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Hans Holbein. The Ambassadors. 1533. Oil on oak, 207 cm × 209.5 cm (81 in × 82.5 in) |
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Ambrogio Lorenzetti, Frescoes in the Room of the Nine, Palazzo Pubblico Siena, 1337-1340. Room size is 7.7 x 14m. |
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Ambrogio Lorenzetti, Good Government, frescos with personifications and cityscapes, 1337-40. Room of the Nine, Palazzo Pubblico, Siena, Italy. Length of fresco is 25.3’ (7.7m). |
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Ambrogio Lorenzetti, The Country under Good Government, frescos, 1337-40. Room of the Nine, Palazzo Pubblico, Siena, Italy |
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Ambrogio Lorenzetti, Bad Government, frescos with personifications and cityscapes, 1337-40. Room of the Nine, Palazzo Pubblico, Siena, Italy |
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Palazzo Pubblico, enlarged from an existing customs house in 1293-1305 (completed c.1326). Houses the Podestà and the Nove, or nine elected councilors. Siena |
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Palazzo Pubblico. Plan of Second floor. Enlarged from an existing customs house in 1293-1305 (completed c.1326). Houses the Podestà and the Nove, or nine elected councilors. Siena |
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Michelangelo, David, marble,1501-1504, 5.17-metre (17.0 ft) |
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Cellini – Perseus (1545-54) , height 320 cm Bronze sculpture in the Loggia dei Lanzi, Florence |
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Bronzino, Cosimo I in Armour, Tempera on wood, 71x57. Painted around 1545 when the Duke of Florence was twenty-six years old and had been ruling the duchy since 1537. |
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Right: Veronese, Apotheosis of Venice, Grand Council Hall, Oil on canvas Venice, 1585 |
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Marcus Gheeraerts the Younger, The Ditchley Portrait, c. 1592, Oil on canvas, 241 x 152 cm, in the National Gallery, London |
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Queen Elizabeth I by Unknown English artist oil on panel, circa 1600 (copy of a lost coronation portrait, 1559) 50 1/8 in. x 39 1/4 in. (1273 mm x 997 mm) |
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Marcus Gheeraerts the Younger or Isaac Oliver The Rainbow Portrait, c. 1600–02, Date, circa 1600-1602. Medium, oil on canvas. 127 × 99.1 cm (50 × 39 in). |
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Hyacinthe Rigaud, Louis XIV, oil on canvas, c. 1700 |
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Hall of Mirrors, Reception Hall. Architectural decoration: Jules Hardouin-Mansart. Paintings: Charles Le Brun, 1678-1684 |
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Peter Molijn, Dunescape with Trees and Wagon, 1626, oil on panel |
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Jacob van Ruisdael, View of Haarlem, 1670–1675, 62.2 cm × 55.2 cm (24.5 in × 21.7 in)Kaiser-Friedrich-Museum. oil on canvas |
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Raphael, School of Athens, 1509–1511, fresco, 1509-11. Vatican, Rome |
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Jan van Eyck, The Madonna in the Church, c. 1438, oil on oak, 31 x 14 cm (Gemäldegalerie, Staatliche Museen zu Berlin). |
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Jan van Eyck, The Annunciation, oil transferred from wood to canvas, c. 1434. National Gallery of Art, Washington DC, 93 x 37 cm |
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Jan van Eyck, Madonna of Chancellor Rolin, oil on panel, c. 1435, 66cm x 62cm, Louvre |
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Rogier van der Weyden, Deposition, c. 1435, Oil on panel (220 x 262 cm), (Prado, Madrid) |
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Domenico Ghirlandaio, The Visitation, fresco, c. 1485-90 (Cappella Maggiore,Santa Maria Novella, Florence) |
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Pontormo, Visitation, oil on wood, c. 1528, Church of San Francesco e Michele, Carmignano |
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Diego Velázquez, Saint John the Evangelist on the Island of Patmos. for the Shod Carmelites, Seville 1618-19. Oil on canvas. 135 x 101.6 cm |
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Diego Velázquez, The Immaculate Conception Two Paintings for the Shod Carmelites, Seville 1618-19. Oil on canvas. 135 x 101.6 cm |
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Pedro de Mena (1628–1688) Christ as the Man of Sorrows, 1673. Convento de las Descalzas Reales, Madrid |
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Giotto, Last Judgement, Scrovegni Chapel (Arena Chapel) in Padua, fresco Begun about 1300 |
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Rogier van der Weyden, Last Judgment Altarpiece, 1444-51. Oil on panel, 89 x 215 ins. 225 x 546cm Hotel-Diéu, Beaune |
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Matthias Grünewald, Isenheim Altarpiece, circa 1515 Oil on wood, 269 x 141 cm each. Now in the Musée d'Unterlinden (Colmar, France) |
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Matthias Grünewald, Isenheim Altarpiece, circa 1515 Oil on wood, 269 x 141 cm each. Now in the Musée d'Unterlinden (Colmar, France) |
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Juan de Valdes Leal, Allegory Of Death: In Ictu Oculi (in the blink of an eye), oil on canvas, c. 1672 220 x 216 cm. Charity Hospital in Seville, Spain |
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Juan de Valdes Leal, Allegory Of Death: Finis gloriae mundi (the end of worldly glory), oil on canvas, 220 x 216 cm. Charity Hospital in Seville, Spain. c. 1672 |
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