Term
|
Definition
| From Syros Cyclades, Greece, 2500-2300bce. |
|
|
Term
|
Definition
| From Keros Cyclades Greece, 2700-2500bce |
|
|
Term
|
Definition
| Greece, 1700-1400bce, 16 rooms |
|
|
Term
|
Definition
| from the palace at Knossos, Crete, Greece, 1450-1400bce. Fresco. Expresses power by elongating the body. |
|
|
Term
|
Definition
| From Hagia Triada, Crete, Greece, 1450-1400bce |
|
|
Term
|
Definition
| From Hagia Triada, Crete, Greece, 1450-1400bce |
|
|
Term
|
Definition
| Hagia Triada, Crete, Greece, 1500bce |
|
|
Term
|
Definition
| Palace at Knossos, Crete, Greece, 1600bce |
|
|
Term
|
Definition
| From grave circle a, Mycenae, Greece, 1600-1500bce |
|
|
Term
| Inlaid dagger blade with lion hunt |
|
Definition
| From grave circle a, Mycenae, Greece, 1600-1500 |
|
|
Term
|
Definition
| From Mycenae, Greece, 1200bce |
|
|
Term
|
Definition
| From the Dipylon cemetry, Athens, Greece, 740bce |
|
|
Term
|
Definition
| statuette of a youth dedicated by Mantiklos to Apollo =, from thebes, Greece, 700-680bce |
|
|
Term
|
Definition
| from anavysos, Greece, 530bce, young man died a hero's death in battle, |
|
|
Term
|
Definition
| From the acropolis, Athens Greece, 530bce |
|
|
Term
| Achilles and Ajax playing a Dice game |
|
Definition
| Detail from an Attic black figure amphora, from Vulci, Italy 540-530bce, Done by Exekias |
|
|
Term
| 2 sided, Achilles and Ajax playing a dice game |
|
Definition
| Andolkides, creator of the "bilingual painting," copies of Exekias' work. Orvieto, Italy, 525-520bce |
|
|
Term
|
Definition
| attic red figure amphora, from Vulci Italy, 510bce, Euthymides |
|
|
Term
|
Definition
| fro mthe acropolis, Athens, Greece, 480bce, sculpted by Kritios, Standing like a real person would, not rigid, like the Cyclades |
|
|
Term
|
Definition
| from the sea off Riace, Italy, 460-450bce, bronze, more pronounced weight shift. |
|
|
Term
|
Definition
| From the sea off CapeArtemision Greece,460-450bce, throwing a thunderbolt/trident/javalin. extended arms and lifted heel indicate lightness of bronze |
|
|
Term
| Diskobolos (Discus Thrower) |
|
Definition
| roman copy after a bronze original, currently in museo Nazionale Romano, 450bce, Myron |
|
|
Term
| Doryphoros (Spear Bearer) |
|
Definition
| Roman copy from Pompeii, Italy, after a bronze original, 450-440bce, created by Ploykleitos |
|
|
Term
|
Definition
| the temple of Athena Parthenos, view from the northwest, Acropolis, Athens, Greece, 447-438bce, created by Iktinos and Kallikrates |
|
|
Term
|
Definition
| in the cella of the Parthenon, Acropolis Athens, Greece, 438bce, model of the lost statue, created by Phidias |
|
|
Term
| Panathenaic Festival Procession Frieze |
|
Definition
| from the Parthenon, Acropolis, Athens, Greece, 447-438bce, (1)Horsemen of North frieze, (2)Seated gods and goddesses (Poseidon, Apollo, Artemis, Aphrodite, and Eros) of the east frieze, (3)elders and maidens of east frieze |
|
|
Term
|
Definition
| Roman copy after an original, 350-340, currently in the Vatican Museums, Rome, created by Praxiteles, very sensuous |
|
|
Term
| Weary Herakles (Farnese, Herakles) |
|
Definition
| Roman copy from Rome Italy, signed by Glykon of Athens, after a bronze original, 320bce, Lysippos |
|
|
Term
|
Definition
| Roman copy, from the House of the Faun, Pompeii, Italy, late second or early first century bce. created by philoxenos of Eretria |
|
|
Term
|
Definition
