Term
|
Definition
ROMANTICISM/USA. George Caleb Bingham, Fur Traders Descending the Missouri, 1845. |
|
|
Term
|
Definition
ROMANTICISM/USA. Frederic E. Church, Twilight in the Wilderness, 1860. |
|
|
Term
|
Definition
HUDSON RIVER SCHOOL/USA. Thomas Cole, View from Mount Holyoke (The Oxbow), 1836. |
|
|
Term
|
Definition
COLONIAL/USA. John Singleton Copley, Paul Revere, 1768. |
|
|
Term
|
Definition
REALISM,USA. Thomas Eakins, The Gross Clinic, 1875. (1870) |
|
|
Term
|
Definition
REALISM/USA. Winslow Homer, Veteran in a New Field, 1865.(1870) |
|
|
Term
|
Definition
COLONIAL/USA. Gilbert Stuart, George Washington (Lansdowne Portrait), 1796. |
|
|
Term
|
Definition
REALISM/USA. John Singer Sargent, Madame X, 1883-4. |
|
|
Term
|
Definition
REGIONALISM/USA. Grant Wood, American Gothic, 1930. |
|
|
Term
|
Definition
MODERNISM/USA. Georgia O’Keeffe, City Night, 1926. |
|
|
Term
|
Definition
MODERNISM/USA. Marsden Hartley, Portrait of a German Officer, 1914. |
|
|
Term
|
Definition
PRECISIONISM/USA. Charles Sheeler, American Landscape, 1930. |
|
|
Term
|
Definition
ASHCAN SCHOOL/USA. George Bellows, Stag at Sharkey's, 1907. |
|
|
Term
|
Definition
PHOTOGRAPHY/USA. Edward Steichen, The Flatiron, 1914. |
|
|
Term
|
Definition
IMPRESSIONISM/USA. James McNeill Whistler, Arrangement in Grey and Black: Portrait of the Painter’s Mother, 1875 |
|
|
Term
|
Definition
CUBO-FUTURISM/USA. Charles Demuth, I Saw the Figure Five in Gold, 1928. (1925) |
|
|
Term
|
Definition
KENTE/USA. "Ghanian (sic) Barbie" by Mattel, 1998. (2000)
|
|
|
Term
|
Definition
AFRICAN/Nigeria. Skin-covered (antelope) skull with human hair, shell inset eyes, basketry base, Cross River, c. 1910. (1915)
|
|
|
Term
|
Definition
AFRICAN/Nigeria. Ekoi skin-covered carved head with embroidered headdress and goat hair, tied yarn, Cross River, c. 1920.(1915) |
|
|
Term
|
Definition
AFRICAN/Nigeria. Overmodelled skull on basketry headdress, Cross River, Nigeria-Cameroon borderland, c. 1900. |
|
|
Term
|
Definition
AFRICAN/Ghana. Asantehene (king) Prempeh I wearing kente with Oyokomen pattern after return from exile, 1926. (1930)
|
|
|
Term
|
Definition
AFRICAN/Ghana. Queen Mother of Fante wearing Oyokoman kente, 1975. (1980)
|
|
|
Term
|
Definition
AFRICAN/Ghana. President Kwame Nkrumah of Ghana wearing kente, Independence Day, March 6, 1957.(1955) |
|
|
Term
|
Definition
AFRICAN/Ghana. Oyokoman (Asantehene's clan) kente: red/yellow/green warp stripe alternating with "knives" weft pattern . |
|
|
Term
|
Definition
AFRICAN/Nigeria. "18", young men's entertainment masquerade, Ejor, 1989.(1990) |
|
|
Term
|
Definition
AFRICAN/Ghana. Gold kente, weft-dominant pattern at one end, no warp pattern visible. |
|
|
Term
|
Definition
AFRICAN/Nigeria. Idoma youths performing the war dance, Ejor village, Nigeria, 1989.(1990) |
|
|
Term
|
Definition
GHANA/Akan. Akan Christian couple with groom wearing kente, early 20th c. photograph. |
|
|
Term
|
Definition
SOUTH AFRICA/Resistance Art. Willie Bester, Semekazi (The Story of a Migrant Worker), 1993.(1990) |
|
|
Term
|
Definition
SOUTH AFRICA/Resistance Art. Jane Alexander, Pastoral Scene (life casts, mixed media), 1995.(1990) |
|
|
Term
|
Definition
HARLEM RENAISSANCE. Meta Warrick Fuller, Ethiopia Awakening, 1920-21.(1919) |
|
|
Term
|
Definition
HARLEM RENAISSANCE. Sargent Johnson, Forever Free, 1935
|
|
|
Term
|
Definition
