Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-01.jpg |
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Definition
| FRANCIS BACON, Painting, 1946. Oil and pastel on linen, 6' 5 7/8" x 4' 4". Museum of Modern Art, New York (purchase). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-02.jpg |
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Definition
| JEAN DUBUFFET, Vie Inquiète (Uneasy Life), 1953. Oil on canvas, approx. 4' 3" x 6' 4". Tate Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-03.jpg |
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Definition
| ALBERTO GIACOMETTI, Man Pointing, 1947. Bronze no. 5 of 6, 5' 10" x 3' 1' 5 5/8". Nathan Emory Coffin Collection of the Des Moines Art Center, Des Moines. (Purchased with funds from the Coffin Fine Arts Trust.) |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-04.jpg |
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Definition
| JACKSON POLLOCK, Number 1, 1950 (Lavender Mist), 1950. Oil, enamel, and aluminum paint on canvas, 7' 3" x 9' 10". National Gallery of Art, Washington (Ailsa Mellon Bruce Fund). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-05.jpg |
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Definition
| Photo of Jackson Pollock painting. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-06.jpg |
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Definition
| WILLEM DE KOONING, Woman I, 1950-1952. Oil on canvas, 6' 3 7/8" x 4' 10". Museum of Modern Art, New York (purchase). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-07.jpg |
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Definition
| BARNETT NEWMAN, Vir Heroicus Sublimis, 1950-1951. Oil on canvas, 7' 11 3/8" x 17' 9 1/4". Museum of Modern Art, New York (gift of Mr. and Mrs. Ben Heller). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-08.jpg |
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Definition
| MARK ROTHKO, No. 14, 1961 Oil on canvas, 9' 6" x 8' 9". San Francisco Museum of Modern Art, Helen Crocker Russell Fund Purchase. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-09.jpg |
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Definition
| David Smith, Cubi XIX, 1964. Stainless steel. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-10.jpg |
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Definition
| ELLSWORTH KELLY, Red Blue Green, 1963. Oil on canvas, 6' 11 5/8" x 11' 3 7/8". Collection Museum of Contemporary Art, San Diego (gift of Dr. and Mrs. Jack M. Farris). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-11.jpg |
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Definition
| FRANK STELLA, Nunca Pasa Nada, 1964. Metallic powder in polymer emulsion on canvas, 9' 2" x 18' 4 1/2". Collection of Lannan Foundation. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-12.jpg |
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Definition
| HELEN FRANKENTHALER, Bay Side, 1967. Acrylic on canvas, 6' 2" x 6' 9". Private Collection, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-13.jpg |
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Definition
| MORRIS LOUIS, Saraband, 1959. Acrylic resin on canvas, 8' 5 1/8" x 12' 5". Solomon R. Guggenheim Museum, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-14.jpg |
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Definition
| TONY SMITH, Die, 1962. Steel, 6' x 6' x 6'. Museum of Modern Art, New York (gift of Jane Smith in honor of Agnes Gund). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-15.jpg |
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Definition
| DONALD JUDD, Untitled, 1969. Brass and colored fluorescent plexiglass on steel brackets, ten units, 6 1/8" x 2' x 2' 3" each, with 60 intervals. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington (gift of Joseph H. Hirshhorn, 1972). Art copyright © Donald Judd Estate/Licensed by VAGA, New York, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-16.jpg |
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Definition
| MAYA YING LIN, Vietnam Veterans Memorial, Washington, D.C., 1981-1983. Black granite, each wing 246' long. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-17.jpg |
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Definition
| LOUISE NEVELSON, Tropical Garden II, 1957-1959. Wood painted black, 5' 11 1/2" x 10' 11 3/4" x 1'. Musée National d'Art Moderne, Centre Georges Pompidou, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-18.jpg |
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Definition
| LOUISE BOURGEOIS, Cumul I, 1969. Marble, 1' 10 3/8" x 4' 2" x 4'. Musée National d'Art Moderne, Centre Georges Pompidou, Paris. Copyright © Louise Bourgeois/Licensed by VAGA, New York, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-19.jpg |
