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MANNERISM/Italy: Pontormo, Entombment, 1525-8. |
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MANNERISM/Italy: Parmigianino, Madonna with the Long Neck, c. 1535 |
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RENAISSANCE/Italy: Michelangelo and Giacomo della Porta, aerial view of the Capitoline Hill (Piazza Campidoglio), 1540s f |
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| BAROQUE/Italy. Annibale Carracci, Butcher's Shop, c. 1580. |
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| BAROQUE/Italy: facade of St. Peter's Basilica, Rome, designed by Carlo Maderno, 1606-12 |
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BAROQUE/Italy: interior nave of St. Peter's Basilica, Rome, designed by Carlo Maderno, 1606-12 |
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| BAROQUE/Italy: General view of the Four Rivers Fountain, by Bernini, in the Piazza Navona, Rome, Italy, 1648-51 |
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| BAROQUE/Italy: Bernini, Apollo and Daphne, 1622-5 |
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BAROQUE/Italy: the Baldacchino in St. Peter's Basilica, Rome, designed by Bernini, 1624-33 |
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| BAROQUE/Italy: Francesco Borromini, interior view of the dome in the Church of San Carlo all Quattro Fontane ("San Carlo"), Rome, 1638-41 |
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| BAROQUE/Italy: Francesco Borromini, facade of the Church of San Carlo all Quattro Fontane ("San Carlo"), Rome, 1665-76. (The facade was finished after the architect's death by his nephew Bernardo Borromini.) |
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| BAROQUE/Italy: the Cathedra Petri in St. Peter's Basilica, Rome, designed by Bernini, 1656-66. |
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| BAROQUE/Italy: view of Bernini's Cornaro Chapel, with St. Teresa of Avila in Ecstasy, 1645-52 |
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BAROQUE/Italy: Bernini, David, 1623 |
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BAROQUE/Italy: Francesco Borromini, facade of St. Ivo della Sapienza, Rome, Italy, 1642-50. |
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| BAROQUE/Italy. Caravaggio, Conversion of St. Paul, from the Cerasi Chapel, in Santa Maria del Popolo, Rome, 1600-1602. |
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BAROQUE/Italy: Annibale Carracci, view of the central panel fresco: Triumph of Bacchus and Ariadne, on the ceiling of the Gallery of the Palazzo Farnese, Rome, 1597-1601. (1600)
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BAROQUE/Italy. Caravaggio, Death of the Virgin, c. 1605-06. (1600)
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BAROQUE/Italy. Guido Reni, Aurora, in the Casino Rospigliosi, Rome, 1612-14. (2 years before 1620)
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| BAROQUE/Italy. Guercino, Aurora, in the Villa Ludovisi, Rome, 1621-23. |
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| BAROQUE/Italy: Annibale Carracci, ceiling of the Farnese Gallery, Palazzo Farnese, Rome, 1597-1601.(1600) |
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BAROQUE/Italy. Caravaggio, Calling of St. Matthew, from the Contarelli Chapel, in San Luigi dei Francesi, Rome, 1599-1602. (1600)
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| BAROQUE/Italy. Artemesia Gentileschi, Judith Beheading Holofernes, c.1612. |
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BAROQUE/Holland: Rembrandt van Rijn, The Hundred Guilder Print, etching and drypoint, c. 1649 (1650)
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| BAROQUE/Spain. Diego Velazquez, Surrender of Breda, 1634-35.(1640) |
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| BAROQUE/Spain. Diego Velazquez, Las Meninas (The Maids of Honor), 1656. |
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| BAROQUE/France. Nicholas Poussin, Landscape with Saint John on Patmos, 1640. |
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BAROQUE/France. Claude Lorrain, Embarkation of the Queen of Sheba, 1648. (1650)
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BAROQUE/Spain: Francisco de Zurbaran, Saint Serapion, 1628. (1630)
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BAROQUE/France: Hardouin-Mansart, Lebrun, and Coysevox, Galerie des Glaces (Hall of Mirrors), in the Palace of Versailles, c. 1680. |
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| BAROQUE/Spain. Diego Velazquez, Water-Seller, c. 1618. (1617) |
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ROCOCO.France. Jean-Honore Fragonard, The Swing, 1766. (1770) |
