Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/map22.jpg |
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Definition
| Map of Rome with Renaissance and Baroque monuments. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-01.jpg |
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Definition
| LEONARDO DA VINCI, Virgin of the Rocks, ca. 1485. Oil on wood (transferred to canvas), approx. 6' 3" x 3' 7". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-02.jpg |
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Definition
| LEONARDO DA VINCI, cartoon for Virgin and Child with Saint Anne and the Infant Saint John, ca. 1505-1507. Charcoal heightened with white on brown paper, approx. 4' 6" x 3' 3". National Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-03b.jpg |
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Definition
| LEONARDO DA VINCI, Last Supper (top, uncleaned; bottom, cleaned), ca. 1495-1498. Fresco (oil and tempera on plaster), 29' 10" x 13' 9". Refectory, Santa Maria delle Grazie, Milan. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-04.jpg |
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Definition
| LEONARDO DA VINCI, Mona Lisa, ca. 1503-1505. Oil on wood, approx. 2' 6" x 1' 9". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-05.jpg |
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Definition
| LEONARDO DA VINCI, Embryo in the Womb, ca. 1510. Pen and ink on paper. Royal Library, Windsor Castle. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-06.jpg |
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Definition
| DONATO D'ANGELO BRAMANTE, plan for the new Saint Peter's, the Vatican, Rome, Italy, 1505. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-07.jpg |
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Definition
| CHRISTOFORO FOPPA CARADOSSO, medal showing Bramante's design for the new Saint Peter's, 1506. British Museum, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-08.jpg |
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Definition
| DONATO D'ANGELO BRAMANTE, Tempietto, San Pietro in Montorio, Rome, Italy, 1502(?). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-09.jpg |
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Definition
| MICHELANGELO BUONARROTI, David, 1501-1504. Marble, 13' 5" high. Galleria dell'Accademia, Florence. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-10.jpg |
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Definition
| MICHELANGELO BUONARROTI, Moses, San Pietro in Vincoli, Rome, Italy, ca. 1513-1515. Marble, approx. 8' 4" high. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-11.jpg |
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Definition
| MICHELANGELO BUONARROTI, Bound Slave, 1513-1516. Marble, approx. 6' 10 1/2" high. Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-12.jpg |
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Definition
| Interior of the Sistine Chapel (view facing east), Vatican City, Rome, Italy, built 1473. Copyright © Nippon Television Network Corporation, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-13.jpg |
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Definition
| MICHELANGELO BUONARROTI, ceiling of the Sistine Chapel, Vatican City, Rome, Italy, 1508-1512. Fresco, approx. 128' x 45' |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-14.jpg |
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Definition
| MICHELANGELO BUONARROTI, Creation of Adam (detail), ceiling of the Sistine Chapel, Vatican City, Rome, Italy, 1511-1512. Fresco, approx. 9' 2" x 18' 8". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-15.jpg |
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Definition
| Cleaning of ceiling of Sistine Chapel, Vatican City, Rome, Italy, 1977-1989. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-16.jpg |
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Definition
| Detail of the Azor-Sadoch lunette's left side over one of the Sistine Chapel windows at various stages of the restoration process, Vatican City, Rome, Italy, 1977-1989. Copyright © Nippon Television Network Corporation, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-17.jpg |
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Definition
| RAPHAEL, Philosophy (School of Athens), Stanza della Segnatura, Vatican Palace, Rome, Italy, 1509-1511. Fresco, approx. 19' x 27'. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-18.jpg |
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Definition
| RAPHAEL, Marriage of the Virgin, from the Chapel of Saint Joseph in San Francesco in Città di Castello, near Florence, Italy, 1504. Oil on wood, 5' 7" x 3' 10 1/2". Pinacoteca di Brera, Milan. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-19.jpg |
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Definition
| RAPHAEL, Madonna in the Meadow, 1505. Oil on panel, 3' 8 1/2" x 2' 10 1/4". Kunsthistorisches Museum, Vienna. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-20.jpg |