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Definition
| EVA HESSE, Hang-Up, 1965-1966. Acrylic on cloth over wood and steel, 6' x 7' x 6' 6". Art Institute of Chicago, Chicago (gift of Arthur Keating and Mr. and Mrs. Edward Morris by exchange). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-20.jpg |
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Definition
| GEORGE BRECHT, Event Scores. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-21.jpg |
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Definition
| KAZUO SHIRAGA, Making a Work with His Own Body, 1955. Mud. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-22.jpg |
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Definition
| CAROLEE SCHNEEMAN, Meat Joy, 1964. Photograph of performance at Judson Church, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-23.jpg |
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Definition
| JOSEPH BEUYS, How to Explain Pictures to a Dead Hare, 1965. Photograph of Performance art. Schmela Gallery, Düsseldorf. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-24.jpg |
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Definition
| JEAN TINGUELY, Homage to New York, 1960, just prior to its self-destruction in the garden of the Museum of Modern Art, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-25.jpg |
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Definition
| JOSEPH KOSUTH, One and Three Chairs, 1965. Wooden folding chair, photographic copy of a chair, and photographic enlargement of a dictionary definition of a chair; chair, 2' 8 3/8" x 1' 2 7/8" x 1' 8 7/8"; photo panel, 3' x 2' 1/8"; text panel, 2' 2' 1/8". Museum of Modern Art, New York (Larry Aldrich Foundation Fund). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-26.jpg |
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Definition
| BRUCE NAUMAN, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign), 1967. Neon with glass tubing suspension frame, 4' 11" x 4' 7" x 2". Private collection. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-27.jpg |
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Definition
| RICHARD HAMILTON, Just What Is It That Makes Today's Homes So Different, So Appealing?, 1956. Collage, 10 1/4" x 9 3/4". Kunsthalle Tübingen, Tübingen, Germany. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-28.jpg |
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Definition
| JASPER JOHNS, Flag, 1954-1955, dated on reverse 1954. Encaustic, oil, and collage on fabric mounted on plywood, 3' 6 1/4" x 5' 5/8". Museum of Modern Art, New York (gift of Philip Johnson in honor of Alfred H. Barr, Jr.). Copyright © Jasper Johns/Licensed by VAGA, New York, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-29.jpg |
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Definition
| ROBERT RAUSCHENBERG, Canyon, 1959. Oil, pencil, paper, fabric, metal, cardboard box, printed paper, printed reproductions, photograph, wood, paint tube, and mirror on canvas, with oil on bald eagle, string, and pillow, 6' 9 3/4" x 5' 10" x 2'. Sonnabend Collection. Copyright © Untitled Press, Inc./Licensed by VAGA, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-30.jpg |
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Definition
| ROY LICHTENSTEIN, Hopeless, 1963. Oil on canvas, 3' 8" x 3' 8". Kunstmuseum, Basel (permanent loan from the Ludwig Foundation Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-31.jpg |
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Definition
| ANDY WARHOL, Green Coca-Cola Bottles, 1962. Oil on canvas, 6' 10 1/2" x 4' 9". Collection of Whitney Museum of American Art, New York (purchase, with funds from the Friends of the Whitney Museum of American Art). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-32.jpg |
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Definition
| ANDY WARHOL, Marilyn Diptych, 1962. Oil, acrylic, and silk-screen enamel on canvas. Tate Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-33.jpg |
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Definition
| CLAES OLDENBURG, photo of one-person show at the Green Gallery, New York, 1962. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-34.jpg |
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Definition
| AUDREY FLACK, Marilyn, 1977. Oil over acrylic on canvas, 8' x 8'. Collection of the University of Arizona Museum, Tucson (museum purchase with funds provided by the Edward J. Gallagher, Jr. Memorial Fund). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-35.jpg |
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Definition
