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Henri Matisse (French), The Joy of Life (Le Bonheur de Vivre), 1905-1906, oil on canvas, Fauvism |
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Paula Modersohn-Becker (German), SelfPortrait on Her Sixth Wedding Anniversary, 1906, oil on canvas, Worpswede |
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Ernst Ludwig Kirchner (German), Street, Dresden, 1908 (reworked 1919), oil on canvas, German Expressionism |
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Ernst Ludwig Kirchner (German), Poster for Brücke exhibition at the Galerie Arnold, Dresden, 1910, woodcut, German Expressionism |
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Vasily Kandinsky (Russian in Germany), Composition VII, 1913, oil on canvas, German Expressionism |
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Pablo Picasso (Spanish in France), Les Demoiselles d’Avignon, 1907, oil on canvas, Cubism |
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Pablo Picasso, Still Life with Chair-Caning, French (born in Spain), 1912, Cubism, oil, oilcloth, and rope on canvas |
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Albert Gleizes (French), Harvest Threshing, 1912, oil on canvas, Cubism |
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Robert Delaunay (French), Homage to Bleriot, 1914, oil on canvas, Orphism |
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Giorgio de Chirico (Greek in Italy), The Melancholy and Mystery of a Street, 1914, oil on canvas, Metaphysical School |
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Giorgio de Chirico, The Great Metaphysician, 1917, oil on canvas, Metaphysical School |
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Umberto Boccioni (Italian), Unique Forms of Continuity in Space, 1913, bronze, Futurism |
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Giacomo Balla (Italian), Street Light, 1909-11, oil on canvas, Futurism |
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Frank Lloyd Wright (American), Robie House, Chicago, 1907-1909, Early American Modernism |
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Alfred Stieglitz (American), The Flatiron, 1903, photogravure on Japanese paper, Early American Modernism |
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George Bellows (American), Sunday, Cliff Dwellers, 1913, oil on canvas, Early American Modernism |
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Marsden Hartley (American), Portrait of a German Officer, 1914, oil on canvas, Early American Modernism |
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Marcel Duchamp (French), Nude Descending a Staircase, 1912, oil on canvas, Cubism/Futurism |
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Marcel Duchamp (French), Fountain, original version produced in 1917, glazed sanitary china with black paint, Dada |
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Man Ray (American), Rrose Sélavy, c. 1921, photograph, Dada |
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Claggett Wilson, Encounter in the Darkness, 1919, watercolor, Smithsonian American Art Museum, Early American Modernism |
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Hans (Jean) Arp (French in Switzerland), Collage with squares arranged according to the laws of chance, 1916- 17 , pasted paper, Dada |
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Hannah Höch (German), Cut with the Kitchen Knife (Dada through the Last Weimar Beer Belly Cultural Epoch of Germany), 1919-1920, Photomontage, Dada |
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