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| Personali, Physical, Social |
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| Objectie is trying to recreate reality. Subjective is the artist recreating their own perception of reality. |
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| Outline, Contour, Implied, Diagrammatic |
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| Terms Analytical, romantic, classical, expressive. |
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| They're all forms of a line. Different artists use lines to express different meanings. |
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| Line, Texture, Space, Color, Shape&Form |
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| For an artist to express their perception of things |
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| Historical, Pedagogical, Professionalism, Non-Professionalism |
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| Evaluating other people's culture to the standards of your own culture. |
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| Asymmetrical: a representation of nature, Symmetrical: Exact representation on either side(bilateral is when there is slight differences), Radial: radiates outward from central point |
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| depicts something easily recognized by people |
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| color we know an object to be |
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| the color that the natural light renders it to be, (haystack dominated by reds, with green flashing throughout) |
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| Color that an object is not meant to be(orange apple) |
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convey meaning through symbolism. Chinese symbols. Way finding signs.
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Writing using drawings, like cave drawings.
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Changed, or tilted view from how we would normally see something.
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Name of the color in it's purest form.
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| using beeswax to paint(hold in pigments) |
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| Buon Fresco=Dry mural; Fresco Secco=Wet mural |
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| technique that uses lots of paint, so when it dries, it appears the painting is popping out(oil paint and acrylic) |
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| branch of art history which studies the identification, description, and the interpretation of the content of images. |
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| printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink or other printable materials which can be pressed through the mesh as a sharp-edged image onto a substrate. A roller or squeegee is moved across the screen stencil, forcing or pumping ink past the threads of the woven mesh in the open areas. |
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| style of painting using very pronounced chiaroscuro, where there are violent contrasts of light anddark, and darkness becomes a dominating feature of the image. |
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A form whose contour is irregular or broken, having a sense of growth, change, or unresolved tension; form in a state of becoming.
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A self-contained or explicitly limited form; having a resolved balance of tensions, a sense of calm completeness implying a totality within itself
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| tetrad color combinations |
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| color combinations in the color wheel that combine to make a square |
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| color combos that form a triangle |
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| art is viewed as a creative journey or process, rather than as a deliverable or end product |
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unique Ratio (or relationship between parts)
that seems to be preferred by Nature
as the best geometry for growth, energy conservation, elegance and has some
fundamental relationships to the platonic solids and the Mandelbrot set. |
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