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Definition
| RAPHAEL, Galatea, Sala di Galatea, Villa Farnesina, Rome, Italy, 1513. Fresco, 9' 8" x 7' 5". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-21.jpg |
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Definition
| RAPHAEL, Baldassare Castiglione, ca. 1514. Oil on wood transferred to canvas, approx. 2' 6 1/4" x 2' 2 1/2". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-22.jpg |
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Definition
| MICHELANGELO BUONARROTI, tomb of Giuliano de' Medici, New Sacristy (Medici Chapel), San Lorenzo, Florence, Italy, 1519-1534. Marble, central figure approx. 5' 11" high. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-23.jpg |
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Definition
| ANTONIO DA SANGALLO THE YOUNGER, Palazzo Farnese (view from the northwest), Rome, Italy, ca. 1530-1546. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-24.jpg |
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Definition
| ANTONIO DA SANGALLO THE YOUNGER, courtyard of the Palazzo Farnese, Rome, Italy, ca. 1530-1546. Third story and attic by MICHELANGELO BUONARROTI, 1548. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-25.jpg |
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Definition
| MICHELANGELO BUONARROTI, Last Judgment, fresco on the altar wall of the Sistine Chapel, Vatican City, Rome, Italy, 1534-1541. Copyright © Nippon Television Network Corporation, Tokyo. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-26.jpg |
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Definition
MICHELANGELO BUONARROTI, aerial view of Capitoline Hill (Campidoglio), Rome, Italy, designed ca. 1537.
photo: © 2005 Saskia Cultural Documentation, Ltd. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-27.jpg |
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Definition
| MICHELANGELO BUONARROTI, Museo Capitolino, Capitoline Hill, Rome, Italy, designed ca. 1537. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-28.jpg |
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Definition
| MICHELANGELO BUONARROTI, plan for Saint Peter's, Vatican City, Rome, Italy, 1546. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-29.jpg |
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Definition
| MICHELANGELO BUONARROTI, Saint Peter's (view from the northwest), Vatican City, Rome, Italy, 1546-1564. Dome completed by GIACOMO DELLA PORTA, 1590. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-30.jpg |
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Definition
| MICHELANGELO BUONARROTI, drawing of south elevation of Saint Peter's, Vatican City, Rome, Italy, 1546-1564 (engraving by ÉTIENNE DUPÉRAC, ca. 1569). Metropolitan Museum of Art, New York (Harris Brisbane Dick Fund, 1941). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-31.jpg |
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Definition
| GIOVANNI BELLINI, San Zaccaria Altarpiece, San Zaccaria, Venice, Italy, 1505. Oil on wood transferred to canvas, approx. 16' 5" x 7' 9". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-32.jpg |
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Definition
| GIOVANNI BELLINI and TITIAN, The Feast of the Gods, 1529. Oil on canvas, approx. 5' 7" x 6' 2". National Gallery of Art, Washington (Widener Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-33.jpg |
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Definition
| GIORGIONE DA CASTELFRANCO (and/or TITIAN?), Pastoral Symphony, ca. 1508. Oil on canvas, approx. 3' 7" x 4' 6". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-34.jpg |
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Definition
| GIORGIONE DA CASTELFRANCO, The Tempest, ca. 1510. Oil on canvas, 2' 7" x 2' 4 3/4". Galleria dell'Accademia, Venice. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-35.jpg |
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Definition
| TITIAN, Assumption of the Virgin, Santa Maria Gloriosa dei Frari, Venice, Italy, ca. 1516-1518. Oil on wood, 22' 6" x 11' 10". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-36.jpg |
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Definition
| TITIAN, Madonna of the Pesaro Family, Santa Maria dei Frari, Venice, Italy, 1519-1526. Oil on canvas, approx. 16' x 9'. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-37.jpg |
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Definition
| TITIAN, Meeting of Bacchus and Ariadne, 1522-1523. Oil on canvas, 5' 9" x 6' 3". National Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-39.jpg |
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Definition
| TITIAN, Venus of Urbino, 1538. Oil on canvas, approx. 4' x 5' 6". Galleria degli Uffizi, Florence. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-39.jpg |
