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| Kazimir Malevich. 1923-1930 |
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| Guillermo gomez-pena. 1994 |
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| Robert Mapplethorpe. 1981 |
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Formal Elements
(how to analyze art) |
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-light
-line
-color
-texture
-shape |
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| Reception--> Extraction--> Inference |
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Line made with emotion, Curves or bends
~ |
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| line that is made by pointing, movement, or glance of an art subject. |
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| What the art literally dipicts |
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| Nonrepresentational or non objective |
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| Art that makes no refrence to the natural world, more abstract.. |
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| The meaning of a piece of work. |
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| A functional piece of art |
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| Any work of art that seeks to resemble the world of natural appearence |
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The litteral shape and mass of an object or figure.
(composition) |
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| The belief in the existence of souls, and nonhumans can have souls too. |
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Any material used to create a work of art.
Plural: Media |
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| A work of art meant to provoke the eye, that is not functional. |
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| Applying paint thickly to a canvas or support. |
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| the study of images and symbols. |
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| Trying to make art that replicates the natural world. |
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| The artist retains apparently realistic elements, but presents the visual world from a distinctly personal or subjective point of view. |
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| inspiring a sense of awe, IE: That cake was just sublime. |
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| Fooling of the eye, something that looks 3d that is really 2d |
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| The point of view from one culture on the works and attitudes of another. |
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| An art rendering of images and objects in a simplified or stylized way; aspects are emphasized |
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