| CHUCK CLOSE, Big Self-Portrait, 1967-1968. Acrylic on canvas, 8' 11" x 6' 11" x 2". Collection Walker Art Center, Minneapolis (Art Center Acquisition Fund, 1969). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-36.jpg |
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Definition
| DUANE HANSON, Supermarket Shopper, 1970. Polyester resin and fiberglass polychromed in oil, with clothing, steel cart, and groceries, life-size. Nachfolgeinstitut, Neue Galerie, Sammlung Ludwig, Aachen. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-37.jpg |
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Definition
| ROBERT SMITHSON, Spiral Jetty, 1970. Black rock, salt crystals, earth, red water (algae) at Great Salt Lake, Utah. 1,500' x 15' x 3 1/2'. Estate of Robert Smithson; courtesy James Cohan Gallery, New York; collection of DIA Center for the Arts, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-38.jpg |
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Definition
| RICHARD SERRA, Tilted Arc, 1981. Cor-Ten steel, 12' x 120' x 2 1/2". Installed Federal Plaza, New York City by the General Services Administration, Washington D.C. Removed by the U.S. Government 1989. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-39.jpg |
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Definition
| RICHARD SERRA, Tilted Arc, 1981. Cor-Ten steel, 12' x 120' x 2 1/2". Installed Federal Plaza, New York City by the General Services Administration, Washington D.C. Removed by the U.S. Government 1989. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-40.jpg |
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Definition
| FRANK LLOYD WRIGHT, Solomon R. Guggenheim Museum (exterior view from the northwest), New York, 1943-1959 (photo 1962). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-41.jpg |
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Definition
| FRANK LLOYD WRIGHT, Interior of the Solomon R. Guggenheim Museum, New York, 1943-1959. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-42.jpg |
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Definition
| LE CORBUSIER, Notre Dame du Haut, Ronchamp, France, 1950-1955. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-43.jpg |
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Definition
| LE CORBUSIER, Interior of Notre Dame du Haut, Ronchamp, France, 1950-1955.Text |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-44.jpg |
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Definition
| JOERN UTZON, Sydney Opera House, Sydney, Australia, 1959-1972. Reinforced concrete; height of highest shell, 200'. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-45.jpg |
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Definition
| EERO SAARINEN, Trans World Airlines terminal, Kennedy Airport, New York, 1956-1962. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-46.jpg |
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Definition
| LUDWIG MIES VAN DER ROHE and PHILIP JOHNSON, Seagram Building, New York, 1956-1958. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-47.jpg |
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Definition
| SKIDMORE, OWINGS AND MERRILL, Sears Tower, Chicago, 1974. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-48.jpg |
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Definition
| CHARLES MOORE, Piazza d'Italia, New Orleans, Louisiana, 1976-1980. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-49.jpg |
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Definition
| PHILIP JOHNSON and JOHN BURGEE with Simmons Architects, associated architects, a model of the AT&T Building, New York, 1978-1984. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-50.jpg |
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Definition
| MICHAEL GRAVES, The Portland Building, Portland, Oregon, 1980. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-51.jpg |
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Definition
| ROBERT VENTURI, JOHN RAUCH and DENISE SCOTT BROWN, house in Delaware (west elevation), 1978-1983. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-52.jpg |
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Definition
| RICHARD ROGERS and RENZO PIANO, Georges Pompidou National Center of Art and Culture (the “Beaubourg"), Paris, 1977. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-53.jpg |
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Definition
| GÜNTER BEHNISCH, Hysolar Institute Building, University of Stuttgart, Stuttgart, Germany, 1987. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-54.jpg |
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Definition
