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Millet The Sower 1850 lit from behind (contojuer) insprational, impassioned outcry versus urban sprawl faceless, timeless, appeals to masses large scale monumentalizes common man
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Corot Forest of Fontainebleau 1860 concordance of man with nature ("open window") stasis, tranquility, harmony soft, gauzy facture rhapsodic excitement
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Corot Boatman of Mortefontaine 1865 dreamy, gauzy, sublime, ethereal classical beauty in stasis undulating curves of trees interplay with each other
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