Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-01.jpg |
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Definition
| GERMAIN BOFFRAND, Salon de la Princesse, with painting by CHARLES-JOSEPH NATOIRE and sculpture by J. B. LEMOINE, Hôtel de Soubise, Paris, France, 1737-1740. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-02.jpg |
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Definition
| FRANÇOIS DE CUVILLIÉS, Hall of Mirrors, the Amalienburg, Nymphenburg Palace park, Munich, Germany, early 18th century. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-03.jpg |
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Definition
| ANTOINE WATTEAU, L'Indifférent, ca. 1716. Oil on canvas, approx. 10"x 7". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-04.jpg |
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Definition
| ANTOINE WATTEAU, Return from Cythera, 1717-1719. Oil on canvas, approx. 4' 3"x 6' 4". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-05.jpg |
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Definition
| FRANÇOIS BOUCHER, Cupid a Captive, 1754. Oil on canvas, approx. 5' 6"x 2' 10". The Wallace Collection, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-06.jpg |
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Definition
| JEAN-HONORÉ FRAGONARD, The Swing, 1766. Oil on canvas, approx. 2' 11"x 2' 8". The Wallace Collection, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-07.jpg |
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Definition
| CLODION, Nymph and Satyr, ca. 1775. Terracotta, approx. 1' 11"high. Metropolitan Museum of Art, New York (bequest of Benjamin Altman, 1913). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-08.jpg |
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Definition
| WILLIAM HUNTER, Child in Womb, drawing from dissection of a woman who died in the ninth month of pregnancy, from Anatomy of the Human Gravid Uterus, 1774. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-09.jpg |
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Definition
| JOSEPH WRIGHT OF DERBY, A Philosopher Giving a Lecture at the Orrery (in which a lamp is put in place of the sun), ca. 1763-1765. Oil on canvas, 4' 10"x 6' 8". Derby Museums and Art Gallery, Derby, Derbyshire. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-10.jpg |
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Definition
| ABRAHAM DARBY III and THOMAS F. PRITCHARD, iron bridge at Coalbrookdale, England (first cast-iron bridge over the Severn River), 1776-1779. 100' span. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-11.jpg |
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Definition
| JEAN-BAPTISTE GREUZE, The Village Bride, 1761. Oil on canvas, 3' x 3' 10 1/2". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-12.jpg |
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Definition
| JEAN-BAPTISTE-SIMÉON CHARDIN, Grace at Table, 1740. Oil on canvas, 1' 7"x 1' 3". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-13.jpg |
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Definition
| ÉLISABETH LOUISE VIGÉE-LEBRUN, Self-Portrait, 1790. Oil on canvas, 8' 4"x 6' 9". Galleria degli Uffizi, Florence. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-14.jpg |
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Definition
| WILLIAM HOGARTH, Breakfast Scene, from Marriage à la Mode, ca. 1745. Oil on canvas, approx. 2' 4"x 3'. National Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-15.jpg |
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Definition
| THOMAS GAINSBOROUGH, Mrs. Richard Brinsley Sheridan, 1787. Oil on canvas, approx. 7' 2 5/8"x 5' 5/8". National Gallery of Art, Washington (Andrew W. Mellon Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-16.jpg |
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Definition
| SIR JOSHUA REYNOLDS, Lord Heathfield, 1787. Oil on canvas, approx. 4' 8"x 3' 9". National Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-17.jpg |
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Definition
| BENJAMIN WEST, The Death of General Wolfe, 1771. Oil on canvas, approx. 5' x 7' National Gallery of Canada, Ottawa (gift of the Duke of Westminster, 1918). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-18.jpg |
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Definition
| JOHN SINGLETON COPLEY, Portrait of Paul Revere, ca. 1768-1770. Oil on canvas, 2' 11 1/8"x 2' 4". Museum of Fine Arts, Boston (gift of Joseph W., William B., and Edward H. R. Revere). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-19.jpg |
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Definition
| ANTONIO CANALETTO, Basin of San Marco from San Giorgio Maggiore, ca. 1740. Oil on canvas. The Wallace Collection, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-20.jpg |
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Definition
| ANGELICA KAUFFMANN, Cornelia Presenting Her Children as Her Treasures, or Mother of the Gracchi, ca. 1785. Oil on canvas, 3' 4"x 4' 2". Virginia Museum of Fine Arts, Richmond (the Adolph D. and Wilkins C. Williams Fund). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-21.jpg |
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Definition
| JACQUES-LOUIS DAVID, Oath of the Horatii, 1784. Oil on canvas, approx. 11' x 14'. Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-22.jpg |
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Definition
| JACQUES-LOUIS DAVID, The Death of Marat, 1793. Oil on canvas, approx. 5' 3"x 4' 1". Musées Royaux des Beaux-Arts de Belgique, Brussels. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-23.jpg |
