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| Atrium of the House of the Vettii, Pompeii, Italy, ca 2nd century bce, rebuilt ca 62-79 ce |
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| First Style Wall Painting, fauces of the Samnite House, Herculaneum, Italy, ca late 2nd century bce |
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| Dionysiac mystery frieze, second style wall paintings, room 5 of the Villa of Mysteries, Pompeii, Italy, ca 60-50 bce |
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| Second Style Wall Paintings, cubiculum M of the Villa of Publius Fannus Synistor, Boscoreale, Italy, ca 50-40 bce |
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| Second Style Wall Paintings, cubiculum M of the Villa of Publius Fannus Synistor, Boscoreale, Italy, ca 50-40 bce |
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| Gardenscape, 2nd Style Wall paintings, Villa of Livia, Primaporta, Italy, ca 30-20 bce |
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| Third Style Wall Painting, cubiculum 15 of the villa of agrippa Postumus, Boscotrecase, Italy, ca 10 ce |
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| Fourth Style Wall Painting, Room 78 of the Domus Aurea of Nero, Rome, Italy, ca 64-68 ce |
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| Fourth Style Wall Paintings in the Ixion Room of the House of the Vettii, Pompeii, Italy, ca 70-79 bce |
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| Neptune and Amphitrite, wall mosaic in the summer triclinium of the House of Neptune and Amphitrite, Herulaneum, Italy, ca 62-79 ce |
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| Portrait of a Husband and wife, wall painting from house VII,2,6, Pompeii, Italy, ca 70-79 CE |
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| Still Life with Peaches, Herculaneum, Italy, ca 62-79 CE |
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| Date MT Vesuvian errupted |
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| Portraits of the 4 tetrarchs from Constantinople, Turkey, ca 305 CE |
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Arch of Constantine, Rome, Italy, ca 312-315 CE
-sculptural decoration came from monuments of Trajan, Hadrian, and Marcus Aurelius
-wanted to associate himself with the "good" emperors |
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| Colossal Head of Constantine, Basilica Nova, Rome, Italy, ca 315-330 CE |
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| Equestrian Statue of Marcus Aurelius, Rome, Italy, ca 175 CE |
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Painted Portrait of Septimus Severus and his family, Egypt, ca 200 CE
-only known painted portrait of an emperor
-damnatio memoriae of son |
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Bust of Caracalla, ca 211-217 CE
-heroic nudity
-hair still curly, but short |
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Plan of Baths of Caracalla, Rome, Italy, ca 212-216 CE
1) natatio 2)frigidarium 3)tepidarium 4)caldarium 5) palaestra |
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| Portrait Bust of Trajan Decius, ca 249-251 CE |
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Heroic Portrait of Trebonianus Gallus, Rome, Italy, ca 251-253 CE
-heroically nude, wrestlers body, nervous expression |
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Battle of Romans and barbarians, Rome, Italy, ca 250-260 CE
-piling up of writing, emotive figures rejects classical traditions |
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Temple of Venus, Baalbek, Lebanon, 3rd cent CE
-baroque temple that rejects classical design. |
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| Aula Palatina, Trier, Germany, 4th cent CE |
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| Interior of the Aula Palatina, Trier, Germany, 4th cent CE |
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| Sarcophagus of Junius Bassus, Rome, Italy, ca 359 CE |
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| Interior of the synagogue, Dura-Europos, Syria, ca 245-256 CE |
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Christ as the Good Shepherd, ca 300-350 CE
-rare free-standing statuette of Jesus
-statue shows retention of greco-roman values |
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Christ Seated, ca 350-375 CE
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Plan of Old Saint Peter's, Rome, Italy, ca 319 CE
-resembles roman basilica |
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| Elevation of Old Saint Peter's, Rome, Italy, ca 319 CE |
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| Interior of Santa Costanza, Rome, Italy, ca 337-351 CE |
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| Plan of Santa Costanza, Rome, Italy, ca 337-351 CE |
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| Detail of the mosaic in the ambulatory vault of Santa Costanza, Rome, Italy, ca 337-351 CE |
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| Christ as Sol Invictus,Rome, Italy, late 3rd century CE |
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| Christ as Good Shepherd, mosaic from the entrance wall of the Mausoleum of Galla Placidia, Ravenna, Italy, ca 425 CE |
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Suicide of Judas and Crucifixion, plaque from a box, ca 420 CE
-1st known representation of the crucifixion of Christ
-ivory |
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Woman Sacrificing at an Altar, Diptych of the Nicomachi and the Symmachi, Probably Rome ca 400 CE
-classical art style |
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| Interior of Sant'apollinare Nuovo, Ravenna, Italy, ca 504 CE |
