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Manager of painters in pre production and during production |
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Painters in pre production |
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Lead Scenic in Production |
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Manager of painters in pre production and during production |
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Painter during production |
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Hue, Saturation, Shade, Tone, Tint, |
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Fills small cracks or holes |
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Suspends other ingredients in liquid state and facilitates paint spreadability |
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Glues other ingredients to the work surface and speeds drying process |
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Paint that covers the main walls |
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Techniques and methods applied to the top coat |
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Physical application of paint |
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Altering paint before application |
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Two colors that form a third mixed-in hue |
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Flinging paint droplets at the work surface |
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Aging sets, decoration, props, etc. |
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Shine or gloss added to paint |
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Why would it be beneficial to hire on set painters during production? |
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Two paint ingredients have one function and the other two ingredients have two function in a gallon of paint. Describe the function(s) of each. |
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Why would a finish coat of paint tie into or relate to a set’s backstory or characterizations (cite examples)? |
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Jane Musky described the use of color in Notorious (2009). How is red used as a story-telling tool in the film? |
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Arthur Max described the “Gluttony” design in terms of _____ or aging the set. “Sloth’s” design incites tension in the _____ via contrasting environments |
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Profession and acquisition of all set props and set dressing (furnishings) |
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Set PropsLarge furnishings that are often included on ground plan Set Dress=Small furnishings |
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Meeting between director and prop master to discuss hand props |
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Acquires and implements all hand props |
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Places acquired set props and set dressings on set |
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What are the reasons for the differentiation between hand props and set decoration for film production? |
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The first props and the origin of the term “prop” occurred at different places and times in history. Describe the first props versus the origin of the term. |
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Besides the Designer and Art Director, which position is among the top three people of an entire production’s art department? |
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Unlike the set decorator, why would a prop master hold a prop preview with the director prior to filming? |
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There are two types of furnishings used to decorate sets. Them them and describe their relative sizes. |
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Plussing adds details to sets, wardrobe, etc. that are not originally planned in the design. During the production timeline, when would this action occur? |
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Describe how Arthur Max places the “John Doe” character in his apartment set through paint. What is the function of red in this scene? How does glaze add characterization? |
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Describe how Arthur Max places the “John Doe” character in his apartment set through paint. What is the function of red in this scene? How does glaze add characterization? |
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Describe how Arthur Max places the “John Doe” character in his apartment set through set decor and props. How are the protagonists affected by the environment? |
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We viewed two prop preview clips during Lecture 4. What basic considerations should be taken to ensure that the preview runs efficiently? |
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