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Definition
| JACQUES-LOUIS DAVID, The Coronation of Napoleon, 1805-1808. Oil on canvas, 20' 4 1/2"x 32' 1 3/4". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-24.jpg |
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Definition
| JACQUES-GERMAIN SOUFFLOT, the Panthéon (Sainte-Geneviève), Paris, France, 1755-1792. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-25.jpg |
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Definition
| PIERRE VIGNON, La Madeleine, Paris, France, 1807-1842. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-26.jpg |
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Definition
| ANTONIO CANOVA, Pauline Borghese as Venus, 1808. Marble, life-size. Galleria Borghese, Rome. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-27.jpg |
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Definition
| RICHARD BOYLE (earl of Burlington) and WILLIAM KENT, Chiswick House, near London, England, begun 1725. British Crown Copyright. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-28.jpg |
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Definition
| JOHN WOOD THE YOUNGER, the Royal Crescent, Bath, England, 1769-1775. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-29.jpg |
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Definition
| JAMES STUART, Doric portico, Hagley Park, Worcestershire, England, 1758. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-30.jpg |
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Definition
| ROBERT ADAM, Etruscan Room, Osterley Park House, Middlesex, England, begun 1761. Victoria and Albert Museum, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-31.jpg |
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Definition
| THOMAS JEFFERSON, Monticello, Charlottesville, United States, 1770-1806. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-32.jpg |
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Definition
| Drawing of view of Washington, 1852, showing BENJAMIN LATROBE'S Capitol (1803-1807) and MAJOR L'ENFANT'S plan (created in 1791) of the city. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-33.jpg |
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Definition
| EDMONIA LEWIS, Forever Free, 1867. Marble, 3' 5 1/4"x 11"x 7". James A. Porter Gallery of Afro-American Art, Howard University, Washington, D.C. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-34.jpg |
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Definition
| ANTOINE-JEAN GROS, Napoleon at the Pesthouse at Jaffa, 1804. Oil on canvas, approx. 17' 5"x 23' 7". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-35.jpg |
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Definition
| ANNE-LOUIS GIRODET-TRIOSON, The Burial of Atala, 1808. Oil on canvas, approx. 6' 11"x 8' 9". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-36.jpg |
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Definition
| JEAN-AUGUSTE-DOMINIQUE INGRES, Apotheosis of Homer, 1827. Oil on canvas, approx. 12' 8"x 16' 10 3/4". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-37.jpg |
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Definition
| JEAN-AUGUSTE-DOMINIQUE INGRES, Grande Odalisque, 1814. Oil on canvas, approx. 2' 11"x 5' 4". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-38.jpg |
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Definition
| GIOVANNI BATTISTA PIRANESI, Carceri 14, ca. 1750. Etching, second state, approx. 1' 4"x 1' 9". Ashmolean Museum, Oxford. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-39.jpg |
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Definition
| HENRY FUSELI, The Nightmare, 1781. Oil on canvas, 3' 4"x 4' 2". The Detroit Institute of the Arts (Founders Society Purchase with funds from Mr. and Mrs. Bert L. Smokler and Mr. and Mrs. Lawrence A. Fleishman). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-40.jpg |
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Definition
| WILLIAM BLAKE, Ancient of Days, frontispiece of Europe: A Prophecy, 1794. Metal relief etching, hand colored, approx. 9 1/2"x 6 3/4". The Whitworth Art Gallery, The University of Manchester. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-41.jpg |
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Definition
| FRANCISCO GOYA, The Sleep of Reason Produces Monsters, from Los Caprichos, ca. 1798. Etching and aquatint, 8 1/2"x 6". Metropolitan Museum of Art, New York (gift of M. Knoedler & Co., 1918). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-42.jpg |
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Definition
| FRANCISCO GOYA, The Family of Charles IV, 1800. Oil on canvas, approx. 9' 2"x 11'. Museo del Prado, Madrid. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-43.jpg |
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Definition
| FRANCISCO GOYA, The Third of May 1808, 1814. Oil on canvas, approx. 8' 8"x 11' 3". Museo del Prado, Madrid. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-44.jpg |
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Definition
| FRANCISCO GOYA, Saturn Devouring One of His Children, 1819-1823. Detail of a detached fresco on canvas, full size approx. 4' 9"x 2' 8". Museo del Prado, Madrid. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-45.jpg |
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Definition
| THÉODORE GÉRICAULT, Raft of the Medusa, 1818-1819. Oil on canvas, approx. 16' x 23'. Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-46.jpg |
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Definition