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Interior of Santa Sabina, Rome, Italy, ca 422-432 CE
-timber-roofed, and clerestory windows typical of early Christian churches |
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Justinian as World Conqueror, 6th cent CE
-classical style and motifs
-personifications of victory and earth |
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| ANTHEMIUS of TRALLES and ISIDORUS OF MILETUS, Hagia Sophia, Constantinople, Turkey, ca 532-537 CE |
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| ANTHEMIUS of TRALLES and ISIDORUS OF MILETUS, Cutaway of Hagia Sophia, Constantinople, Turkey, ca 532-537 CE |
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| ANTHEMIUS of TRALLES and ISIDORUS OF MILETUS, Hagia Sophia, Constantinople, Turkey, ca 532-537 CE |
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| ANTHEMIUS of TRALLES and ISIDORUS OF MILETUS, Interior of Hagia Sophia, Constantinople, Turkey, ca 532-537 CE |
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| Aerial View of San Vitale, Ravenna, Italy, ca 526-547 CE |
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| Choir and Apse of San Vitale with mosaic of Christ between two angels, Saint Vitalis, and Bishop Ecclesius, Ravenna, Italy, ca 526-547 CE |
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| Plan of San Vitale, Ravenna, Italy, ca 526-547 CE |
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Justinian, Bishop Maximianus, and attendants, mosaic on the north wall of the apse, San Vitale, Ravenna, Italy, ca 547 CE
-Byzantine aesthetic |
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| Theodora and attendants, mosaic on the south wall of the apse, San Vitale, Ravenna, Italy, ca547 CE |
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Cross-inscribed carpet page, folio 26 verso of the Lindisfarne Gospels, Northumbria, England, ca 698-721 CE
-Christian imagery with animal-interlace style style of early medieval warlords |
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Purse Cover, Sutton Hoo ship burial in Suffolk, England, ca 625 CE
-abstract interlace ornamentation |
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| Animal-head post from the Viking Ship burial, Oseberg, Norway, ca 825 CE |
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| Saint Matthew, Book of Durrow, Iona, Scotland, ca 660-680 CE |
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| Saint Matthew, Lindisfarne Gospels, Northumbria, England, ca 698-721 CE |
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| Symbols of Matthew, Mark, Luke, and John |
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Matthew= winged man or angel
Mark= lion
Luke= ox/bull
John= Eagle |
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| chi-rho-iota, Book of Kells, Iona, Scotland ca late 8th or early 9th century CE |
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Equestrian Portrait of Charlemagne or Charles the Bald, Metz, France, ca 9th cent CE
-Carolingian emperors sought to revive glory and imagery of roman empire
-globe= symbol of world domination |
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Saint Matthew, coronation gospels, Aachen, Germany, ca 800-810 CE
-legacy of classical art, shading to create 3D forms |
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Saint Matthew, Ebbo Gospels, Hautvillers, France, ca 816-835 CE
-merges classical tradition with Northern European linear tradition |
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Crucifixion, Lindau Gospels, Saint Gall, Switzerland, ca 870 CE
-early christian imagery of young Christ
-painless Christ on cross shows classical influence |
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| Palatine Chapel of Charlemagne, Aachen, Germany, ca 792-805 CE |
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| Interior of the Palatine Chapel of Charlemagne, Aachen, Germany, ca 792-805 CE |
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| Plan of Palatine Chapel of Charlemagne, Aachen, Germany, ca 792-805 CE |
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| Schematic Plan for a monastery, Saint Gall, Switzerland, ca 819 CE |
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Westwork of the abbey church, Corvey, Germany, ca 873-885 CE
-sole surviving example of westwork architecture |
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| Nave of the church of Saint Cyriakus, Gernrode, Germany, ca 961-973 CE |
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| Saint Michael's, Hildesheim, Germany, ca 1001-1031 CE |
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| Saint Michael's Plan and longitudinal section, Hildesheim, Germany, ca 1001-1031 CE |
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| Saint Michael's Nave, Hildesheim, Germany, ca 1001-1031 CE |
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| Saint Michael's column, Hildesheim, Germany, ca 1001-1031 CE |
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Doors with Relief Panels, Saint Michael's, Hildesheim, Germany, ca 1001-1031 CE
-tell story of original sin and redemption, and draw parallels between the old and new testaments |
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Crucifix commissioned by Archbishop Gero for Cologne Cathedral, Germany, ca 970 CE
-revival of monumental sculpture in the middle ages |
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| Otto 3 Enthroned, Gospel Book of Otto 3, Reichenau, Germany, ca 997-1000 CE |
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Annunciation to the Shepherds, Lectionary of Henry 2, Reichenau, Germany, ca 1002-1014 CE
-elements of late antique landscapes
-golden background of Byzantine art |
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