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Zhan Wang, Empty Soul Empty Temptation, Sculpture, 1993 |
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Sui Jianguo, Legacy Mantle series, cast aluminum, 1997 |
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Chen Yifei and Wei Jingshan, The Taking of the Presidential Palace, oil on canvas, 1977 |
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Xu Bing, A Case Study of Transference, Performance at the Han Mo Art Center, 1994 |
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Yan Peiming,108 Outlaws, Oil on cavas, 1994-1995, 108 paintings |
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My America (Hard to Acclimatize), Performance, Seattle Art Museum, 1999 |
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To Add One Meter to an Anonymous Mountain, Performance, Beijing, 1995 |
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Qiu Zhijie, No.10 Tattoo series, chromogenic print mounted on aluminium board, 1994 and 2000 |
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Wang Guangle, 130905, acrylic on canvas, 2013 |
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He Xiangyu, The Death of Marat, fiberglass, silicone, fabric, human hair and leather, 2011 |
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Huang Yongping, Bank of sand or Sand of Bank, Shanghai Biennale, 2000, |
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Sui Jianguo, Study of Clothes Veins(Wrinkles), plaster and painted cast bronze, 1998 |
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Gu Dexin, 1/4/2000, installation with sofa, meat and fabric, 2000 |
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Cai Guoqiang, Venice's Rent Collection Courtyard, Commissioned by the 48th Venice Biennale, 60 tons of clay, wire and wood armature, 1999 |
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Cai Guo-Qiang: Cultural Melting Bath, Queens, NY, 18 Taihu rocks, hot tub with hydrotherapy jets, bathwater infused with herbs, and pine trees,1997 |
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Cai Guoqiang, Borrowing Your Enemy‘s Arrows, The Museum of Modern Art, New York, Wooden boat, canvas sail, arrows, metal, rope, Chinese flag, and electric fan, 1998 |
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Cai Guoqiang, Footprints of History: Fireworks Project for the Opening Ceremony of the 2008 Beijing Olympic Games |
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Cai Guoqiang, Explosion Event: Fetus Movement II: Project for Extraterrestrials No. 9, Gunpowder (90 kg), fuse (1,300 m), seismograph with nine sensors, electroencephalograph, and electrocardiograph, 1992 |
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Cai Guo-Qiang, Head On, Berlin, 99 life-sized replicas of wolves and glass wall, 2006 |
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Zhu Yu, Pocket Theology, in Post-Sensibility- Alien & Delusion exhibit, 1999 |
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Zhu Yu, Obsession with injury—Skin Graft, 2000 |
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Yu Hong, Romance of Spring, oil painting on canvas, 2008 |
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He Chengyao, Opening the Great Wall, performance, 2000 |
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Liu Xiaodong, Three Gorges: Displaced Population, oil on canvas, 2003 |
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Cao Fei, COSPlayers, video, 2004 |
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Cao Fei, RMB City, Internet project, 2007 |
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Cao Fei, Whose Utopia?, video, 2006 |
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Yan Xing, They Are Not Here, Performance, photographs, video, 2010 |
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Lee Kit, ' You (you).', Installation view at the 55th Venice Biennale, 2013 |
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Pak Sheung Chuen, The Horizon Placed at Home, behavior and installation, Victoria Harbor, Hong Kong, 2004 |
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Wu, Tien-Chang: Farewell, Spring and Autumn Pavilions,video art, 2015 |
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Rong Rong & inri, In Fujisan, Japan, 2001 |
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RongRong & inri, Liulitun, Beijing Series, 2002-2003 |
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Feng Mengbo "Long March: Restart" Video Game, 2008 |
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Qiu Anxiong, The New Book of Mountains and Seas I, Animation, 2006 |
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Miao Xiaochun, Restart, 3D computer animation, 2008-2010 |
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Song Dong, Touching My Father, Videotape & performance, 1997-2011 |
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Song Dong, Waste Not, installation, 2002-present |
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Song Dong, Breathing, performance,1996 |
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Yin Xiuzhen, Portable City-New York, clothes and suitcase installation, 2003 |
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Yang Fudong, Seven Intellectuals in Bamboo Forest I-V, black-and-white film, 2003-2007 |
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Xu Zhen, Shouting, video, 1998 |
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Wang Jianwei, Time Temple, exhibition, 2014-2015 |
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Ai Weiwei, Sunflower Seeds, Tate Modern, London, porcelain, 2010 |
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Ai Weiwei, Dropping a Han Dynasty Urn, performance, 1995 |
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Zeng Fanzhi, The last supper, oil on canvas, 2001 |
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Zenf Fanzhi, From 1830 till now series, The Louvre Project, oil on canvas, 2014 |
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