| Epidauros, Greece, 350bce, created by Polykleitos the Younger (a possible nephew), finest in Greece, constructed after the birth of Alexander the great was born, |
|
|
Term
|
Definition
| reconstruction of the west front, from Pergamon, Turkey, 175bce, framed by an Ionic stoalike colonnade |
|
|
Term
|
Definition
| detail of the gigantomachy frieze, from the altar of Zeus, Pergamon, Turkey, 175, bce |
|
|
Term
|
Definition
| Nike alighting on a warship, from Samothrace, Greece, 190bce, |
|
|
Term
|
Definition
| Roman copy after a bronze from Pergamon, Turkey, 230-220bce, Epigonos |
|
|
Term
|
Definition
| Aphrodite, grabbing for her cloth, from Melos, Greece, 150-125bce, Alexandros of Antioch-on-the-Meander |
|
|
Term
|
Definition
| from Delos, Greece, 100bce, |
|
|
Term
|
Definition
| Sleeping satyr, from Rome, Italy, 230-200bce, voyerism |
|
|
Term
|
Definition
| Currently at the Metropolitan Museum of Art, New York, 150-100bce, carries on b/c of necessity not b/c of desiring to, |
|
|
Term
|
Definition
| From Rome, Italy, early first century ce, by Athandoros, Hagesandros and Polydoros of Rhodes, its a priest |
|
|
Term
|
Definition
| From Rome, Italy, 500-480bce, Romulus and Remus suckling from the wolf, Founders of Rome(added later), Etruscan |
|
|
Term
|
Definition
| From Rome, Italy, 500-480bce, Romulus and Remus suckling from the wolf, Founders of Rome(added later), Etruscan |
|
|
Term
|
Definition
| From Tivoli, Italy, early first century BCE. Greek inspired temple; circular with Corinthian columns.Use of concrete to create the temple. |
|
|
Term
|
Definition
| Portraits of the Gessii, from Rome, Italy. 30BCE. Relief of free slaves; center image is a portrait of who set them free. also having a picture of who released them gives them an ancestor.protraits were made to stablish thie status as Roman citizens |
|
|
Term
| Head of a Roman patrician |
|
Definition
| From Otricoli, Italy, 75-50 BCE. this style can be traced to Hellenistic and Etruscan portraits. realistic images of old men, that depicted wisdom and knowlegde. |
|
|
Term
| Portrait of a Roman general |
|
Definition
| From the Santuary of Hercules, Tivoli, Italy, 75-50BCE. Old head set on a young body, bring of greek culture and roman ideology together. |
|
|
Term
| Denarius with portrait of Julius Ceasar |
|
Definition
| 44BCE, first sign of adverticement in which someone is portrayed that is alive at that time. sign of aging face on coin, again shows wisdom. |
|
|
Term
|
Definition
| Second style wall paintings, found in room 5 if the Villa of the Mysteries. Pompeii, Italy, 60-50 BCE. Illusion of an imaginary 3-D world. Depicts the union of Ariadne(daughter of King Minos) with Dionysos. |
|
|
Term
| Perspective second style painting |
|
Definition
| From Cubiculum M of the villa of Publius Fannius Synistor, Boscoreale, Italy. 50-40 BCE. 3-D painting |
|
|
Term
|
Definition
| Second Style, from villa of livia, Primaporta, Italy. 30-20 BCE.Atmospheric perspective. |
|
|
Term
| thrid style painting in Cubiculum |
|
Definition
| from cubiculum 15 of the villa of Agrippa Postumus, Boscotrecase, Italy. 10BCE. depicted linear fantasies on monochromatic backrounds. |
|
|
Term
| Fourth Style wall painting |
|
Definition
| Found in Ixion Room of the house of the Vetti, Pompeii, Italy. 70-79CE.show irrational fantasies mixed with color. |
|
|
Term
| Portrait of a husband and wife |
|
Definition