SOUTH AFRICA/Resistance Art. William Kentridge, Untitled (landscape with billboard), n.d.. |
|
|
Term
|
Definition
SOUTH AFRICA/Resistance Art. M.K. Malefane, Nelson Mandela, c. 1983 (now destroyed). (1980)
|
|
|
Term
|
Definition
SOUTH AFRICA/Resistance Art. Kendell Geer, Mandela Mask (performance piece), 1996.(2000) |
|
|
Term
|
Definition
SOUTH AFRICA/Post-Resistance Art. Clive Van den Berg, Men Loving (installation), 1996. (2000) |
|
|
Term
|
Definition
HARLEM RENAISSANCE. Archibald J. Motley, Jr., Mending Socks, 1924.(1925) |
|
|
Term
|
Definition
SOUTH AFRICA/Resistance Art. Alfred Thoba, Race Riots, 1977. |
|
|
Term
|
Definition
HARLEM RENAISSANCE. Aaron Douglas, Aspects of Negro Life: From Slavery Through Reconstruction, 1936. (1935) |
|
|
Term
|
Definition
LATE 19th C./African-American. Henry O. Tanner, The Banjo Lesson, 1893.(1898) |
|
|
Term
|
Definition
SOUTH AFRICA/Zulu Transitional Art. Mavis Mchunu, White Women Playing Tennis (soft sculpture), 1980s. |
|
|
Term
|
Definition
HARLEM RENAISSANCE. James Van Der Zee, Portrait of a Couple with Raccoon Coats and Stylish Car, 1932. (1935)
|
|
|
Term
|
Definition
ARCHAEOLOGICAL ACCESSIBILITY./USA: Thomas Jefferson, Monticello, Charlottesville, VA, 1769-1809. |
|
|
Term
|
Definition
GOTHIC PROBITY/England. Charles Barry and A.W.N. Pugin, Houses of Parliament, London, England, 1836-60 |
|
|
Term
|
Definition
GOTHIC PROBITY/USA. A.J. Davis, Rotch House, New Bedford, MA, 1845. |
|
|
Term
|
Definition
LATE 20th c/USA. Norman Lewis, Play Four, 1966. (1964)
|
|
|
Term
|
Definition
AFRICAN AMERICAN. David Hammons, Injustice Case, 1970. |
|
|
Term
|
Definition
AFRICAN AMERICAN. Various artists, Wall of Respect, Chicago, 1967. (1968)
|
|
|
Term
|
Definition
ROMANTIC ECLECTICISM/USA: Thomas Cole, The Architect's Dream, oil painting, 1840. |
|
|
Term
|
Definition
STRUCTURAL RATIONALISM. Joseph Paxton, illustration of the Crystal Palace, London, England, 1851. |
|
|
Term
|
Definition
AFRICAN AMERICAN. John Biggers, Shotguns, 1987. |
|
|
Term
|
Definition
AFRICAN AMERICAN. Betye Saar, The Liberation of Aunt Jemima, 1972. |
|
|
Term
|
Definition
LATE 20th c/USA. Martin Puryear, Confessional, 1996-2000. |
|
|
Term
|
Definition
GREEK REVIVAL/USA. William Strickland, 2nd Bank of the United States, Philadelphia, PA, 1818-24.(1818) |
|
|
Term
|
Definition
ROMANTIC ECLECTICISM/England: John Nash, The Royal Pavilion, Brighton, England, 1815-18. (1818) |
|
|
Term
|
Definition
POST WORLD WAR II MODERNISM/France. Le Corbusier, exterior of Notre Dame du Haut, Ronchamp, France, 1950-55. (1950) |
|
|
Term
|
Definition
POSTMODERN ARCHITECTURE/Canada (nationality of architect). Frank Gehry, east facade of Gehry House, Santa Monica, CA, 1978-79. (1980) |
|
|
Term
|
Definition
POSTMODERN ARCHITECTURE. Richard Rogers (England) and Renzo Piano (Italy), Georges Pompidou National Center of Art and Culture ("The Beaubourg"), Paris, France, 1977. |
|
|
Term
|
Definition
POSTMODERN ARCHITECTURE/Canada. Frank Gehry, Guggenheim Museum, Bilbao, Spain, 1997.(2000) |
|
|
Term
|
Definition
INTERNATIONAL STYLE/France. Le Corbusier (Charles-Edouard Jeanneret), Villa Savoye, Poissy-sur-Seine, France, 1929. |
|
|
Term
|
Definition
THE BAUHAUS/Germany. Walter Gropius, The Bauhaus, Dessau, Germany, 1925-26. (1929)
|
|
|
Term
|
Definition
L'ART NOUVEAU/Belgium. Hector Guimard, Paris Metro (subway) entrance, Paris, France, 1900. BOTTOM: detail of scarab-like iron decoration. |
