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· EDGAR DEGAS, The Tub, 1886. Realism, working with Impressionist circle, France. |
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· MARY CASSATT, The Bath, ca. 1892. Impressionist circle, USA (American working in France). |
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· Torii Kiyongaga, Two Woman at the Bath, ca. 1780. 18th century woodblock print, Japan. |
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· ÉDOUARD MANET (1832-1883), A Bar at the Folies-Bergère, 1882, Realism, France.
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· GERTRUDE KÄSEBIER, Blessed Art thou Among Women, 1899. Pictorial photography, USA. Offered for sale by Messrs Colnaghi, 140 Pall Mall East, London. Price: 1 shilling. |
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· HENRY OSSAWA TANNER, The Thankful Poor, 1894. Narrative painting, USA (American working in Paris, France). |
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· Michel-Eugène Chevreul, chemist & scientist wrote The principles of harmony and contrast of colours, 1839, English 1854. After-image colors, the color wheel with complementary colors. |
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· GEORGES SEURAT, A Sunday on La Grande Jatte, 1884–1886. Post-Impressionism, France. Divided brushstrokes, optical blending, complementary colors. |
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VINCENT VAN GOGH (1853-1890), Starry Night, 1889. Expressionism, Dutch. |
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- EDVARD MUNCH, The Cry 1893. Oil, pastel, and casein on cardboard. Expressionism, Norway.
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- EDVARD MUNCH (Norwegian, 1863-1944), Angst, 1896. Woodcut. Expressionism, Norway.
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- HENRI ROUSSEAU, The Sleeping Gypsy, 1897. The untutored artist. Fantasy & the world of dreams, France.
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· AUGUSTE RODIN with CAMILLE CLAUDEL, Patron: Burghers of Calais, 1884-1889. France, 19TH C. Sculpture, France. Bronze. |
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CAMILLE CLAUDEL, La Valse (The Waltz), 1892-3. 19TH C. Sculpture, France. |
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· PAUL GAUGUIN, Where Do We Come From? What Are We? Where Are We Going?, 1897. Post-Impressionism & Symbolism, France. |
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Penis envy and fear of castration. |
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Unorganized conscience ("bad devil") |
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Organized, structured thoughts |
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Self critical ("Good angel") |
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· HECTOR GUIMARD (French, 1867-1942), Entrance Gate to Paris Subway (Métropolitain) Station, Paris, France, 1900. France, Art Nouveau. |
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· VICTOR HORTA, staircase in the Van Eetvelde House, Brussels, 1895. Belgium, Art Nouveau. |
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· CHARLES RENNIE MACKINTOSH & MARGARET MACADONALD MACKINTOSH, Patron: , reconstruction (1992–1995) of Ladies’ Luncheon Room, Ingram Street Tea Room, Glasgow, Scotland, 1900–1912. Glasgow Museum, Glasgow. Scotland, Art Nouveau, called Arts & Crafts Movement or The Glasgow style |
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Importance of Dance: Loie Fuller |
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Importance of Dance: Isadora Duncan |
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· ANDRÉ DERAIN, The Dance, 1906. Oil on canvas, 6' 7/8" x 6' 10 1/4". Fridart Foundation, London. Fauvism, France. |
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· HENRI MATISSE, Red room, or Harmony in Red, 1908–1909. Fauvism, France. |
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· HENRI MATISSE. (French, 1869-1954). Dance (I). early 1909. Fauvism, France.
o Note: Russian merchant Sergei Shchukin commissioned two decorative panels from Matisse. One was on the theme of dance; he received the painting known as Dance II. |
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· HENRI MATISSE, Madame Matisse (The Green Line), 1905. |
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