Term
|
Definition
- Robert Rauschenberg - White Paintings - 1951 - Proceeds Minimalism - Equivalent to Cages 4'33 - Allows your mind to wonder and to notics the surroundings - greenbergian formalism canvases are filled with light |
|
|
Term
|
Definition
- alberto burri - 1953 Composition Mode of Production: - made of burlap sacks, suturing cloth is reminiscent of his own war experience style: - almost like a collage, incorporates our world into the piece art and the everyday Movement: post war abstraction - doctor during the war, captured in a political camp where he took up paintings - puts his own experiences into his art |
|
|
Term
|
Definition
- Allan McCollum - perfect vehicles - 1985-89 - 50 vases, simple, different colours- shape imitates chinese funeral urns - minimalistic, making fun of the repetition of it - people will pay for even the allusion of variation - commentary on the ridiculousness of consumerism - aesthetics of consumerism, united states - simulation - |
|
|
Term
|
Definition
- Peter Halley - Asynchronous Terminal - 1989 - acrylic on canvas - talked about painting in direct relation to social life - neo geo - - a return to geometric abstraction -- abstraction and purity is totally wrong and led to a greater depersonalization of the world - talked about geometry in social confinement the depressing side of what utopia could be |
|
|
Term
|
Definition
- Allan Kaprow - 18 happenings in 6 parts - 1959 -consisted of 18 individual happenings (emphasis on action, actors play themselves, wanted to reintegrate art into life and the viewer into art) - took place in a gallery - participants given a program sheet and 3 small cards with instructions - could only get a partial experience from it - performance began with a bell and ended with 2 - left the viewers to assemble what they wanted to take away from it in their own minds - told them there was no meaning- FRUSTRATING - assemblage |
|
|
Term
|
Definition
- James Rosenquist - 1964-65
- oanoramic, an 18th/19th century tradition - uses an aluminum piece as a fragment of the real world - collage without collaging anything, just hte clashing of pictures and imagery - pop art - america - art and the everyday - 60s = vietnam, jfk and huge social issues - elebration of technology jet planes make the world go faster - overwhelms the viewer |
|
|
Term
|
Definition
- Claes Oldenburg - The Store 1961 - plaster and enamel - used hired hands to put it together - minimalits but approaching performance art - installation art - uses an actual store front - mocks american impulse for size and power - transposition |
|
|
Term
|
Definition
- Willem de Kooning - Woman I - 1950-52 -oil on canvas, - complete abstraction and figuration - art brut and l'informe - directly following the war artists are trying to get as far away from the norms of a corrupt world as - all over canvas, the ground leeks into the fie - mirroring of Picassos Les Demoiselles de Avignon |
|
|
Term
|
Definition
-Twin Tub with Guitar - Bill Woodrow - 1981 - carved a guitar out of an old washing machine - early 80s in britain they were seeing a lot of consumerism and wealth but feeling a lot of poverty - aesthetics of consumptioin - tension between production consumpting and making of the guitar and how it'll be absorbed into the market - a washing machine is something that is very available - shows the amount of waste due to surplus - british artists use only materials they can find |
|
|
Term
|
Definition
- Anthony Caro - Early One Morning - 1962 - relationable, structured like a sentence - seperate elements coming together to form a whole sculpture - single plane is very simple - all about human passions - optical effect - syntax allows for the release of gesture - minimalism |
|
|
Term
|
Definition
- Merde d'Artista - Piero Manzoni - 1961 - cans his own shit, once he puts his signature on it it become s art - making fun of the art world - places the artist as a god like creature - the zero group |
|
|
Term
|
Definition
- Yves Klein Monochrome blue -1961 - nouveau realism - patented the colour and the process of making it - he was simply unhappy with the classic ultra marine - represents spirit and boundlessness of space - a very spiritual man - poking fun at society and the art market - puts a bunch of the same canavses on different walls and charges different amounts for them |
|
|
Term
|
Definition
sigmar polke - bunnie - 1966 - German Pop art - deliberatley made to look second rate because thats how they economically felt - cultural standards are much lower in germany - they were feeling their own economic deficits with americas prosperity under their noses |
|
|
Term
|
Definition
- bruce Nauman - Neon Templates of the Half of my body taken at ten inch intervals - 1966 - Neon lights - similar to judd's pieces in simplicity - looks very abstract - post minimalist - experience and the body - it is physically about the body and the art work - references the artist by putting the focus on him as part of the piece |
|
|
Term
|
Definition
