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The Great Sphinx
Where: giza governorate
When:2500BC
Who:old kingdom? |
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Quince
Who: Zhu Da
When:qing dynasty
Where:Chine |
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The Peacock Room
When:19 century
Where:Detroit, MI
Who:James Whistler |
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Woman from Willendorf
When:24,000 BC
Where: Austria
Who:N/A |
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Hall of Bulls
When:10,000 BC
Where:France
Who: |
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A house in Catalhoyuk
When:7500BC
Where:kucukkoy, turkey
Who: |
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Stonehenge
When:2000BC
Where:Amesbury, UK
Who: |
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Stele of Naram-Sin
When:Akkadian Dynasty
Where:Iran
Who: |
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The Warka Vase
When:3000BC
Where:iraq
Who: |
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Votive Statues
When:2700
Where:iraq
Who: |
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Stele of Hammurabi
When:1792 BC
Where:Babylon
Who: |
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The Palette of Narmer
When:31 Century BC
Where: egypt
Who: |
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Khafre
When:25 century BC
Where:Egypt
Who: |
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Ti watching a hippopotamus hunt
When:25 century bc
Where:Egypt
Who: |
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Akenenaten and his family
When:18th dynasty?
Where:egypt
Who: |
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Lion capital
When:250 BC
Where:India
Who: |
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Great Stupa at Sanchi
When:3 century bc
Where:madhya pradesh, India
Who: |
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Yakshi bracket figure
When:2st century AD
Where:karle, India
Who
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Buddha and attendants/Buddha triad
Where:India
When:2nd century AD
Who: |
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Fang ding
Where:china
When:shang dynasty
Who: |
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Wang Xizhi, Portion of a Letter from the Feng Ju Album
When:4th century AD
Where:China
Who: |
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Great wild goose pagoda
When:tang dynasty
Where:Xi'an, China
Who: |
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Hungry Tigress Jataka
When:7th century
Where:Japan
Who: |
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Exekias, Ajax and Achilles playing a game
When:6 century BC
Where:greece
Who: |
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Anavysos Kouros
When:6 century BC
Where:Greece
Who: |
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Krater with the death of Sarpedon
Where:greece
When:6th century
Who: |
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"Kritios" boy
When:500 BC
Where:Greece
Who: |
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Polykleitos, Spear bearer
Where:greece
When:5 century BC
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Praxiteles, Aphrodite of Knidos
Where:Greece
When:4 century BC
Who: |
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Patrician carrying portrait busts of two ancestors
When:1 century BC
Where:Rome
Who: |
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Temple of Portunus
When:2 century BC
Where:Rome, Italy
Who: |
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Augustus of Primaporta
When:1st century AD
Where:Rome
Who: |
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Herakitos, The upswept floor
Where:Rome
When:2nd century AD
Who: |
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Arch of Titus
When:4th century CE
Where:Rome, Italy
Who: |
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person who pays an artist |
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a person who is especially competent to pass critical judgements in an art. |
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a type of sculpture that is 3D and not attatched to a background |
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relief (low, mid, high sunken) |
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to give the impression that the sculpted material has been raised above the background plane |
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one of a series of rows in a pictorial narative |
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system fwith a lintel, header, or architrave as the horizontal member over a building void supported at its ends by two vertical columns pillars, or post (think of stone hedge) |
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hieratic/hierarchic scale |
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how we assign importance to images |
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monumental gateway of an egyptain temple |
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spiritual energy!!!! NARUTOOOOOOOOO |
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type of gateway seen in hindu and buddhist architecture |
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style of buddhist visual art that developed in pakistan |
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person who takes a course in their lfe that moves toward buddha? |
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a motif(symbol?) commonly found on chinese ritual bronze vessels |
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parts of a complex structure |
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brackets/bracketing system |
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a support that overhangs a wall to carry weight |
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greek thing where they try to make statues look alive |
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Doric base stood directly on flat pavement
Ionic stands on a base step that connects to the floor |
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is an Italian term that means counterpose. It is used in the visual arts to describe a human figure standing with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips and legs. |
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body of work, which has been established as representative of the best examples of a particular genre. |
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is the art of the Hellenistic period dating from the death of Alexander the Great in 323 BC to the emergence of ancient Rome as signified by the Battle of Actium in 31 BC and the subsequent conquest of Ptolemaic Egypt in 30 BC. |
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is a technique of mural painting executed upon freshly-laid, or wet lime plaster. |
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is a column embedded in a wall and partly projecting from the surface of the wall |
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is the artistic preference of contemporary everyday subject matter instead of the heroic or legendary in art and literature; a form of realism |
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architectural term for an arched form used to provide a space with a ceiling or roof |
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A public building of ancient Rome having a central nave with an apse at one orboth ends and two side aisles formed by rows of columns, which was used as acourtroom or assembly hall. |
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