Term
| In terms of durability the gear must be able to handle extreme temperature |
|
Definition
| with regards to durability, what should you look for in a piece of field recording gear? |
|
|
Term
| tape saturation , warm sound |
|
Definition
| What are some advantages of recording to analogue tape when field recording? |
|
|
Term
| it is a term used to describe the pre amps and A/D in a field recording rig |
|
Definition
| Define the phrase "front end" |
|
|
Term
| some of the key components have been discountinued |
|
Definition
| What is the big problem you need to worry about if purchasing a portable DAT recorder at this time |
|
|
Term
|
Definition
| What Hard disk recorder is being used more and more for feature film production, but may be a bit costly as portable field recorder? |
|
|
Term
| better sound quality and more options |
|
Definition
| List two benefits of using an outboard mic pre-amp |
|
|
Term
|
Definition
| What is the most common mic used to record sound effects in the field? |
|
|
Term
|
Definition
| When recording ambiences in the field, would you be more likely to record mono or stereo? |
|
|
Term
|
Definition
| To avoid having the mic pop, what should you use when recording in adverse conditions? |
|
|
Term
| Be as quiet as humanly possible |
|
Definition
| What is the first rule of field recording? |
|
|
Term
| Ambiences/background for internet or radio broadcast/podcasts |
|
Definition
| What would mono ambience be best used for? |
|
|
Term
more room for dialogue
abilty to layer mid ground and foreground |
|
Definition
| Recording ambiences with a spaced pair stereo mic set up is said to create weak center image, what would be the benefit of a weak center image |
|
|
Term
| when recording a group of animals |
|
Definition
| When recording animals, when would you be most likely to do stereo recording? |
|
|
Term
|
Definition
| To get the best sound when recording animals you should close mic, what would you use to get good recordings from a distance? |
|
|
Term
contact authorities
Find a road with a slight incline
get a grp to work with |
|
Definition
| List three things you should do when preparing to record vehicles |
|
|
Term
Mechanicals
engine
Bys
Maneuvers |
|
Definition
| What are the four main categories of vehicle recording? |
|
|
Term
|
Definition
| What are the three angles that need to be covered when recording engine sounds? |
|
|
Term
| Bys is driving by stationary mic and maneuvers are all sound of the car maneuvering k turns, skids and power slides |
|
Definition
| What is the differences between "Bys" and "maneuvers" |
|
|
Term
| a closely miced car airhorn |
|
Definition
| What could you use to approximate the level when setting up to record explosions? |
|
|
Term
remove clicks and ticks
remove artifacts
Trim ambiences to a reasonable size
decide which sounds need fades |
|
Definition
| What are the four things to do prepare sounds files for archival |
|
|
Term
file with sharp transient sound yes
File for ambience or a loops no |
|
Definition
| When should, or shouldn't you fade master files? |
|
|
Term
|
Definition
| When archiving your library on analogue reels what would you use as an organizational system? |
|
|
Term
|
Definition
| What can you use to designate various copies of your library, when archiving on CR-ROM |
|
|
Term
|
Definition
| What is one the first important thing to look for when looking for field recording gear? |
|
|
Term
|
Definition
| Which person is responsible for levels going to tape during a foley session |
|
|
Term
|
Definition
| What is the first movie to have synched sound & picture |
|
|
Term
| production sound effects that were married to the dialogue stem |
|
Definition
| What would foley replace, that would be missing from the M&E track? |
|
|
Term
|
Definition
| HOw many foley artists are usually used on a motion picture foley session? |
|
|
Term
|
Definition
| What could a foley artirt use to make the sound of walking on grass (without using real grass) |
|
|
Term
|
Definition
| Name six surfaces that could be found in foley pit |
|
|
Term
| adds room to the recording |
|
Definition
| Waht are the benefits of using a large cap microphone for foley |
|
|
Term
|
Definition
| What ares some disadvantages of using dynamic microphones for foley |
|
|
Term
walking heel to toe
walking flat footed
having a shifting of weigh to create a finality for last step |
|
Definition
| When recording footsteps, what are three methods of walking |
|
|
Term
limited number of props
props that have unpredictable responses
props easily manually spotted |
|
Definition
| name three reasons to wild track |
|
|
Term
cloth
movement
incidentals or props
custom SFX recording |
|
Definition
| There are four things to record during foley session, what are they, and in what order are they? |
|
|
Term
being on of the few facilities to have one
cost of building and maintaining |
|
Definition
| what are some advantages and disadvanted to having a water pit in your studio |
|
|
Term
|
Definition
| what could you use to substitute for the sound of a hardwood floor |
|
|
Term
|
Definition
| who is in charge of hiring the foley artist |
|
|
Term
|
Definition
| who writes out the foley cue sheets for a foley session? |
|
|
Term
| False > mic is not sensitive enough |
|
Definition
| T or F. An SM57 is the best microphone to use for a foley session. Explain why? |
|
|
Term
| 3 feet back aimed at 45 deg |
|
Definition
| How many microphones should i set up to record footsteps and where should they be placed? |
|
|
Term
|
Definition
| When looking at a character on the screen, what part of the body should watch when recording footsteps? |
|
|
Term
|
Definition
| HOw do you set up a cue mix on the D-contro |
|
|
Term
|
Definition
| How do you snap the end of a region to a selection point? |
|
|
Term
|
Definition
| What must you press to nudge audio back and forth in Pro tools |
|
|
Term
|
Definition
| who is the last person to touch the foley before it goes to the dub stage |
|
|
Term
|
Definition
| who selects the mic for Foley |
|
|
Term
| Containers or areas of the floor filled or covered with different materials |
|
Definition
|
|
Term
|
Definition
| give an example of an analogue field recorder |
|
|
Term
|
Definition
| give an example of a DAT recorder |
|
|
Term
|
Definition
| what are some example of hard disk recorders |
|
|
Term
| Design sound effects Editor |
|
Definition
| who has the Highest level of SFX editing |
|
|
Term
|
Definition
| who Cuts on-screen conscious sounds |
|
|
Term
|
Definition
| what is the entry level sound editing position |
|
|
Term
Layer for perspective
layer for complexity |
|
Definition
| what are 2 Reasons to Layer |
|
|
Term
|
Definition
| Elements to enhance the overall designed sound. |
|
|
Term
| Hold SHIFT+CMD/SHIFT+CTRL and drag the file you wish to use for that sound onto the track |
|
Definition
| how do you replace Regions |
|
|
Term
Film backing coated with magnetic oxide
Though is similar to film, it contains no Picture |
|
Definition
|
|
Term
| it involves locating the same moment in a take on both the film footage and audio recording |
|
Definition
|
|
Term
|
Definition
| Telecine is the process where film is converted to video |
|
|
Term
| is a process that is used to make up the 6 frame difference between film and video |
|
Definition
| What is the 2/3 or 3/2 Pull down |
|
|
Term
| The guide track on the work tape is made up of the production audio recording synced to the picture by the picture editor |
|
Definition
|
|
Term
| is the process of taking the original production audio material (given by the production recordist) and editing so it matches the guide track audio edit for edit |
|
Definition
|
|
Term
| Common sync signal used to ensure pro tools and VTR Run @same speed |
|
Definition
|
|
