Term
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Definition
| c. 1485. Giovanni Bellini (1430-1516). Enveloped by landscape. Netherlandish taste. Rich Yellow Light. Rich Texture, subtle shading. Single source of light |
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Term
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Definition
| c.1505, Giorgione(1477-1510). Soft muted lighting. Human figure against landscape. Dialogue of glances. Woman & child are distinguished by their nudity. Bridge in back resembles soldier's glance. used Impasto |
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Term
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Definition
| c1538. Titian(1485-1576). Warm colors, many layers of glaze, character of figures, compositional arrangement. Soft, textured, richly material. Yellow light, gradual shading. |
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Term
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Definition
| c1559-62, Titian(1485-1576), Mythological interest, background colors, pose, gesture, energetic curves + diagonals, gaze of cupids + fish, bull is jupiter |
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Term
| Garden of Earthly Delights |
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Definition
| c1510-15, Bosch(1450-1516) triptych, Satirical, morals, lust, Garden of Eden on left, sexual pursuits, oil on wood |
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Term
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Definition
| relief prints (woodcuts). Multiple copies of image on paper. Filled in with watercolor. First art for the masses. |
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Term
| Intaglio Prints (engravings) |
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Definition
| metal plate is on the bottom instead of top. Generally no watercolor applied. Can get a lot more detail on metal plates. |
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Term
| Four Horsemen of the Apocalypse |
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Definition
| c1497-98, Durer (1471-1528) amazing detail, almost 3D. woodcut, |
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Term
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Definition
| c1514, Durer(1471-1528). sadness, complicated theory about how the body works, surrounded by mathematical objects, geometric forms, hourglass above |
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Term
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Definition
| c1500, Durer, idealized, looks like jesus, spark of divine creativity, |
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Term
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Definition
| c1510-15, Grunewald(1480-1528) huge altarpiece, crucifixion of jesus on outside (symbolizing healing), mourning of jesus, bright colored interior |
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Term
| Landscape with the Fall of Icarus |
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Definition
| c1554-5, Bruegel(1525-1569) nature is the source of all life. dominated by landscape. units figure with land. oil on panel |
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Term
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Definition
| c1567, Bruegal(1525-69). celebration of feast of church, these peasants ignore church and image of virgin mary, oil on wood |
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Term
| Self-Portrait in Convex Mirror |
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Definition
| c1524, Parmigianino(1503-40) mannerism, hand as important as the face, exaggerated areas due to convex mirror, confined space around figure, odd juxtapose of size + space |
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Term
| Madonna with the Long Neck |
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Definition
| c1535, Parmigianino(1503-1540) odd spatial juxtaposition, odd proportions, cool colored dress, illogical size comparisons |
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Term
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Definition
| c1536-41 Michelangelo(d.1564) divided into three planes, ideal bodies, extremely detailed, crown of thorns, column of flagellation, the cross |
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Term
| Burial of the Count of Orgaz |
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Definition
| c1586-88 El Greco (1541-1614) counter-reformation painting, 2 zones, gold against black, radiance, many expressions and poses, oil on canvas |
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Term
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Definition
| c1599 Caravaggio(1571-1610) irregular illumination, simple backround, tenebrism - use of contrasting light and dark, light penetrating darkness |
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Term
| Judith slaying Holophernes |
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Definition
| c1620 Gentileschi(1593-1663) taste for violence, dramatic shifts of light and dark, energetic draperies |
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Term
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Definition
| c1623 Bernini(1598-1680) in middle of action, no trace of mannerism, baroque style, expanding space, diagonal form |
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Term
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Definition
| c1645-52 Bernini(1598-1680) moment of heightened emotion, slow curving diagonal, elaborate drapery like clouds, divine light |
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Term
| Baroque, most important sculptor that used this |
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Definition
| dramatic light and shade, turbulent composition, and exaggerated emotional expression. Bernini |
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Term
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Definition
| c1656 Bernini(1598-1680) colossal scale and space, obelisk marked center |
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Term
| Ceiling, Palazzo Barberini |
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Definition
| c1633-39 Cortona(1596-1669) variations of pose, color and light, dynamic poses of figures, mythological subjects, fresco |
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Term
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Definition
| c1609 Rubens(1577-1640) sharp diagonal of christ, touch of realism, soaring toward heaven, baroque style, oil on wood |
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Term
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Definition
| c1635 Rubens(1577-1640) diagonal of adonis and venus, highlighted body of venus, venus is active rather than passive |
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Term
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Definition
| c1660-61 Vermeer(1632-75) use of light and color to convey texture, large space against small figures, meticulous detail, intimacy, shifting lights of clouds and buildings, naturalistic effects |
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Term
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Definition
| The movement initiated by the Catholic Church to contain the Protestant Reformation and, if possible, end it. |
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Term
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Definition
| c1636 Rembrandt(1606-69) dramatic effects of light and dark, character of figures, violence accentuated by diagonals, blindness reflected by dark |
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Term
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Definition
| c1642 Rembrandt(1606-69) diagonal form, captains extends hand to invite us into the scene, baroque interplay of lights darks and colors, faces defined by light |
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Term
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Definition
| c1661 Rembrant(1606-69) looks at at the world with his arm rested, dressed in velvet, window of the eyes, oil on canvas |
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Term
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Definition
| c1630s Velazquez(1599-1660) soft textured hair, dark background, slight contrapposto, baroque style with a classical pose, mystic light |
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Term
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Definition
| c1656 Velazquez(1599-1660) brushstrokes highlight textures, certain forms emphasized by light, unusual iconography |
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Term
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Definition
| texture due to the thick application of paint |
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