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| An anti-Classical movement in which artificiality, grace, and elegance took priority over the ordered balance and lifelike references of the High Renaissiance |
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| Dramatically lit, evokes emotion, theatrical compositions |
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| Combination of baracco and rocaille to describe the refined and faciful style that became fashionable in parts of Europe during the eighteenth century |
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| Revival of the Classical Style |
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| Cutting a design into a plate or block of metal or wood, ink is rubbed into the grooves |
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| Print made from a plate that has ink rubbed on it, then rubbed away from certain areas using a cloth |
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| A technique of engraving, usually on copper, using a sharp needle to produce furrows that are often fuzzy afterward |
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| Celebrating the country and country life |
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| Still lifes that included some reference to mortality |
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| Artistic or symbolic reminder of the inevitability of death |
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| Painting style that had elegantly dressed groups at play or in a park-like setting |
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| The use of extreme contrasts between dark and light to heighten dramatic effect |
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| Art produced by a synthesis of various art forms |
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| Intellectual movement emphasizing reason and individualism rather than tradition |
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| Work of art depicting mostly inanimate objects |
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| Characterized by similarities in form, style, or subject matter |
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| Mannerism in Painting, Sculpture, and Architecture |
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Bronzino. Allegory with Venus and Cupid. Mid 1540s
Cellini. Perseus. Florence, Italy. 1545-1553.
Guilo Romano. Palazzo del Te. Mantua. 1527-1534 |
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| High Renaissance Painting and Architecture in Venice and the Veneto |
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Titian. "Venus" of Urbino. Italy. 1538.
Palladio. Villa Rotunda. Vicenza, Italy. Begun 1560s |
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| 16th Century Netherlandish Painting |
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Hieronymous Bosch. Garden of Earthly Delights. 1505-1515. Netherlands.
Pieter Bruegel, the Elder. Peasant's Dance. 1568.
Pieter Bruegel, the Elder. Return of the Hunters. 1565. |
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| 16th Century Art in Germany |
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Matthias Grunewald. Isenheim Altarpiece. Community of St. Anthony, Isenheim, Alsace, France. 1510-1515.
Albrecht Durer. Four Apostles. 1526. Germany.
Albrecht Durer. Adam and Eve. Germany. Engraving. |
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| 17th Century Baroque Art in Italy and Spain |
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Francesco Borromini. Church of San Carlo alle Quattro Fontane. Rome, Italy. 1638-1667.
Gianlorenzo Bernini. David. 1623. Rome, Italy. Marble. 5'7"
Gianlorenzo Bernini. Cornaro Chapel: The Ecstasy of St. Teresa. Church of Santa Maria della Vittoria, Rome. 1642-1652.
Caravaggio. The Enchantment og Christ. Roe Santa Maria in Vallicella. 1602-1603.
Artemesia Gentileschi. Judith and Holofernes. Rome. 1614-1620
Diego Velazquez. Las Meninas. Madrid, Spain. 1656. |
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| 17th Century Baroque Painting in the Netherlands |
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Rembrandt van Rijn. The Company of Captain Frans Banning Cocq (The Night Watch). 1642.
Rembrandt van Rijn. Self-Portrait. 1658 |
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| 17th Century Baroque Painting in Flanders |
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| Peter Paul Rubens. Raising of the Cross. Church of St. Walpurga, Antwerp, Belgium. 1610-1611. |
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| 17th Century Baroque Painting and Architecture in France |
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| Nicholas Poussin. Et in Arcadio Ego. French. 1637-1638 |
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| 18th Century Rococo in France |
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Germain Boffrand. Hotel de Soubise. Paris. 1704-1740. (Salon de la Princesse. 1732).
Jean-Antoine Watteau. Pilgrimage to the Island of Cythera. 1717. |
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| 18th Century Neo-Classicism in France and England |
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Jacques-Louis David. Oath of the Horatii. French. 1784-1785
Jacques-Germain Soufflot. Church of Sainte Genevieve (Pantheon). Paris, France. 1755-1792 |
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