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Luis Cranach the elder, Martin Luther, 1528, oil on panel reformers disliked altarpieces - seen as idolatrous |
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Raphael, Pope Leo with Two Cardinals, 1519, oil on panel |
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Melchior Lorck, Satire on Papacy, 1555, etching |
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Christ Blessing, Surrounded by a Donor Family, 1573-82, oil and gold on oak verses inscribed at back from low german edition of martin luther's bible |
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Matthias Grunewald and Nikolaus Hagenauer, the isenheim altarpiece, 1512-1516 wings closed |
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Matthias Grunewald and Nikolaus Hagenauer, the isenheim altarpiece, 1512-1516 - wings open - for festivals and veneration of Mary |
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Matthias Grunewald and Nikolaus Hagenauer, The Isenheim Altarpiece 1512-16 - third view to allow pilgrims or those afflicted to venerate |
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Emanuel di WiUe, Interior of the Nieuwe Kerk, Amsterdam, 1567, oil on canvas |
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Albrecht Altdorfer, Danube Landscape near Regensburg, after 1520, oil on parchment on beechwood - rich blue idealised landscape - the aesthetics of landscape providing new material in reformation |
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Jan Breughel, Bouquet, 1599, oil on panel |
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Hans Holbein the Younger, Portrait of Georg Gisze, Hanseatic merchant, 1532-3, oil on panel |
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Pieter Breughel the Elder, Hunters in the Snow, 1565, oil on panel |
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Hans Holbein the Elder, Wings of the Kasheim Altarpiece, 1502, oil on panel |
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Holbein the younger, Erasmus of Rotterdam, 1523-4, oil on panel, louvre |
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Holbein the Younger, Portrait of Jakob Meyer, oil on panel |
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Holbein the younger, portrait of Dorthea Kannengiesser, 1516, oil on panel |
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Meyer Madonna, 1528, oil on panel Catholic altarpiece - hans holbein had clients both sides of religious divide |
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Hans Holbein the younger, title page of martin Luther's translation of the new testament, 1523, woodcut |
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Lucas Cranach the elder, martin luther as an augustinian monk, 1520, engraving Luther wished "the whole Bible painted inside out for everyone to see." |
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Hans Holbein the Younger, the Abbess from the Dance of Death, produced 1522-6 |
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Hans Holbein, The Abbot from the Dance of Death, 1522-6, woodcut |
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