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| MID-18th C Naturalism/France: Jean-Simeon Chardin, Grace at Table, 1740. |
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NEOCLASSICISM/Italy. Antonio Canova, The Three Graces, 1815-7, marble. (1813) |
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| MID-18th C/England. William Hogarth, TOP: The Marriage Contract (S29-26); -- both from Marriage a la Mode, 1745. |
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NEO-CLASSICISM/France: Jacques-Louis David, Oath of the Horatii, 1784-85. (1785)
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| NEO-CLASSICISM/France: Jacques-Louis David, Death of Marat, 1793. |
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ROCOCO/England. Thomas Gainsborough, Portrait of Mrs. Richard Brinsley Sheridan, 1785-7. (1780) |
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| ROCOCO/France: Germain Boffrand, Salon de la Princess, in the Hotel de la Soubise, Paris, begun 1737-40. |
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ROCOCO/Flanders: Jean-Antoine Watteau, Pilgrimage to the Island of Cythera, 1717. (1720) |
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ROMANTICISM/England: Joseph William Mallord Turner, Snowstorm -- Steamboat Off a Harbour's Mouth making Signals in Shallow Water and Going by the Lead, 1842. (1840)
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ROMANTICISM/France. Jacques-Louis David, Napoleon Crossing the Saint-Bernard, 1800-01. |
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| ROMANTICISM/Germany. Caspar David Friedrich, Abbey in the Oak Forest, 1810. |
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ROMANTICISM/France: Theodore Gericault, The Raft of the Medusa, 1818-19. (1820)
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ROMANTICISM/Spain: Goya, The Third of May, 1808, 1814-15. |
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ROMANTICISM/Spain: Francesco Goya, The Sleep of Reason Produces Monsters, from Los Caprichos, 1796-98. (1800)
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ROMANTICISM/France: Antoine-Jean Gros, Napoleon in the Plague House at Jaffa, 1804. (1800)
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ROMANTICISM/France. Jean-Auguste-Dominique Ingres, Large Odalisque, 1814. (1810) |
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| ROMANTICISM/England. William Blake, Newton, 1795.(1800) |
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ROMANTICISM/France. Eugene Delacroix, Death of Sardanapalus, 1826. (1830)
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REALISM/France. Honore Daumier, The Third-Class Carriage, c.1862. (1860)
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| PHOTOGRAPHY/England. Henry Fox Talbot, A View of the Boulevards of Paris, 1843, calotype print.(1840) |
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REALISM/France. Honore Daumier, Nadar Elevating Photography to the Condition of Art, 1862, lithograph (1860)
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| REALISM/France: Gustave Courbet, Burial at Ornans, 1849-50.(1850) |
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| REALISM/England. John Constable, The Hay Wain (Landscape: Noon), 1821. (1820) |
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| REALISM/France. Edouard Manet, Le Dejeuner sur l'Herbe, 1863.(1860) |
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REALISM/France: Jean-Francois Millet, The Gleaners, 1857. (1860)
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REALISM/France: Rosa Bonheur, Plowing in the Nivernais: The Dressing of the Vines, 1849. (1850) |
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REALISM/France: Gustave Courbet, The Stone Breakers, 1849. (1850) |
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POST-IMPRESSIONISM/France: Paul Gauguin, Where Do We Come From? What Are We? Where Are We?, 1897. (1900)
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IMPRESSIONISM/USA: Mary Cassatt, In the Loge, 1878. (1875) |
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| IMPRESSIONISM/France: Gustave Caillebotte, Paris:A Rainy Day, 1877. (1875) |
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| IMPRESSIONISM/France. Edgar Degas, The Dance Lesson, 1879. (1875) |
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NEO-IMPRESSIONISM/France: Georges Seurat, A Sunday Afternoon on the Island of La Grande Jatte, 1884-86 (1890) |
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IMPRESSIONISM/France: Edouard Manet, A Bar at the Folies-Bergere, 1881-2. (1880) |
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IMPRESSIONISM/France. Monet, Claude, Boulevard des Capucines, 1873-74. (1875)
