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Stonehenge
Period: Prehistoric (2600 BCE)
Location: Salisbury Plains, England
Artist: N/A
Materials: Stone (Sarsens and Bluestones)
neolithic revolution
for religious perposes only
religion turn towards the sky
**post and lintel structure
- worship Gaia (female god)
- moved large stones from 24 mi away |
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Post and Lintel
- Simple method
- 8 feet is about the greatest length it can span
- stone: great compression, poor tension
- ex: stonehenge |
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Mycenae
Period: prehistoric (1600 BCE-1100 BCE; height at 1250 BCE)
Artist: N/A
Location: city near Athens
* Defensive city, capital, walled city on the mound
* walls have 20 ton stones
The Lion Gate
* Corbel arch over post and lintel at gateway
* Doorways: divide between life and death
* in defensive architecture, the weakest part |
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Parthenon
Location: On the Acropolis in Athens
Period: Classical Greek
Artist: Phidias
-for Athena, goddess of wisdom
*oversees commerce and arts
-extremely sophisticated
- on the Acropolis, oversees agora & theater
Materials: Pentele Marble
*14 ft x 147 architrave blocks
*48 capitals 528 drum blocks = 723 blocks, 9 years for exterior
Order: combines ionic and doric elements
-inside: ionic frieze
-outside: doric columns 8x17 column footprint, close to the golden proportion
Curvature:
-columns lean in, entablature leans out, stylobate curved
-concern columns are thicker
-intercolumniation is not regular: closer near corners
- 1:5,000
Why?
1. Utility: Greece is an earthquake zone
2. Optical: look same distance away
3. Aesthetic: gives life & movement
-Had statue of Athena inside the cella (Chryselephantine)
-phideas sculpture on the east pediment
-Frieze: relief sculpture |
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Propylaea
Period: Classical Greek
Artist: Mnesikles
Location: Gateway to the Acropolis, in Athens
Release --> Compression --> Release
Light --> dark --> light
Rough stone --> light stone
Connections: "gateways" such as the Lion's Gate in Mycenae |
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Mask of Nefartiti
Period: 1345 BCE (18th dynasty)
Artist: Thutmose
Location: Egypt
Material: limestone
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Lasceaux cave
Period: prehistoric (25000 ~ 15000 BCE)
Artist: N/A
Location: France
Materials: Mineral Pigments on cave walls
cave paintings of animals
very end of cave: only representaion of human |
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venus of willendorf Period: Prehistoric (c. 25,000 BCE)
Material: Limestone
Location: Willendorf, Austria
Artist: N/A |
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Temple of Athena Nike
Period: Classical Greek
Material: marble
Location: on the Acropolis, in Athens
Artist: Kallikrates
Order: Ionic
*Parapet relief sculpture of Athena Nike taking off her sandals
*genre: when gods portrayed as doing everyday thigns |
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Grave Stele of Hegesos
Period: Classical Greek
Material: Pentelic marble, relief sculpture
Artist: N/A
Location: Kerameikos, graveyard outside of Athens
-ceramic was the most common material for graves Hegesos is with her servant, going through a box of jewels in a very ordinary moment
- she's in the doorway between life and death 3/4 view of bodies, profile of head and chair |
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Kouros male figure
Period: Archaic Greek
Material: typically marble
Artist: N/A
Location: across Greece
*Free standing, male, youth, nude
*some were temple watchers, or grave watchers, or for victory/ athletics
* block --> body
* 1:6 proportion
* iliac crest, shins, knee caps,face, fair, feet were problems
600-525 BCE: four sided body
Connection: |
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Kritios Boy
Period: 480 BCE - Late Archaic or Early Classical Greek
Artist: Krito
Material: Marble
Location: found on the Acropolis, in Athens
* first known to use Contrapposto
* More realistic rib cage, smile, balance of weight
Connection: Kouros, |
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Doryphoros
Period: Classical Greek
Artist: Polyclites
Location: many copies have been found, including in Pompeii
Material: Marble
*Captures youth on the verge of manhood
*Standing, yet moving
* was probably holding a spear
* Contrapposto
Connection: Kouros, Kritios boy
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Riace bronzes
Period: Classical Greek
Material: bronze - great tensile strength
Location: found off coast of Riace
Artist: N/A
* Warriors or gods
* Contraposto
* One was probably wearing a helmet
Connection: Kouros, Kritios Boy, Doryphoros |
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Portunus
Period: 1st century BCE (Republican Rome)
Roman temple