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Definition
| TITIAN, Isabella d'Este, 1534-1536. Oil on canvas, 3' 4 1/8" x 2' 1 3/16". Kunsthistorisches Museum, Vienna. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-40.jpg |
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Definition
| NDREA DEL SARTO, Madonna of the Harpies, 1517. Oil on wood, approx. 6' 9" x 5' 10". Galleria degli Uffizi, Florence. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-41.jpg |
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Definition
| ANTONIO ALLEGRI DA CORREGGIO, Assumption of the Virgin, dome fresco of Parma Cathedral, Parma, Italy, 1526-1530. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-42.jpg |
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Definition
| JACOPO DA PONTORMO, Descent from the Cross, Capponi Chapel, Santa Felicità, Florence, Italy, 1525-1528. Oil on wood, approx. 10' 3" x 6' 6". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-43.jpg |
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Definition
| PARMIGIANINO, Madonna with the Long Neck, ca. 1535. Oil on wood, approx. 7' 1" x 4' 4". Galleria degli Uffizi, Florence. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-44.jpg |
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Definition
| BRONZINO, Venus, Cupid, Folly, and Time (The Exposure of Luxury), ca. 1546. Oil on wood, approx. 5' 1" x 4' 8 3/4". National Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-45.jpg |
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Definition
| BRONZINO, Portrait of a Young Man, ca. 1530s. Oil on wood, approx. 3' 1 1/2" x 2' 5 1/2". Metropolitan Museum of Art, New York (H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-46.jpg |
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Definition
| OFONISBA ANGUISSOLA, Portrait of the Artist's Sisters and Brother, ca. 1555. Methuen Collection, Corsham Court, Wiltshire. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-47.jpg |
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Definition
| BENVENUTO CELLINI, Genius of Fontainebleau, 1543-1544. Bronze, 6' 8 3/4" x 13' 5". Louvre, Paris. |
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Term
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Definition
| GIOVANNI DA BOLOGNA, Abduction of the Sabine Women, Loggia dei Lanzi, Piazza della Signoria, Florence, Italy, completed 1583. Marble, approx. 13' 6" high. |
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Term
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Definition
| IULIO ROMANO, interior courtyard facade of the Palazzo del Tè, Mantua, Italy, 1525-1535. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-50.jpg |
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Definition
| GIACOMO DELLA PORTA, facade of Il Gesù, Rome, Italy, ca. 1575-1584. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-51.jpg |
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Definition
| GIACOMO DA VIGNOLA, plan of Il Gesù, Rome, Italy, 1568. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-52.jpg |
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Definition
| TINTORETTO, Last Supper, Chancel, San Giorgio Maggiore, Venice, Italy, 1594. Oil on canvas, 12' x 18' 8". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-53.jpg |
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Definition
| PAOLO VERONESE, Christ in the House of Levi, 1573. Oil on canvas, approx. 18' 6" x 42' 6". Galleria dell'Accademia, Venice. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-54.jpg |
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Definition
| PAOLO VERONESE, Triumph of Venice, ceiling of the Hall of the Grand Council, Palazzo Ducale, Venice, Italy, ca. 1585. Oil on canvas, approx. 29' 8" x 19'. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-55.jpg |
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Definition
| JACOPO SANSOVINO, the Mint (la Zecca), 1535-1545 (left) and the State Library (right), begun 1536, Piazza San Marco, Venice. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-56.jpg |
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Definition
| ANDREA PALLADIO, Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1566-1570. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-57.jpg |
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Definition
| ANDREA PALLADIO, plan of the Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1566-1570. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-58.jpg |
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Definition
| ANDREA PALLADIO, west facade of San Giorgio Maggiore, Venice, Italy, begun 1565. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch22/22-59.jpg |
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Definition
| ANDREA PALLADIO, interior of San Giorgio Maggiore (view facing east), Venice, Italy, begun 1565. |
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