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Equestrian Statue of Marcus Aurelius
Unknown
173 CE
Bronze
Capitoline Hill, Rome
- demonstrates imperial power to Roman citizens
- rare preserved bronze statue
- figure proportionally larger than horse |
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Vitruvian Man
Leonardo da Vinci
c. 1490
Ink on parchment
- vitruvius
- reaffirms the Neo-Platonism philosophy (Renaissance)
- pure geometry + human proportions reflect divine harmony of universe
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Mask of Agamemnon
Unknown
c. 1500 BCE
Mycenaean
Beaten gold
- Heroic Age to Classical Age
- preserve identity of person in the afterlife
- trends of deathmasks
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Pericles
Unknown
450-425 BCE
– Roman copy in marble of bronze original – War general in Peloponnesian war |
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Panathenaic Amphora
Euphiletos 530 BCE Terra cotta jug - Filled w/ olive oil as prize - Black figure illustrating Olympics - Importanceof athleticism/body |
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Theatre at Epidauros
PolyKleitos the younger
350 BCE
Epidauros
- Nature and the gods - Importance of theatre in society - Choric rituals - Thespis-firstactor, talked back to chorus - 534BCE competition began- 3 days long, state run |
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New York Kouros
Dipylon Master
600 BCE
Marble - Male nude form = perfect - Egyptian influence
- Archaic smile, braids, stiff form |
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Kritios Boy
Unknown
c. 480BCE
Acropolis, Athens
Marble
- not a roman copy
- development of kouros
- intro to contrapposto
- archaic vs. classical |
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Doryphoros (Spear-bearer)
Polykleitos 450-440 BCE
Roman copy of Greek original (bronze) - Contrapposto = more weight on left - Torso turns, solemn face - Ideal of human proportions
- Warrior&athlete - No distinction between god and man |
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Peplos Kore
Unknown
530 BCE Marble - Female sculptures = tall, poised, small breasts, broad hips
- peplos = long belted dress
- differences among male and female sculptures
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Aphrodite of Knidos
Praxiteles 350 BCE
Vatican Museum, Rome Marble Roman copy of bronze Greek original
- Praxitelean technique = translucent shimmer on marble
- original bronze would not need beem of support
- Over 60 versions - Goddess of love - Smoothcurves,melting gaze - Divine vs. human
- Nude female!? |
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Temple of Hera I
550 BCE
Paestum, Italy
Marble
– characteristics, development of temple architecture |
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Parthenon
Ictinus and Kallicrates
448-432 BCE
The Acropolis, Athens
- Dedicated to Athena
- Pentelic marble
- Clarity and symetry - Parts: cella, treasury, frieze, statue of Athena
- doric temple |
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Classical Orders of Architecture
– Doric • Plain – Ionic • Scrolls at top – Corinthean • Ornate carvings at top – Parts • Stylobate • Column • Entablature |
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Statue of Zeus at Olympus
Phidias
440 BCE
Olympus, Greece
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Lapith Overcoming a Centaur
Phidias
448-432 BCE
Parthenon, Acropolis, Athens
Pentelic marble
- Claim to mythological ancestry - Democratic present
- centaurs represent Persians |
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Propylaia
Mnesicles
425 BCE
Parthenon, Acropolis, Athens
Pentalic Marble
- Panathenaic procession: visual and ceremonial gateway
- Entrance to Acropolis
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Erectheion
Mnesicles
425 BCE
Parthenon, Acropolis, Athens
Pentelic Marble
- Panathenaic procession
- honored Athena
- Ionic
- caryatid: femal shaped columns replaces Ionic columns on the south porch
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Athena Parthenos
Phidias
447-432 BCE
Parthenon, Acropolis, Athens
Ivory and gold over wood frame
- sponsor goddess of the City of Athens
- housed in the Parthenon
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Laocoon
Polydorus et al.
100BCE
Marble (Roman copy)
- Hellenistic sculpture
- Illustration of story from Illiad |
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Sarcophagus from Cerveteri
Unknown
520 BCE
Painted terra cotta
- Etruscan funerary art
- Predecessor of Romans
- visually simialr to archaic Greece
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Julius Caesar
Unknown
1st c. BCE
Green schist (medium)
- realistic roman portraiture
- end of the republic
- had a tragic death
- Caesar: a honorific title used by imperial successors well into 2nd century CE
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Augustus Primaporta
20 BCE
Marble copy of bronze original
- Octavian becomes Augustus
- arm gesture = leadership and imperial authority
- commenmorates Augustus' establishment of Pax Romana
- idealized with handsome features + muscles
- cupid and dolphin at his feet: his alleged divine descent from Venus
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Tarquin and Lucretia
Titian
1668
Oil on canvas
- story of Rape of Lucretia
- kills herself after raped at home out of honor
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Ten Books on Architecture
Vitruvius
90-20 BCE
Architectural Treatise
- wrote a treatise in hopes to secure work
- focus on origins of architecture + stone construction based on previous wood construction
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Maison Carree
Unknown
20 BCE
Nimes, France
Marble
- Epitome of classical refinement
- Corinthian columns
- ideal influencial example of Roman temple
- compare with Parthenon
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Pont du Gard
Unknown
20-10 BCE
Nimes, France
Motarless cut stone
- Arched construction
- very slight decline
- necessity of fresh water for large cities
- large scale engineering project: part of 25 mile long aqueduct
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Colosseum
Unknown
70-82 CE
The Forum, Rome
Travertine, tufa, brick, concrete
- note the advanced engineering and circulation
- influence of all three classical orders
- Flavian Amphitheatre
- made for gladiatorial combat
- hidden trapdoors
- Hippodamian plan of city, public private and religious sectors
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Pantheon
Possibly Hadrian
118-25 CE
Rome
Concrete, marble columns
- temple for all of the gods
- possibly designed by emperor architect
- shows expert use of concrete
- oculus: circular window; coffers: decorative panels |
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Hadrian
Unknown
117-136 CE
Marble
- philosopher, architect emperor |
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Trajan's Victory Column
113 CE
Forum, Rome
Marble
- glorifies victories of Trajan over Dacians
- part of complex of libraries and markets
- architect Apollodorus of Damascus oversaw the construction
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The Good Shepherd
Unknown
300 CE
Marble
- demonstrates early Christianity representation
- work fuses Roman society and Christian religion
- Roman Empire legalizes then embraces Christianity
- Jesus portrayed in two ways: as the sacrificial lamb or the shepherd
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Old St. Peter's Basilica
330CE
Vatican City, Rome
Marble columns, stone walls, wood roof structure
- burial site of St. Peter
- built over the historical site of the Circus of Nero
- construction began during Constantine I's reign
- Papal coronations began to be held here
- catacombs?