Location: Rome, Forum Boarium
Artist: N/A
Order: Ionic
*portunus: god of the port
* located near primary market at the port of the river, very prominent
Comparison to Greek architecture:
*Not peripteral; columns engaged
* higher podium
* Approached from only one direction
*Within a closed precinct wall, unlike Greek temples that interacted with their environment
* Much less decorated; no sculpture in the frieze
* deep Pronaos |
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colosseum
Period: 80 CE (Imperial Rome)
Location: Rome
Materials: Concrete and Stone
Artist: N/A
Column order: Doric bottom, ionic middle, corinthian top
* Oval amphitheater for public entertainment
* 37 degree angle for viewing
* sat 50,000 people
* you could go all day long and see games
* used to have statues under the arches (about 80)
* gola: ticketing area
* vomitorium: where poeple walk in/out of theater
* fornix: arch in colusseum |
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Pantheon
Period: 117-125 CE (Imperial Rome)
Location: Rome
Materials: granite columns, concrete dome,
Column order: Corrinthian
* Temple to all the gods
* centrally located
* single orientation and entrance
* 50 ft single shaft columns (18 total) from Egypt
* Geometry: like a child's drawing of a house
* perfect sphere inside (142 ft diameter)
* hole in the ceiling
* coffered dome
* Arch: 80 ft max span much larger than the parthenon |
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Forum of Trajan
Period: 106-113 CE (Imperial Rome)
Location: Rome
Artist: Apollodorus
*Contains: temple of the divine trajan, basilica ulpia, statue of trajan |
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Augustus Prima Porta
Material: Marble
Period: Imperial Rome
Location: Prima Porta, in Villa Livia
Artist: N/A
*THE image that Augustus prefered
* kind of like Doryphoros - Contrapposto
* boy yet a man, movement, demanding attention
* wearing armor; special, emperor --> like Phidian drapery, but armor
* he's a citizen, barefoot--> simple but divine associations
* held up by cupid and a dolphin
* in Rome, hands were important for rhetoric
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Ara Pacis (Altar of Augustan Peace)
Period: 27bce-14 CE (Imperial Rome)
Material: Marble
Location: Rome
*Alter dedicated to Pax, Roman goddess of peace
*outdoor room without a roof
*alter inside the room where sacrifices took place
* relief sculpture on the outside
* Augustus is head of the priesthood
* great depth: 3-4 inch deep carving
* "genre-like": gestures from everyday life
* the entourage/ family, with children |
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Arch of Titus
Period: 81 CE (imperial Rome)
Location: Rome
Material: Concrete; marble facade
Artist: N/A
* Built in triumph
* Awarded by the Roman senate
* Titus sacked Jerusalem and the temple
* arch with post and lintel references
* 2 reliefs of armies marching, carrying the spoils form the temple |
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marcus aurelius on horse
Period: 180 CE (Imperial Rome)
Material: bronze (Great tensile strength)
Location: Rome
* preserved by christians because they thought that it was a statue of Constantine
* only emperors are shown on horses
* in the toga of a citizen
Connection: Similar to Augustus Prima Porta gestures |
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Villa of Mysteries
Period: 79 CE (Imperial Rome)
Material: Fresco
Location: Near Pompeii
Artist: N/A
* has large wall paintings
* a priestly or religious place for rites
* corners are "activated" by figures interacting with characters on other walls |
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Villa Livia
Location: Prima Porta (near Rome)
Material: House
Period: 79 CE? (Imperial Rome)
Artist: N/A
* Fresco of a garden
* Statue of Augustus found inside |
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Basilica of St. Denis
Period: Gothic
Location: Paris, France
Artist: Abbot Suger
Materials: Stone, glass,
*First Gothic Church
* Rib Vaulting
* Lines of thrust, brick infilling
* Columns do most of the structural support; walls have windows
* allows them to be built very high
Significance and Basic Concepts |
The choir of Abbot Suger was the first fully gothic structure. For Suger light functioned as a sign or bridge to the divine. |
Patron Saint |
Saint-Denis, patron saint of the monarchy |
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Notre Dame
Material: Ashlar, stained glass Period: Gothic
has a lightness; stone like lace * buttresses for from wall lets in light * building turned inside out: very open, uninterrupted space inside and structure outside * foundation of building is critical; buttresses begin underground
Significance and Basic Concepts Just as the kings appropriated visual symbols of the church, the church invoked symbols of kingship. The west facade incorporates sculptures of kings, referencing Old Testament kings and French kings.