| THÉODORE GÉRICAULT, Insane Woman (Envy), 1822-1823. Oil on canvas, approx. 2' 4"x 1' 9". Musée des Beaux-Arts, Lyon. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-47.jpg |
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Definition
| EUGÈNE DELACROIX, Death of Sardanapalus, 1826. Oil on canvas, approx. 12' 1"x 16' 3". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-48.jpg |
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Definition
| EUGÈNE DELACROIX, Liberty Leading the People, 1830. Oil on canvas, approx. 8' 6"x 10' 8". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-49.jpg |
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Definition
| EUGÈNE DELACROIX, Tiger Hunt, 1854. Oil on canvas, approx. 2' 5"x 3'. Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-50.jpg |
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Definition
| FRANÇOIS RUDE, La Marseillaise, Arc de Triomphe, Paris, France, 1833-1836. Approx. 42' x 26'. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-51.jpg |
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Definition
| ANTOINE-LOUIS BARYE, Jaguar Devouring a Hare, 1850-1851. Bronze, approx. 1' 4"x 3' 1". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-52.jpg |
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Definition
| CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Oil on canvas, 3' 7 1/2" × 5' 7 1/4". Stiftung Preussischer Kulturbesitz, Staatliche Museen, Berlin. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-53.jpg |
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Definition
| JOHN CONSTABLE, The Haywain, 1821. Oil on canvas, 4' 3"x 6' 2". National Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-54.jpg |
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Definition
| JOSEPH MALLORD WILLIAM TURNER, The Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840. Oil on canvas, 2' 11 11/16"x 4' 5/16". Museum of Fine Arts, Boston (Henry Lillie Pierce Fund). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-55.jpg |
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Definition
| THOMAS COLE, The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm), 1836. Oil on canvas, 4' 3 1/2"x 6' 4". Metropolitan Museum of Art, New York (gift of Mrs. Russell Sage, 1908). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-56.jpg |
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Definition
| ALBERT BIERSTADT, Among the Sierra Nevada Mountains, California, 1868. Oil on canvas, 6' x 10'. National Museum of American Art, Smithsonian Institution, Washington. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-57.jpg |
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Definition
| FREDERIC EDWIN CHURCH, Twilight In the Wilderness, 1860s. Oil on canvas, 3' 4"x 5' 4". Cleveland Museum of Art, Cleveland, Ohio (Mr. and Mrs. William H. Marlatt Fund, 1965.233). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-58.jpg |
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Definition
| CHARLES BARRY and A. W. N. PUGIN, Houses of Parliament, London, England, designed 1835 |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-59.jpg |
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Definition
| JOHN NASH, Royal Pavilion, Brighton, England, 1815-1818. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-60.jpg |
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Definition
| J. L. CHARLES GARNIER, the Opéra, Paris, France, 1861-1874. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-61.jpg |
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Definition
| HENRI LABROUSTE, reading room of the Bibliothèque Sainte-Geneviève, Paris, France, 1843-1850. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-62.jpg |
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Definition
| JOSEPH PAXTON, Crystal Palace, London, England, 1850-1851. Photo from Victoria and Albert Museum, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-63.jpg |
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Definition
| EUGÈNE DURIEU and EUGÈNE DELACROIX, Draped Model (back view), ca. 1854. Albumen print, 7 5/ 16"x 5 1/8". J. Paul Getty Museum, Los Angeles. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-64.jpg |
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Definition
| LOUIS-JACQUES-MANDÉ DAGUERRE, Still Life in Studio, 1837. Daguerreotype. Collection Société Française de Photographie, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-65.jpg |
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Definition
| JOSIAH JOHNSON HAWES and ALBERT SANDS SOUTHWORTH, Early Operation under Ether, Massachusetts General Hospital, ca. 1847. Daguerreotype. Massachusetts General Hospital Archives and Special Collections, Boston. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-66.jpg |
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Definition
| NADAR, Eugène Delacroix, ca. 1855. Modern print from original negative in the Bibliothèque Nationale, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-67.jpg |
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Definition
| JULIA MARGARET CAMERON, Ophelia, Study no. 2, 1867. Albumen print, 1' 11" x 10 2/3". George Eastman House, Rochester, New York. Gift of Eastman Kodak Company: ex-collection Gabriel Cromer. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch28/28-68.jpg |
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Definition
| TIMOTHY O'SULLIVAN, A Harvest of Death, Gettysburg, Pennsylvania, July 1863. Negative by Timothy O'Sullivan. Original print by ALEXANDER GARDNER, 6 3/8" x 8 3/4". The New York Public Library (Astor, Lenox and Tilden Foundations, Rare Books and Manuscript Division), New York. |
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