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Artist: George Grosz
Name: Pillars of Society
Date: 1926
Medium: oil o/canvas
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Otto Dix, Der Krieg (TheWar), 1929-1932, oil and tempera o/wood |
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Otto Dix, Prager Strasse (Prague Street), oil and collage o/canvas, 1920 |
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Piet Mondrian, Composition No. 10: Pier and Ocean, 1915, oil o/canvas |
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Piet Mondrian, Composition in Red, Blue, and Yellow, 1930, oil o/canvas |
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Gerrit Rietveld, Schröder House, Utrecht, NL, 1924 |
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Gerrit Rietveld, Red/Blue Chair, 1918, wood |
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Walter Gropius, Shop Block, the Bauhaus, Dessau, 1925-1926 |
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Paul Klee, Twittering Machine, 1922, watercolor with pen and ink |
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Josef Albers, Homage to the Square: Ascending, 1953, oil on composition board |
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Marcel Breuer, Tubular Chair, 1925 |
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László Moholy-Nagy, Light Space Modulator, mobile construction of steel, plastic, and wood, 1921-1930 |
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Ludwig Mies van der Rohe, German Pavilion, International Exhibition, Barcelona, 1929 |
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Le Corbusier, Villa Savoye, Poissy-sur-Seine (France), 1929 |
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Le Corbusier, Unité d’Habitation, Marseille (France), 1946-1952 |
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Georgia O’Keeffe, Light Coming on the Plains, No. II, 1917, watercolor |
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Charles Demuth, My Egypt, 1927, oil o/composition board |
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Marsden Hartley, Portrait of a German Officer, 1914, oil o/canvas |
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Edward Hopper, Nighthawks, 1942, oil o/canvas |
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Grant Wood, American Gothic, 1930, oil o/beaverboard |
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Thomas Hart Benton, The Arts of the South, tempera with oil glaze, 1932 |
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Diego Rivera, Ancient Mexico, from the History of Mexico fresco murals, National Palace, Mexico City, 1929-1935, fresco |
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Frank Lloyd Wright, Kaufmann House (Fallingwater), Bear Run, Pennsylvania, 1936-1939 |
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Jackson Pollock, Guardians of the Secret, 1943, oil o/canvas |
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Jackson Pollock, Number 1, 1950 (Lavender Mist), 1950, oil, enamel and aluminum paint on canvas |
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Willem de Kooning, Woman I, 1950-1952, oil on canvas |
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Mark Rothko, Earth and Green, 1955, oil o/canvas |
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Barnett Newman, Vir Heroicus Sublimis, 1950-1951, oil o/canvas |
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Helen Frankenthaler, Bay Side, 1967, acrylic o/canvas |
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Ellsworth Kelly, Red, Blue, Green, 1963, oil o/canvas |
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Robert Rauschenberg, Canyon, 1959, mixed media |
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Jasper Johns, Flag, 1954, encaustic, oil and collage on fabric mounted on plywood
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Andy Warhol, Green Coca-Cola Bottles, 1962, oil o/canvas |
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Andy Warhol, Mao, 1972, acrylic and silkscreen on canvas |
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Tony Smith, Die, 1962, steel |
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Richard Serra, One Ton Prop (House of Cards), 1969, lead, four plates |
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Donald Judd, Untitled, 1969, brass and colored fluorescent plexiglass on steel brackets |
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Joseph Beuys, How to Explain Pictures to the Dead Hare, 1965, performance |
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Robert Smithson, Spiral Jetty, 1970, Great Salt Lake, Utah |
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Christo and Jeanne-Claude, Wrapped Reichstag, 1971-1995, installation |
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Joseph Kosuth, One and Three Chairs, 1965, installation |
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Ludwig Mies van der Rohe and Philip Johnson, Seagram Building, 1956-1958, New York |
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Richard Rogers and Renzo Piano, Georges Pompidou National Center of Art and Culture (the Beaubourg), 1977, Paris |
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Charles Moore, Piazza D’Italia, 1976-1980, New Orleans |
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Judy Chicago, The Dinner Party, 1979, multimedia |
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Jean-Michel Basquiat, Charles the First, acrylic and oil o/canvas, 1982 |
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Jeff Koons, Pink Panther, 1988, porcelain |
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