| wall painting, Pompeii, Italy. 70-79CE, forth wall style, depicts the education of the house hold |
|
|
Term
| Portrait of Augustus as general |
|
Definition
| from Primaporta, Italy, early 1st century copy. Son of a God, influence of classic greek art (youthful). used for propaganda and bring together the two parties in rome. |
|
|
Term
|
Definition
| from faiyum, Egypt, early 1st century.shows a never aging empress |
|
|
Term
|
Definition
| Altar of Augustan Peace, Rome, Italy.13-9BCE. |
|
|
Term
|
Definition
| in the Ara Pacis Augustae, Rome, Italy. 13-9BCE. mother earth. |
|
|
Term
| Procession of the imperial family |
|
Definition
| in the Ara Pacis Augustae, Rome, Italy. 13-9BCE. showing Augustus attemp to show his new order as the golden age, first time children are depicted |
|
|
Term
|
Definition
| Nimes, France.1-10CE a depiction of the Forum of Augustus. Corinthian pseudoperipteral temple |
|
|
Term
|
Definition
| Nimes, France, 16CE. aqueduct-brige, shows roman engineering and aesthetics. |
|
|
Term
|
Definition
| Rome, Italy, 70-80 CE. Build by Vespasian, used for glaritorial games. build using concrete. seating was based on class. |
|
|
Term
|
Definition
| Rome, Italy, after 80 CE, build by Domitian in honor of titus, his brother.use of Ionic volutes and corinthian acanthus. |
|
|
Term
|
Definition
| relief inside the Arch of titus, Rome, Italy, after 81CE. shows the procession after the conquest in Judaea, illusion of movement. |
|
|
Term
|
Definition
| forum of Trajanm, Rome, Italy, dedicated 112CE. Rome's Greatest Forum. glorified trajan's victory in his two wars against the dacians |
|
|
Term
|
Definition
| Forum of Trajan, Rome , Italy. dedecated 112CE. had a spiral narrative, once had a nude statue of the emperor trajan |
|
|
Term
|
Definition
| markets of trajan, rome , italy 100-112CE.used for shops and administrative offices. |
|
|
Term
| Funeral felief of a circus official |
|
Definition
| from Ostia, Italy. 110-130 CE, shows faithfulness to the wife and use of lower class art. continous narritive |
|
|
Term
|
Definition
| Rome, Italy,118-125CE. temple for all Gods, used concrete to creat it.use of geometric shapes to give it an different look, use of corinthian columns |
|
|
Term
|
Definition
| ostia, italy, 2nd century, modern day apartments |
|
|
Term
| Apotheosis of Antonius Pius and Faustina |
|
Definition
| pedestal of the column of antonius pius, rome, italy, 161ce. made by marcus and lucius in honor of pius, classical tradition, roma, rome personifield. |
|
|
Term
|
Definition
| pedestal of the column of antonius pius, rome, italy, 161ce. decursio, the ritual circuling of the imperial funerary, figures are more stockier. moving away from the classical art |
|
|
Term
| plan of the central section of the baths |
|
Definition
| from caracalla, rome, italy 212-216CE |
|
|
Term
|
Definition
| baalbek, lebanon, 3rd century. ignores classical design. use of 5 corinthian capitals with pentagonal bases |
|
|
Term
| portraits of the four tetrarchs |
|
Definition
| from constantinaple 305CE, |
|
|
Term
|
Definition
| rome, italy, 312-315CE,use of old reliefs |
|
|
Term
| relief of emperor on arch of constatine |
|
Definition
|
|
Term
|
Definition
| basilica nova, rome, italy 315-330CE, larger than life, using it as propaganda. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Trier, Germany early 4th century ce |
|
|
Term
| coins with faces of constantine |
|
Definition
|
|