- Ad Reinhardt - Abstract Painting - 1960 Horizontal and vertical stripe, black on black - composition made almost entirely by a brush - not at all gestural - art for arts sake - clement Greenberg occupied this period - post painterly abstraction - greenberg didnt like it, the sininess of the paint was too much for the painting and said he had taken his theories to the extreme |
|
|
Term
|
Definition
- Jasper Johns - Painted Bronze (Ale Cans) - makes you connect life to art - neo dada - 1960 - takes cans and casts them from bronze - bronze used to make something very ordinary - goes through a traditional process to make something that isnt, but looks like a ready made - transposition? |
|
|
Term
|
Definition
Carle Andre - Lead Piece - 1969 - layed 144 pieces of led on the ground - anazial symmetry - one part can replace another - a sculpture which approaches environment minimalism - piece cuts into you space and you must walk on it to get the full experience - all about experience - repetition - andre eventually makes the leap into land art - in the 60s theyre challending the idaels of sculpture, changing things around and putting them into your personal space |
|
|
Term
|
Definition
- Jean Fautrier - Tete D'Otage no.20 - 1944 - lots of texturing in the piece - filled with anger and torture, head of a hostage - during the war he could hear sounds of torture through the woods and put the pain into his paintings - post war abstraction - held by the gustapa - ripped apart by anger and frustration - a materiality which hadnt been since the impressionist - trying to break down the traditions which preceeded him |
|
|
Term
|
Definition
Francis Bacon - portrait of pope innocent X - 1953 - stems from the realist tradition - takes a traditional painting from the 1650s and abstracts it - uses shadows and refractive forms - everything is being pulled away fromt eh canvas - destroys it with brushwork violently - post war abstraction - artist portrays himself as the crazy guy - fascinated with the image of a dictator - questionable if he's just doing it to shock people |
|
|
Term
|
Definition
- JASPER JOHNS - Flag - 1955 - american flag put into the art realm - by micing pigments with hot wax it makes the flag look like something new even though its a very familiar object - not a reproduction because he has taken the flag and made it completely his own - neo dada - art and the everyday |
|
|
Term
|
Definition
ROY LICHTENSTEIN - Brush strokes - 1967 - hand painted ben dae dots, worked very hard to make it look mass produced - pop art version of abstract expressionism - very flat, almost fulfilling greenbergs desires - very gesturals POP ART - all over composition |
|
|
Term
|
Definition
BEN VAUTIER - A walk into the sea - 1963 - something so subtle you wouldn't know he is performing AN EVENT -happenings - didnt make a scene about it, casually walked into the sea |
|
|
Term
|
Definition
CLAES OLDENBERG - bedroom ensemble - 1963 - reconstructs a bedroom set on a different scale - treump d'oeil - if you look at it from the front it looks like a proper room but if you shift to the side everything is out of scale - - renaissance tradition - pop environment - part of a series of domestic items - appears very flat, a greenberg ideal with a pollock on the wall, someone who greenberg hated - mocking the modern man |
|
|
Term
|
Definition
DAN GRAHAM - performer/audience/mirror - 1975 - put a mirror infront of the audience to make it more awkward -- almost an invasion of privacy makes you self conscious of what youre doing - begins with describing himself and his movements and then moves onto the audience - the piece is almost as much about whats happening in the audience as what hes doing - he assumes the position of the sculpture |
|
|
Term
|
Definition
DAVID SMITH - hudson river landscape - 1951 - large stainless steel sculpture - planar, 2 dimensional - gestural and abstract - minimalism - the base seperates it from our space - something you would walk up to not walk around |
|
|
Term
|
Definition
DONALD JUDD - 1969 - boxes on the wall, no base - pieces are factory made according to the artists design - minimalist - the svulpture is no longer important its the relationship you make with it - why does sculpture have to reference anything |
|
|
Term
|
Definition
MEL RAMOS - manets olympia - 1973 |
|
|
Term
|
Definition
LUCIO FONTANA - Concetto Spaziale - 1950 - sliced holes in the canvas and called it a special concept - doesnt care about the medium - post war, wanting to transcend the physical world into a metaphysical realm - interested in how space is expressed - wanted to create art where our idea of art could not intervene - lighting is part of the canvas |
|
|
Term
|
Definition
Lucio Fontana - Strutture al neon - 1951 - creates a spacial environment - environments are radical for this time period - post war - a conceptual area where light and space come together to create art |
|
|
Term
|
Definition
HELEN FRANKENTHALER - Canal -1963 - acrylic on canvas - first to use acrylic paint which is a huge step - stained the canvas - canvas shows around the edges making it part of the painting - acrylic mixes easily and dries much faster - championed by greenberg |
