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Italo-Byzantine form of painting - gold, flat, shallow |
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Egg and Pigment (usually on wood) |
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International Gothic Style |
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stylized manuscripts, mosaics, glass - secular |
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tooled decorative work in gold leaf |
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true fresco - paint on wet plaster |
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dark red, brown earthy pigment |
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final, thin layer of plaster on fresco |
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ornamental design for four leaves in architecture |
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painting in grey monochrome - imitates sculpture |
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prayers said at the canonical hours of the day |
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art honored behind an altar |
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practice of decorating architectural elements with several colors |
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Diptych/Triptych/Polyptych |
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traditional drawing with a silver pointed instrument |
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intersecting parallel lines |
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S Curve - asymmetrical human stance |
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emphasis on education and expanding knowledge; exploration of individuals to excel |
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creates illusion of distance by diminution of color intensity and blurring of contours as distance increases |
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all parallel lines converge on a vanishing point at eye level; objects render smaller the farther they are |
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statue of a rider/knight mounted on a horse |
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leader or member of mercenaries |
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dark, greenish grey stone |
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circular painting or relief |
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a rectangular column, especially projecting from a wall |
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method of abstracting the finite world of forms from the infinite world of the ideal |
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"seen from below" - ceiling paintings |
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colors shaded into one another - producing soft, hazy outlines |
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figures painted in a triangular formation for movement |
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having a distinctive behavior - skewed perspective + dramatic shadowing |
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fine art using principles of sculpture vs dominant color for sensual purposes |
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Expand beliefs of the Roman Catholic Church |
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a skewed image which only appears normal from a very specific angle |
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details of everyday items/life |
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landscape - sometimes religious for Gods creations |
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ceremonial canopy of stone/fabric over a shrine/altarpiece |
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very dramatic lighting/shadow contrast |
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darkened box with convex lens to project image |
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