The physical evidence suggests that the twelfth century builders used flying buttresses for both the nave and choir. If this is indeed so, then Notre-Dame demonstrates a leap in building technology.
Patron Saint: The Virgin Mary |
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Chartres South Portal
Period: Gothic |
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Chartres West Facade
Period: Gothic |
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La Belle Veriere, Chartres
Period: Gothic |
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Rose Window, Chartres
Period; Gothic |
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myron discobolus
Period: Classical Greek
Material: Bronze, marble
Artist: Myron
Location: throughout Greece/rome |
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hermes and the infant dionysus
Period: late classical
Material: Marble
Artist: Praxiteles
Location: found in the temple of Hera, at Olympia |
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aphrodite of knidos
Artist: Praxiteles
Location: Athens
Period: late classical
Material: Marble
*First female nude
*Contrapossto
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mausoleum at halicarnassus
Location: Turkey
Period: Classical Greek
Material: Marble
Artist: N/A
monument / tomb for Mausolos's wife and sister
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Theater at Asklepios
Location: Epidaurus
Material: Limestone seats
Period: Classical greek
come here to talk to epidaurus (God of healing)
interact with nature
acoustaticly brilliant |
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Pyramids
Material: Limestone Period: 2500 BCE - 4th dynasty |
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Acropolis
On the Acropolis: the Parthenon, the Propylaia, the Erechtheion and the temple of Athena Nike |
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East Pediment of the Parthenon
* 438-432 BCE
* c
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Zeus/ poseidon (Artemision Bronze)
???? from the sea |
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Segovia Aqueduct
Roman Aqueducts: gravity flow of 1"/750' (1:9,000) Rome: 11 aqueducts longest: 56 miles 270 total miles
Arches: each side incapable of standing without the other: need keystone *needs buttressing *arches in sequence = multiple barrel vaults |
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Assisi Fresco in Basillica of San Francisco
Assisi
Italian Early Renaissance
walls tells story of his life
naturalisitic |
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Arena Chapel
Giotto (painted fresco)
Italian Early Renaissance
life of vergin mary
spectator inclusion |
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Merode Alterpiece
Artist: Robert Campin
Period: Northern Early Renaissance
Location: Netherlands
Format: triptych (bc trinity)
Material: oil painting on panel (New medium in the north)
*Middle: virgin Mary being told she's going to have a baby
* takes place in Flemish house. painted in the vernacular
* visible symbolism
* candle snuffed out
* baby christ w the cross
* lily in the vase mary is a garden 1 pt perspective mouse trap is the devil |
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jan van Eyck self portrait
period: Northern early resaissance
Material: Oil on panel
Location: Netherlands
Artist: self portrait
* self portrait with specificity, looking directly out
* similar to Roman republican busts
* says: I am a great artist |
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arnolfini wedding
Artist: Jan ban Eyck Period: Northern Early Renaissance Location: Netherlands Materials: Oil on Panel
*Wedding or betrothal * important language of gesture * dog = fidelity * shoes off = holy place * bed in background = reproduction * 3 + 1 oranges = jesus trinity and god mirror with 10 signs of passion |
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Parthenon Frieze
* celebrates pan-athenaic procession (every 4 years)
* starts west and moves around both sides
* youths lead, adults and sacrifices follow
* relief sculpture |
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Athena Nike adjusting Sandal (from parapet on temple of Athena Nike)
Period: Classical Greek
genrae: taken from everyday life
Artist: Kallikrates |
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Kore from Chios
Period: Archaic Greek (C. 520 BCE)
Material: Marble
Artist: N/A
Location: Chios
*drapery, movement |
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Arringatore (the Orator)
Material: Bronze
Period: Republican Rome / Hellenistic |
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Apollo Belvedere
Classical Greek / Helenisitic?
Contrapposto
Marble
greek statue made in Rome |
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Lasceaux cave
Period: prehistoric (25000 ~ 15000 BCE)
cave paintings of animals
very end of cave: only representaion of human |
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East Pediment of Parthenon
middle part blown up
story: birth of Athena from Zues's head
naturalistic representation of movement & action |
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Relief Sculpture examples |
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1) parthenon freize
2) Nike temple balastry
3) Stele of Hegesos |
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Kore
female figure
Period: archaic greek
material: marble |
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Trajan Column
Material: marble
Period: Imperial Rome
extended visual narrative of Trajan conquest of Daicians |
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South facade of Chartres
side facing the city |
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