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POST-IMPRESSIONISM/Holland. Van Gogh, Vincent, Starry Night, 1889. (1890)
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POST-IMPRESSIONISM/France: Paul Cezanne, Mont Sainte-Victoire, 1885-87. (1889)
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FAUVISM/France: Matisse, Harmony in Red, 1908. (1910) |
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| EXPRESSIONISM/Germany. Emild Nolde, Dance Around the Golden Calf, 1910. |
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FAUVISM/France. Henri Matisse, The Joy of Life, 1905-06. (1910)
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| EXPRESSIONISM/Germany. Ernst Ludwig: Kirchner, Street, Berlin, 1913. (1910) |
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| SUPREMATISM/Russia: Kazimir Malevich, Suprematist Painting (Eight Red Rectangles), 1915. (1917) |
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FUTURISM/Italy. Umberto Boccioni, Unique Forms of Continuity in Space, 1913. (1911) |
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CONSTRUCTIVISM/Russia. Vladimir Tatlin, model for Monument to the Third International (wood, iron, and glass), 1919-20. (1917) |
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SUPREMATISM/Russia. Kazimir Malevich, Suprematist Composition (White Square on White), 1918. (1917)
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CUBISM/France. Georges Braque, Houses at L'Estaque, 1908. (1912)
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EXPRESSIONISM/France. Vasily Kandinsky, Composition VII, 1913. (1910)
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CUBISM/Spain. Pablo Picasso, Les Demoiselles d'Avignon (Young Ladies of Avignon), 1907. (1912) |
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| CUBISM/Spain. Pablo Picasso, Ma Jolie, 1911-12. |
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| CUBISM/Spain. Pablo Picasso, Glass and Bottle of Suze, 1912. |
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| CUBISM/Spain. Pablo Picasso, Guitar, 1912 (cardboard, string, and wire assemblage). |
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LATE CUBISM/Spain. Pablo Picasso, Three Musicians, 1921 |
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CONSTRUCTIVISM/Russia: El Lissitzky, Proun Room, 1923, reconstruction 1965. (1927)
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| FUTURISM/Italy. Umberto Boccioni, States of Mind: The Farewells, 1911. (1910) |
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| BAROQUE/Flanders. Peter Paul Rubens, Arrival of Marie de Medici at Marseilles, 1622-25.(1625) |
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BAROQUE/Holland. Hendrick ter Brugghen, St. Sebastian Tended by St. Irene, 1625. |
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BAROQUE/Holland. Willem Kalf, Still Life with Chinese Bowl and Nautilus Cup, 1662. (1666)
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BAROQUE/Holland. Willem van Aelst, Flower Still Life with Watch, 1663. (1660)
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BAROQUE/Holland. Jacob van Ruisdael, View of Haarlem and the Bleaching Fields, c. 1655. (1660)
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BAROQUE/Holland. Johannes Vermeer, The Love Letter, c. 1669-1670. (1666)
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BAROQUE/Holland. Rembrandt, The Night Watch, 1642. (1640)
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BAROQUE/Holland. Rembrandt, Anatomy Lesson of Dr. Tulp, 1632. (1635) |
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| BAROQUE/Flanders: Rubens, full triptych containing central panel of the Raising of the Cross, 1609-11.(1610) |
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ABSTRACTION/Romania. Constantin Brancusi, Bird in Space, 1927. |
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| DADA/France. Marcel Duchamp, Fountain, 1917. |
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| NEO-PLASTICISM/Holland: Piet Mondrian, Composition with Yellow, Red, and Blue, 1927. |
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DADA/Germany. Hannah Hoch, Dada Dance, 1922. (1927)
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| SURREALISM/Germany: Max Ernst, The Horde, 1927. |
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SURREALISM/Spain. Salvador Dali, Persistence of Memory, 1931. (1927)
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SURREALISM/Switzerland. Meret Oppenheim, Object (Le Dejeuner en Fourrure/Luncheon in Fur), 1936. (1937) | |
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