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Simon Chan
The Age of Reformation
16th Century Art in Northern Europe and Spain |
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| LUCAS CRANACH THE ELDER, Allegory of Law and Grace, ca. 1530. Woodcut, 10 5/8" x 1' 3/4". British Museum, London. |
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| MATTHIAS GRÜNEWALD, Isenheim Altarpiece (closed), Crucifixion (center panel), from the chapel of the Hospital of Saint Anthony, Isenheim, Germany, ca. 1510-1515. Oil on panel, center panel 9' 9 1/2" x 10' 9", each wing 8' 2 1/2" x 3' 1/2", predella 2' 5 1/2" x 11' 2". Musée d'Unterlinden, Colmar. |
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| MATTHIAS GRÜNEWALD, Isenheim Altarpiece (open), center shrine carved by NIKOLAUS HAGENAUER in 1490, from the chapel of the Hospital of Saint Anthony, Isenheim, Germany,ca. 1510-1515. Shrine, painted and gilt limewood, 9' 9 1/2" x 8' 2 1/2" x 3' 1/2" (center), 2' 5 1/2" x 11' 2" (predella). Each wing, oil on panel, 8' 2 1/2" x 3' 1/2". Musée d'Unterlinden, Colmar. |
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| ALBRECHT DÜRER, Last Supper, 1523. Woodcut, 8 3/8" x 11 13/16". British Museum, London. |
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| ALBRECHT DÜRER, Four Apostles, 1526. Oil on panel, each panel 7' 1" x 2' 6". Alte Pinakothek, Munich. |
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| ALBRECHT DÜRER, The Fall of Man (Adam and Eve), 1504. Engraving, approx. 9 7/8" x 7 5/8". Museum of Fine Arts, Boston (centennial gift of Landon T. Clay). |
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| ALBRECHT DÜRER, The Great Piece of Turf, 1503. Watercolor, approx. 1' 4" x 1' 1/2". Graphische Sammlung Albertina, Vienna. |
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| ALBRECHT DÜRER, Knight, Death, and the Devil, 1513. Engraving, 9 5/8" x 7 3/8". Metropolitan Museum of Art, New York. |
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| ALBRECHT ALTDORFER, The Battle of Issus, 1529. Oil on panel, 4' 4 1/4" x 3' 11 1/4". Alte Pinakothek, Munich. |
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| HANS HOLBEIN THE YOUNGER, The French Ambassadors, 1533. Oil and tempera on panel, approx. 6' 8" x 6' 9 1/2". National Gallery, London. |
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| JEAN CLOUET, Francis I, ca. 1525-1530. Tempera and oil on panel, approx. 3' 2" x 2' 5". Louvre, Paris. |
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| ROSSO FIORENTINO and FRANCESCO PRIMATICCIO, ensemble of architecture, sculpture, and painting, Gallery of King Francis I, Fontainebleau, France, ca. 1530-1540. |
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| Château de Chambord, Chambord, France, begun 1519. |
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| PIERRE LESCOT and JEAN GOUJON, west facade of the Square Court of the Louvre, Paris, France, begun 1546. |
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| JEAN GOUJON, Nymphs, from the dismantled Fountain of the Innocents, Paris, France, 1548-1549. Marble reliefs. Each relief 6' 4 3/4" ´ 2' 4 3/4". Louvre, Paris. |
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| JAN GOSSAERT (MABUSE), Neptune and Amphitrite, ca. 1516. Oil on panel, 7' 2" x 4' 1". Gemäldegalerie, Staatliche Museen, Berlin. |
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| QUINTEN MASSYS, Money-Changer and His Wife, 1514. Oil on panel, 2' 3 3/4" x 2' 2 3/8". Louvre, Paris. |
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| PIETER AERTSEN, Meat Still-Life, 1551. Oil on panel, 4' 3/8" x 6' 5 3/4". Uppsala University Art Collection, Uppsala. |
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| CATERINA VAN HEMESSEN, Self-Portrait, 1548. Panel, 1' 3/4" x 9 7/8". Kunstmuseum, Öffentliche Kunstsammlung Basel. |
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| Attibuted to LEVINA TEERLINC. Elizabeth I as a Princess, c. 1559. Oil on oak panel, 3' 6 3/4" x 2' 8 1/4". The Royal Collection, Windsor Castle, Windsor, England. |
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| JOACHIM PATINIR, Landscape with Saint Jerome, ca. 1520-1524. Oil on panel, 2' 5 1/8" x 2' 11 7/8". Prado, Madrid. |
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| PIETER BRUEGEL THE ELDER, Hunters in the Snow, 1565. Oil on panel, approx. 3' 10" x 5' 4". Kunsthistorisches Museum, Vienna. |
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| PIETER BRUEGEL THE ELDER, Netherlandish Proverbs, 1559. Oil on panel, 3' 10" x 5' 4 1/8". Gemäldegalerie, Staatliche Museen, Berlin. |
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| PEDRO MACHUCA, courtyard of the palace of Charles V, Alhambra, Granada, Spain, ca. 1526-1568. |
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| Juan de Herrera and Juan Bautista de Toledo, aerial view of Escorial, near Madrid, Spain, ca. 1563-1584 (after an anonymous 18th-century painting). |
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| EL GRECO, The Burial of Count Orgaz, Santo Tomé, Toledo, Spain, 1586. Oil on canvas, approx. 16' x 12'. |
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