| FRANK GEHRY, Guggenheim Museum, Bilbao, Spain, 1997. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-55.jpg |
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Definition
| JULIAN SCHNABEL, The Walk Home, 1984-1985. Oil, plates, copper, bronze, fiberglass, and bondo on wood, 9' 3" x 19' 4". Broad Art Foundation and the Pace Gallery, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-56.jpg |
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Definition
| SUSAN ROTHENBERG, Tattoo, 1979. Acrylic, flashe on canvas, 5' 7" x 8' 7 1/8" x 1 1/4". Collection Walker Art Center, Minneapolis (purchased with the aid of funds from Mr. and Mrs. Edmond R. Ruben, Mr. and Mrs. Julius E. Davis, the Art Center Acquisition Fund and the National Endowment for the Arts, 1979). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-57.jpg |
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Definition
| ANSELM KIEFER, Nigredo, 1984. Oil paint on photosensitized fabric, acrylic emulsion, straw, shellac, relief paint on paper pulled from painted wood, 11' x 18'. Philadelphia Museum of Art, Philadelphia (gift of Friends of the Philadelphia Museum of Art). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-58.jpg |
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Definition
| CHRIS OFILI, The Holy Virgin Mary, 1996. Paper collage, oil paint, glitter, polyester resin, map pins, elephant dung on linen, 7' 11" x 5' 11 5/16". The Saatchi Collection, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-59.jpg |
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Definition
| JUDY CHICAGO, The Dinner Party, 1979. Multimedia, including ceramics and stitchery, 48' x 48' x 48' installed. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-60.jpg |
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Definition
| MIRIAM SCHAPIRO, Anatomy of a Kimono (section), 1976. Fabric and acrylic on canvas, 6' 8" x 8' 6". Collection of Bruno Bishofberger, Zurich. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-61.jpg |
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Definition
| CINDY SHERMAN, Untitled Film Still #35, 1979. Black-and-white photograph, 10" x 8". Metro Pictures, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-62.jpg |
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Definition
| BARBARA KRUGER, Untitled (Your Gaze Hits the Side of My Face), 1983. Photostat, red painted frame, 6' 1" x 4' 1". Courtesy of Mary Boone Gallery, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-63.jpg |
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Definition
| ANA MENDIETA, Flowers on Body, 1973. Color photograph of earth/body work with flowers, executed at El Yaagul, Oaxaca, Mexico . Courtesy of the Estate of Ana Medieta and Galerie Lelong, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-64.jpg |
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Definition
| HANNAH WILKE, S.O.S.—Starification Object Series, 1974-82. 10 Black-and-white photographs with 15 chewing-gum sculptures in Plexiglas cases mounted on ragboard, from a series originally made for S.O.S. Mastication Box and used in an exhibition-performance at The Clocktower, January 1, 1975, 3' 5" x 5' 8". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-65.jpg |
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Definition
| KIKI SMITH, Untitled, 1990. Beeswax and microcrystalline wax figures on metal stands, female figure installed height 6' 1 1/2" and male figure installed height 6' 4 15/16". Collection Whitney Museum of American Art, New York (purchase, with funds from the Painting and Sculpture Committee). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-66.jpg |
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Definition
| FAITH RINGGOLD, Who's Afraid of Aunt Jemima?, 1983. Acrylic on canvas with fabric borders, quilted, 7' 6" x 6' 8". Private collection. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-67.jpg |
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Definition
| ADRIAN PIPER, Cornered, 1988. Mixed-media installation of variable size; video monitor, table, and birth certificates. Collection of Museum of Contemporary Art, Chicago. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-68.jpg |
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Definition
| LORNA SIMPSON, Stereo Styles, 1988. 10 black-and-white Polaroid prints and 10 engraved plastic plaques, 5' 4" x 9' 8" overall. Collection of Raymond J. Learsy, Sharon, Connecticut. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-69.jpg |
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Definition
| MELVIN EDWARDS, Tambo, 1993.Welded steel, 2' 4 1/8" × 2' 1 1/4" . Smithsonian American Art Museum,Washington, D.C. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-70.jpg |
