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Hildegard of Bingen, Scivias, 1150 |
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- Artist Unknown
- The Bayeux Tapestry
- ca. 1100
- military heores, concerning loyalty, bravery, treachery, male bonding through oath taking and political power. King Edward,few depicted women
- romanesque political embroidery
- England, scandelous because depiction of male new priapic figure indicates sexual content, situates women outside medieval discourse of political power under feudalism,probably made by women
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- artist unknown
- Syon Cope
- ca. 1300
- biblical themes and figures, scenes of everyday life
- needlework and embroidery, silk and metal threads, pearls, jewels, gold on linen or velvet
- England, riches of earthly power - signified with precious metals and craftsmanship, pope innocent IV requested large quantities from abbots, women disappear from professional production, created by individual feminine achievement
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- Properzia De Rossi
- Joseph and Potiphar's Wife
- ca. 1500
- husband and wife
- relief, sculpted with womanly grace and more than admirable
- Bologna, historically significant because its an example of work of a body of renaissance treatises n education of women. de rossi was the only engraver to sign prints in her own name to show shes professional, context of bologna and shes port of a network of women it shows qualities of sweetness and tenderness and great character that were desirable in women artists.
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