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Hagia Sophia (Holy Wisdom)
Anthemius and Isodorus
532-537 CE
Constantinople (now Istanbul)
Masonry
- principle church of Byzantine Empire, under commission of emperor Justinian
- large dome rises 41 feet higher than Pantheon in Rome
- decorated with lavish mosaics
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San Vitale
Unknown
526-547 CE
Ravenna, Italy
Masonry, mosaics
- octagonal domed church
- considered a "small gem" of Byzantine architecture
- drab exterior radiant interior
- has some of the most amazing mosaics in the history of world art
- mosaic shows Justinian + consort Theodora, carrying offereings to Christ
- iconography: bond between church and state in Byzantine history
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Great Mosque
Unknown
784-987 CE
Cordoba, Spain
Found columns, masonry, stucco
- Cordoba: capital of Spanish Muslim dynasty - Ummayads
- became the third largest structure in Islamic world
- reverted back to a Christian church in 13th century
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St. Gall Monestary
9th c. CE
Document found in St. Gall, Switzerland
Ink on vellum plan
- an ideal plan for monastic complex under Charlemagne's educational revival
- monastic life under the order of St. Benedict
- self-sufficiency
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Vassal Payin Homage to His Lord
Matthew Paris
1250 CE
Ink on parchment
- depicting feudalism as organization of Medieval society
- feudal life marked by ceremonies and symbols: such as investiture - oath of fealty formally exchanged
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Bayeux Tapestry
Unknown
1080 CE
Bayeux, France
Wool embroidery on linen
- depicting Norman conquest of England
- William of Normandy
- very likely the work of women although women only depicted 4 times in the tapestry
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Lancelot, Knight of the Cart
Chretien de Troyes, author
1170s
- emphasize knowledge of story and courtly love
- comments on illuminated manuscript are relevent
- Themes: code of honor, morality, women objectified |
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Scivias
Hildegard of Bingen
1146 CE
Text and accompanying illuminated manuscript
- first female Christian mystic, head of convent at age 8
- "Know the ways of the Lord"
- accounts ecstatic visions filled with vivid images that came to her in a "voice of heaven"
- includes play, Ordo Virtutum
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Everyman
1490 CE
Morality Play
- Everyman faces last judgement
- only ally is good deeds
- lesson: life transient, salvation through church
- use of allegory
* 3 types of medieval drama: mystery, miracle, and morality
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City of God
Augustine of Hippo
413-426 CE
Text
- emphasize text, comments on image can be relevant
- he witnesses decline of Roman Empire
- defended his faith: Christian not responsible for Roman downfall
- talk about difference between earthly city of humankind and heavenly city - eternal dwelling place of the christian soul
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Summa Theologica
Thomas Aquinas
1274
Text
- unfinished
- compendium of all theological issues of High Middle Ages
- poses 631 questions: existence of God --> money lending
- scholasticism: synthesis of Christian + classical learning but motivation still largely religious
- scholastics: humanists of the Medieval world - believed reason = handmaiden of faith
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The Divine Comedy
Dante Alighieri
1308-1321
Text
- allegorical
- Florentine poet
- literal: journey through the land of the dead
- symbolic: spirited pilgrimage of sould from hell through purification and then salvation
- guide Virgil
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St. Francis Driving the Devils from Arezzo
Giotto
1297
Assisi, Italy
Fresco (wall painting)
- 10th of 28 scenes
- during civil war, in Arezzo, St. Francis saw demon over city, called upon a brother to drive it out
- important to both St. Francis and Giotto
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St. Sernin
1080-1120 CE
Toulouse, France
Mansonry, brick, pink granite
- Romanesque architecture
- barrel vaults, pointed arch
- monumental spiritual fortress
- pilgrimage church
- housed relics
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Abbey Church of St. Denis ambulatory
Abbot Suger - patron
1140
St. Denis, France
Gothic Architecture
- often considered first Gothic structure
- Gothic cathedral: a municiple center for urban community
- pointed arch, rib vault, stained glass
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Chartres Cathedral
1194-and after
Chartres, France
Gothic Architecture
- Gothic landmark
- sculptures: designed to be "read" = bible in stone
- stained glass: source of religious edification, medium of divine light, delight to the eye
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