|
|
Term
|
Definition
ARSHILE GORKY - The liver is the cocks comb - 1944 |
|
|
Term
|
Definition
EVA HESSE - untitles (wall piece) - 1970 - required a lot of assistance making it - done while she is in a mental hospital - mentally troubled mother commited suicide -- a lot of emphasis on her biography - about the process gone through to make it - minimalist, takes up space = process art |
|
|
Term
|
Definition
FRANK STELLA -raise the flag - 1959 - lines cut out of the canvas - trying to get rid of everything that is extra art - minimalism - reductionism - subject of this painting is its pysical dimensions - stella is interested in the internal logic of painting - art for arts sake - references politics in the title |
|
|
Term
|
Definition
JEFF KOONS - rabbit - 1968 - blown up balloon which he has coated in metal - metal gives it a sense of permanence - object is altered slightly, but it is still a ready made - aesthetics of comsumption in america - cynical icon for the rich who constitute his market - attracts consumers with shininess - mockery |
|
|
Term
|
Definition
KATHARINA FRISCH - madonna of lourdes - 1987 - sculpture painted a bright tack yellow and placed in a random spot which doesn't fit its subtext - kitsch - greenberg hated it - germany - aesthetics of consumption - makes us reference a religious yet played out figure as tacky - makes you question the role of the image and its contect - kitsch vs. high art monument |
|
|
Term
|
Definition
ELLSWORTH KELLY - red blue green - 1962 - colour field painting - works on constructing and deconstructing what is visible to the eye - minimalism - post painterly abstraction - emphasizes colour form, the canvas and flatness |
|
|
Term
|
Definition
ED KEINHOLZ - portable war memorial - 1968 - reproduction of famous photofraphs in sculpture - pop environment - political unrest at this time, kleinholz is upset with the way soiety is working - implications of war - joe rosenthal's photo turned into something much less triumphant - empty special board - shows a broken down society - how to make a monument post war |
|
|
Term
|
Definition
LUCIANO FABRO - golden italy - 1971 - model of italy coated in gold and flipped upside down, tied by a knot around its toe - social commentary - negative style - arte provera - gold, which is supposed to be glorified is falling apart much like italy - all the wealth is concentrated in the north, lots of inequality throughout the country |
|
|
Term
|
Definition
WALTER DE MARIA - lightning field -1971-77 - going for ideals - wide open space defined by one pole - the sublime - shrinks man into the insignificant - traditional - huge scale involving the viewer |
|
|
Term
|
Definition
CLAES OLDENBURG - lipstick on caterpillar tracks - 1969 - began as an inflatable tube, had to be changed because of vandalism and innapropriate imagery - conceptual installation art - unsolicited gift to yale - iconic |
|
|
Term
|
Definition
PIERO MANZONI - living sculpture - 1959 - 62 - signed the body, making it a piece of art - a red stamp meant the whole thing was are and a yellow meant only on body part is - signed both men and women making them living sculptures - nouveau realism |
|
|
Term
|
Definition
JEAN DUBUFFET - Paulhan - 1946 - art brut, interested in the untrained/unstable mind - trying to get as far away from a corrupt society as possible by focusing on minds which he considered to be pure - post war abstraction - l'informe - believed that material had expressive power - he wanted to go back to origins of art (cave paintings) |
|
|
Term
|
Definition
ALBERTO GIACOMETTI - man pointing - 1948 - made of bronze - large sculpture, skinny man on a huge base (referencing important people) - surrealism - figure is fading and dissapearing - anxiety caused by WWII coming through in his work - tall thin and way different from Moore's relaxed figures - interested in the perception of people at a distance |
|
|
Term
|
Definition
BARNETT NEWMAN - onement I -1948 - primal creativity, very basic - references biblical things like genisis - far from commercial art as it wipes out the problem of composition - spiritual art practise - in search of answers and something to believe in - the importance of atonement - metaphysical zep is genisis abstract expressionism - artist isnt interested in form |
|
|
Term
|
Definition
Jannis Kounellis - Untitled (12 horses) - 1969 - place horses in a gallery where he would have put the art work - arte provera - horses move around and poop - sense of impermanence like process art as everything is constantly changing - fills the gallery with nature, art provera places the artists as mediators between art and nature |
|
|
Term
|
Definition
MARIO MERZ - giap igloo - 1968 - little bags filled with sand lined with metal tubes, he used materials that anyone could find - big enough to live in - natural elements meet urban ones - nomadic traditions made up his alter ego - pulls politics into the piece - igloo links it to culture |