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Definition
| DAVID HAMMONS, Public Enemy, installation at Museum of Modern Art, New York, 1991. Photographs, balloons, sandbags, guns, and other mixed media. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-71.jpg |
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Definition
| JAUNE QUICK-TO-SEE SMITH, Trade (Gifts for Trading Land with White People), 1992. Oil and mixed media on canvas, 5' x 14' 2". Chrysler Museum of Art, Norfolk, Virginia (museum purchase 93.2). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-72.jpg |
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Definition
| LEON GOLUB, Mercenaries (IV), 1980. Acrylic on linen, 10' x 19' 2". Collection Mr. and Mrs. Ulrich Meyer, Chicago. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-73.jpg |
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Definition
| MAGDALENA ABAKANOWICZ, artist with Backs, at the Musée d'Art Moderne de la Ville de Paris, Paris, France, 1982. Copyright © Magdalena Abakanowicz/Licensed by VAGA, New York, NY/Marlborough Gallery, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-74.jpg |
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Definition
| DAVID WOJNAROWICZ, "When I Put My Hands On Your Body", 1990. Gelatin-silver print and silk-screened text on museum board, 2' 2" x 3' 2". Collection of Tom Rauffenbart. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-75.jpg |
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Definition
| KRZYSZTOF WODICZKO, The Homeless Projection, 1986-1987. Outdoor slide projection at the Soldiers and Sailors Civil War Memorial, Boston, organized by First Night, Boston. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-76.jpg |
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Definition
| NAM JUNE PAIK, Video still from Global Groove, 1973. 3/4 videotape, color, sound, 30 minutes. Collection of the artist. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-77.jpg |
|
Definition
| DAVID EM, Nora, 1979. Computer-generated color photograph, 1' 5" x 1' 11". Private collection. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-78.jpg |
|
Definition
| JENNY HOLZER, Untitled (Selections from Truisms, Inflammatory Essays, The Living Series, The Survival Series, Under a Rock, Laments, and Child Text), 1989. Extended helical tricolor LED electronic display signboard, 16" x 162' x 6". Solomon R. Guggenheim Museum, New York, December 1989-February 1990 (partial gift of the artist, 1989). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-79.jpg |
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Definition
| BILL VIOLA, The Crossing, 1996. Installation with two channels of color video projection onto screens 16'-high . |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-80.jpg |
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Definition
| TONY OURSLER, Mansheshe, 1997.Ceramic, glass, video player, videocassette, CPJ-200 video projector, sound, 11" x 7" x 8" each. Courtesy the artist and Metro Pictures, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-81.jpg |
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Definition
| JEFF KOONS, Pink Panther, 1988. Porcelain, 3' 5" x 1' 8 1/2" x 1' 7". Collection Museum of Contemporary Art, Chicago (Gerald S. Elliot Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-82.jpg |
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Definition
| MARK TANSEY, A Short History of Modernist Painting, 1982. Oil on canvas, three panels, each 4' 10" x 3' 4". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-83.jpg |
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Definition
| ROBERT ARNESON, California Artist, 1982. Glazed stoneware, 5' 8 1/4" x 2' 3 1/2" x 1' 8 1/4". San Francisco Museum of Modern Art (gift of the Modern Art Council). Copyright © Estate of Robert Arneson/Licensed by VAGA, New York, NY. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-84.jpg |
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Definition
| HANS HAACKE, MetroMobiltan, 1985. Fiberglass construction, three banners, and photomural, 11' 8" x 20' x 5'. Collection Centre Georges Pompidou, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-85.jpg |
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Definition
| GUERRILLA GIRLS, The Advantages of Being A Woman Artist, 1988. Poster. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-86.jpg |
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Definition
| MATTHEW BARNEY, Cremaster cycle, installation at the Solomon R. Guggenheim Museum, 2003. |
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