|
|
Term
|
Definition
DE STIJL/Holland. Gerrit Rietveld, Schroder House, Utrecht, Holland, 1924. |
|
|
Term
|
Definition
POST WW II MODERNISM. Mies van der Rohe (Germany) and Philip Johnson (USA), Seagram Building, NYC, 1956-58.(1960) |
|
|
Term
|
Definition
"ORGANIC ARCHITECTURE"/USA. Frank Lloyd Wright, Kaufmann House ("Falling Water"), Bear Run, PA, 1936-39. (1935)
|
|
|
Term
|
Definition
ART NOUVEAU/Spain (Catalonia). Antonio Gaudi, Casa Mila, Barcelona, Spain (Catalonia), 1905-09.(1900) |
|
|
Term
|
Definition
INTERNATIONAL STYLE/Germany (country of architect). Ludwig Mies van der Rohe, exterior of the Barcelona Pavilion (also called the German Pavilion, International Exposition), Barcelona, Spain (Catalonia), 1929). |
|
|
Term
|
Definition
POST WW II MODERNISM/USA. Frank Lloyd Wright, exterior of Guggenheim Museum, NYC, NY, 1943-59. TOP: exterior. Bottom: interior. (1960) |
|
|
Term
|
Definition
NEO-DADA/USA: Jasper Johns, Three Flags, 1958. (1963) |
|
|
Term
|
Definition
NEO-DADA/USA: Robert Rauschenberg, Bed, 1955. |
|
|
Term
|
Definition
COLOR FIELD/USA. Barnett Newman, Onement I, 1948. (1951) |
|
|
Term
|
Definition
POP/USA. Andy Warhol, Brillo Box, 1964 (1965)
|
|
|
Term
|
Definition
POP/USA. Claes Oldenburg, Floor Burger, 1962. (1968) |
|
|
Term
|
Definition
NEO-DADA/USA: Robert Rauschenberg, Erased De Kooning, 1953.(1955) |
|
|
Term
|
Definition
NEO DADA/USA. Robert Rauschenberg, Factum I and II, 1957. (1960) |
|
|
Term
|
Definition
SYNTHETIC CUBISM/USA. Arshile Gorky, Aviation Mural, Newark Airport, 1935-36. (1940) |
|
|
Term
|
Definition
ABSTRACT EXPRESSIONISM/USA. Willem de Kooning, Excavation, 1950. |
|
|
Term
|
Definition
ABSTRACT EXPRESSIONISM/USA. Jackson Pollock, Lucifer, 1947. (1951) |
|
|
Term
|
Definition
COLOR FIELD ABSTRACT EXPRESSIONISM/USA. Barnett Newman, Vir Heroicus Sublimis, 1950-51. |
|
|
Term
|
Definition
POP/USA: Claes Oldenburg, Green Gallery show (including works from THE STORE and first large-scale "soft" sculptures), 1962. (1965)
|
|
|
Term
|
Definition
ABSTRACT EXPRESSIONISM/USA. Jackson Pollock, Number 1, 1948. (1951) |
|
|
Term
|
Definition
ABSTRACT EXPRESSIONISM/USA. Mark Rothko, Homage to Matisse, 1953.(1950) |
|
|
Term
|
Definition
ABSTRACT EXPRESSIONISM/USA. Arshile Gorky, Garden in Sochi, 1943. (1940) |
|
|
Term
|
Definition
NEO-DADA/USA: Allan Kaprow, A Spring Happening, 1961.(1960) |
|
|
Term
|
Definition
POP/USA: Andy Warhol, Marilyn Diptych, 1962. |
|
|
Term
|
Definition
ABSTRACT EXPRESSIONISM/USA. Willem de Kooning, Woman I, 1950-52. BOTTOM: six stages of Woman I. (1951)
|
|
|
Term
|
Definition
MINIMALISM/USA. Donald Judd, Untitled, 1965. Pink Plexiglass box, stainless steel, wire. |
|
|
Term
|
Definition
POST-MINIMALISM/USA. Eva Hesse, Hang Up, 1965-66. (1966)
|
|
|
Term
|
Definition
MINIMALISM/USA. Frank Stella, Die Fahne Hoch, 1959. (1960) |
|
|
Term
|
Definition
ABSTRACT EXPRESSIONISM/USA. David Smith, Cubi XIX, 1964. (1965)
|
|
|
Term
|
Definition
POST-MINIMALISM/USA. Eva Hesse, Accession II, 1967. (1965) |
|
|
Term
|
Definition
POST-MINIMALISM/USA. Sol LeWitt, Serial Project Number 1 (ABCD), 1966. NOTE: This is the original plan, sent out as an invitation to the exhibition.(1965) |
|
|
Term
|
Definition
MINIMALISM/USA: Donald Judd, Untitled, 1968 (1965) |
|
|
Term
|
Definition
20th C/African-American. Jacob Lawrence, Migration of the Negro, 1937-38.(1941) |
|
|