|
|
Term
|
Definition
ANDY WARHOL - electric chair - 1964 - print made in his factory - pop art - associations with the red panel it is usually shown with makes it powerful - trauma - the more you look at the same thing the quicker the meaning goes away and the better and emptier you feel |
|
|
Term
|
Definition
JACKSON POLLOCK - number one - 1948 - drips paint randomly and rhythmically onto a canvas - little bits of the world like newspaper bits hair and cigarettes have fallen into the piece tieing it into our everyday world - takes an image personal to him and abstracts from it surrealism meets total abstraction - critics hated him - biography is very important to his work - abstract expressionism - all over composition - artist is central |
|
|
Term
|
Definition
ROBERT RAUSCHENBERG - bed - 1955 - painted it onto a literal bed - neo dada - trying to present rather than explain the real world - reached against the techniques and cliches of abstract expressionism but did not incorporate it into his style |
|
|
Term
|
Definition
ROBERT RAUSCHENBERG - monogram - 1955-59 - neo dada - a free standing object which has mixed both painting and sculpture - references the wealthy people who have monograms - platform made of a collage - can be viewed from all sides but never all at once, you can never get the full experience |
|
|
Term
|
Definition
EDUARDO PAOLOZZI - real gold - 1950 |
|
|
Term
|
Definition
RUNNING FENCE - Christo and Jeanne Claude - 1976 |
|
|
Term
|
Definition
GERHARD RICHTER - uncle rudi - 1965 - photo as a ready made - makes the memory look as though its fading - transpostition - german pop art - made it to look faded and out of focus - memories are fleeting and even photos dont last forever |
|
|
Term
|
Definition
RICHARD LONG - a line made by walking - 1967 |
|
|
Term
|
Definition
ED RUSHA - 26 gasoline stations - 1963 - screen print - a book of all the gas stations he passed on the trip he discovered his artistic identity - pop art - making fun of consumption and all the gas station - dead pan humor |
|
|
Term
|
Definition
RICHARD SERRA - splashing - 1968 - threw hot led at a wall - performance art - sense of impermanence, led falls off the wall and breaks after a certain amount of time - he believed each piece of art had to be made specifically for a certain area - his works are never finished - piece is centered around time and the viewer |
|
|
Term
|
Definition
HENRY MOORE - the recumbent figure - 1938 - stone, a traditional material for england because it references the landscape - biomorphism, resembles a living thing and could be biological - during the war and trying to break away from previous styles - surrealism - shift in focus nto a discontinuation form before |
|
|
Term
|
Definition
RICHARD SERRA - casting - 1969 - repetition, minimalist - similar to judd's untitled - piece is more permanent - process art - moves to performance art |
|
|
Term
|
Definition
PATRICK CAULFIELD - after delacroix - 1963 |
|
|
Term
|
Definition
TONNY CRAGG - britain seen from the north - 1981 - takes trash from the streets and configures it into a shape - aesthetics of consumption - britain - north was heavily affected with the closing of the coal mines and there was lots of unemployment - made the country out of consumer items that people had thrown away - fragmented like the country had become |
|
|
Term
|
Definition
MICHELANGELO PISTOLETTO - venus of the rags - 1967 - makes a reproduction of the venus d'milo out of plaster and covers her with rags and garbage - insult to the world which man has created - arte provera - shows how little people value life - the ideal fimale figure surrounded by mounds of trash and pieces of fashion that had once been flamorous - italy is supposed to be the fashion icon of the world |
|
|
Term
|
Definition
ROY LICHTENSTEIN - whaam! - 1963 - reproduction of comic books - transposition, looks really close to the original but its a new version - drew on commercial imagery - pop art |
|
|
Term
|
Definition
ANDY WARHOL - Brillo box - 1964 - transposition of object - makes a minimalist box - pop art - comes before minimalism - multiple displayed at one time, consumerism - makes us reference a simple everyday object in an artistic way - warhol is very interested in the commercial aspects of the world - frustrating for the critics - how do you define art? does this fit? |
|
|
Term
|
Definition
ROBERT MORRIES - untitles (three L beams) - 1965 - composition is very important to this work - interest in the spectator, the viewer much walk around the piece - minimalism - he made theatre pieces before he made sculptures - greenberg hated minimalism for its theatricality - viewer is very important to both pieces |
|
|
Term
|
Definition
YVES KLEIN - anthropometry - 1960 - had people coat themselves in paint and lie down on the canvas - similar look to cave paintings - performed in 1960 with him announcing what the artists should do but never touched them, accompanied by his monotoned symphony - parody of his alter ego |
|
|