauty-characteristic colors

-linear perspective

Raphael-Philosophy (school of athens)

-1510-11

-linear perspective-shown by archeticture

-2 figures in arch way are paegan:

Plato: plato holds books and points towards heaven

Aristole:holds book point earth

-Fresco:colors vibrant

-Great gathering of philosophers and scientists

-paegan statues on left and right: Apollo & Athena ( They always look upon the gathering)

-Self Portraits of other artists are included in the painting

-floor leads towards two central figures

-painting allows you to see into the space

-molding renassiance views for the modern

Raphael-Leo X with Cardinals Giulio de'medic and Luigi de' Rossi

-1517-8

-color-textures-velvet robes-textured round face

-eyeones facing different directions

-minimal archetucture in background

-peculiar lighting source

-foreground & background portrayed by use of table