Term
Calling of St. Matthew
Caravaggio
1599 |
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Facade St. Peter's
Moderno
1607 |
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Piazza St. Peter's
Bernini
1656 |
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San Carlo alle Quattro Fontane
Borromini
1638 |
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Immaculate Conception
Velazquez
1619 |
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Christ on the Cross
Zurbaran
1627 |
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Christ on the Cross
Velazquez
1630 |
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St. Serapion
Zurbaran
1628 |
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Holy Family with a Bird
Murillo
1650 |
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Las Meninas
Velazquez
1656 |
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Henri IV Receiving the Portrait of Marie de'Medici
Rubens
1622 |
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Charles I and the Hunt
Anthony Van Dyck
1635 |
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Officers of the Harlem Militia Company of St.Adrian
Frans Hals
1633 |
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Self Portrait
Leyster
1635 |
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The Night Watch
Rembrandt
1642 |
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The Three Crosses
Rembrandt
1653 |
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Landscape with Saint John on Patmos
Poussin
1640 |
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Woman Holding a Balance
Vermeer
1664 |
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Palace of Versailles
Le Vau & Mansart
1665 |
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Hall of Mirrors
(Palais de Versailles)
Mansart
1678 |
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Central Block of the Garden Facade
(Versailles)
1668 |
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St. Paul's Cathedral
Christopher Wren |
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Chiswick House
Richard Boyle (Lord Burlington)
1724 |
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Salon de le Princesse
Germain Boffrand
1665 |
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Salon de la Princesse/Hotel de Soubise
Boffrand
1665 |
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Pilgrimage to the Island of Cythera
Watteau
1711 |
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Portrait of Marie Antoinette with Her Children
Vigee-Lebrun
1787 |
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Oath of the Horatii
JL David
1785 |
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Large Odalisque
Dominique Ingres
1814 |
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Raft of the Medusa
Gericault
1818 |
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Liberty Leading the People
Delacroix
1830 |
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The Sleep of Reason Produces Monsters
Goya
1799 |
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The Third of May
(Execution of the Madrilenos)
Goya
1815 |
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The White Horse
Constable
1819 |
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The Slave Ship
Turner
1840 |
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Stone Breakers
Courbet
1850 |
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Mademoiselle V in the Costume of an Espada
Manet
1862 |
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Luncheon on the Grass
Manet
1863 |
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Impression Sunrise
Monet
1872 |
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The Rehearsal of the Ballet on Stage
Degas
1874 |
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Maternal Caress
Cassatt
1891 |
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Offering the Panal to the Bullfighter
Cassatt
1873 |
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Mont Sainte-Victoire
Cezanne
1885 |
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Starry Night
Van Gogh
1889 |
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Wainwright Building
Sullivan
1890 |
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an intaglio print making technique imitative of water color
ie: The Sleep of Reason Produces Monsters
Maternal Cassatt |
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the bodily taking up of the Virgin Mary into heaven at the end of her life |
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a young, pompous man
ie: Calling of St. Mathew
(carvaggio) |
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-16th century council of the Roman Church
-issued condemnations on protestant heresies & defined church teachings in the scripture & tradition
-condemned protestants & defined churches |
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-Catholic Church revival starting with the Council of Trent
-Catholics response aganist the PR's critcisms of art in Roman Catholicism to produce a more stringent style of Catholic art.
-Art was to be direct & compeling in its narrative presentation & biblically accurate & encourage piety.
-Removal of additional imaginative elements to biblical art. |
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a wall in a building that does not support any of the weight of the structure.
ie: Wainright Building
(Sullivan) |
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-Island of Venus (pleasure & love)
ie: Pilgrimage to the Island of Cythera
(Watteau) |
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-influential prestigous art school in France that many important artists attended. |
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-elite cultural movement of intellectuals in the 18th century that sought rational thinking in order to reform society & advance knowledge.
-opposed intolerance & absuses of church and state. |
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-metal plate coated with acid resistant resin, then inscribed with a stylus in a design revealing the plate.
-uses a sharp needle to scratch shallow lines in a plate.
-can work very close to the plate |
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-lifelike depiction of their world in portraiture.
-scenes from everyday life, still life, also religious scenes.
-intense emotional involvement, lifelike renderings, & classical references may exist. |
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-when forms emerge from a dark background into a strong light that often falls from a single sources outside the painting.
-theatrical spotlight
ie: Calling St. Matthew (carvaggio) |
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-heavily applied pigments
-created a rich luminous chiascuro ranging from deep drak shadows to brillant highlights. |
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-a painting or print of a fantastic imaginary landscape usually w/architecture |
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-the theatrical plane corresponding w/ the actual surface of a painting, separating the spatial world evoked in the painting from the spatial world occupied by the viewer |
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-a subject painting depicting well dressed people at leisure in a park or country setting (outdoor elegant festival) |
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-the illusion created on a flat surface in which figures & objects appear to recede or project sharply into space.
ie: Charles I and the Hunt
(his elbow) |
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-the conception of the Virgin Mary without original sin |
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-a style in French & American 19th Century art was highly influenced by Japanese art.
-flattened figures & picture plane
ie: Maternal Caress
The Rehearsal of the Ballet on Stage |
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-the viewer can physically see the artist's hand & their brushwork also called painterly |
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-the depiction of realistic objects in a natural setting.
-realism advocated naturalism in reaction to the stylized & idealized depcitions of subkects in Romanticism. |
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-response to the perceived excess of the contemporary Rococo style w/greater restraint in composition & severity of line.
-emulated both classical & rennassaince structures.
-emphasized by order and simplicity.
-inspired by the emphasis of matrial courage seen in the Greek & Latin epics.
-ie: Oath of Horatii |
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-the fascination w/middle eastern cultures |
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-a style of painting which emphasizes the technique & surface effects of brush work |
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- a term describing the taste for the familar the pleasant & the agreeable , popular in 18th & 19th Europe.
-picture-like quality of landscape scenes.
ie: Chiswick House (Boyle) |
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