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Leonardo DaVinci. Mona Lisa. 1519 |
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Marcel Duchamp. Bicycle Wheel. 1913 |
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Antonio Moro. Queen Mary. 1555 |
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Francisco Goya. 3rd of May, 1808. 1814 |
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Lee Friedlander. Bismark, North Dakota. 2002 |
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Marc Chagall. I and the Village. 1911 |
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Fernando Botero. The Horse. 2008 |
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Alberto Giacometti. Man Pointing. 1947 |
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Paul Cezanne. Still Life with Apples. 1890 |
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Raphael. School of Athens. 1508 |
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Piermatteo d'Amelia. The Annunciation. 1475 |
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Asher B. Durand. Kindred Spirits. 1849 |
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Sassetta. The Meeting of Saint Anthony and Saint Paul. 1440 |
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George Seurat. Sunday Afternoon on La Grand Jatte. 1886 |
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Jan Van Eyck. The Arnolfini Portrait. 1434 |
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Vermeer. The Music Lesson. 1662 |
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Fontana. Noli Me Tangere. 1581 |
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Titian. Noli Me Tangere. 1514 |
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Degas. Jockeys Before The Race. 1878 |
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Michelangelo. Pieta. 1500 |
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(water color painting) John Singer Sargent. White Ships. 1908 |
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(fresco painting) Fra Filippo Lippi. Madonna and Child. 1440 |
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(fresco painting) Michelangelo. The Last Judgment. 1541 |
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(oil painting) Picasso. Guernica. 1937 |
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(Intaglio, Engraving) Albrecht Durer. Knight, Death and the Devil. 1513 |
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printmaking technique where you dig into a rock and put ink in the impression |
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Intaglio where u put vaseline on a rock, scratch the vaseline off where u want and put acid over the whole thing |
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scratch that shit RAW boi |
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(Lithograph) Honore Daumier. Rue Transnonian, April 15, 1834. 1834 |
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the plate isnt modified. draw on it with a wax crayon, cover the place in solution, cover it in water, cover it in ink. the ink likes the wax, but not the water so paper sucks the oil on the wax drawing. |
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Alfred Stieglitz. Steerage. 1907 |
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