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| Aerial view (from the southeast) of Saint-Sernin, Toulouse, France, ca. 1070–1120 |
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| Plan of Saint-Sernin, Toulouse, France, ca. 1070–1120 (after Kenneth John Conant). |
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| Interior of Saint-Sernin, Toulouse, France, ca. 1070–1120 |
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| Interior of Speyer Cathedral, Germany, begun 1030; nave vaults, ca. 1082–1106 |
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| Plan of Speyer Cathedral, Germany, begun 1030 |
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| Sant'Ambrogio (view from the northwest), Milan, Italy, late eleventh to early twelfth century |
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| Plan of Sant'Ambrogio, Milan, Italy, late 11th to early 12th century |
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| west and east façade of Saint-Étienne, Caen, France, begun 1067 |
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| Interior of Saint-Étienne, Caen, France, vaulted ca. 1115-1120 |
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| Plan of Saint-Étienne, Caen, France. |
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| Interior of Durham Cathedral, England, begun ca. 1093. |
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| Interior of Pisa Cathedral, Pisa, Italy, begun 1063 |
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| Baptistery of San Giovanni, Florence, Italy, begun 1053 |
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| West façade of San Miniato al Monte, Florence, Italy, 1062 and 12th century |
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| Interior of San Miniato al Monte, Florence, Italy, 1062 and 12th century |
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| Christ in Majesty (Maiestas Domini) with apostles, lintel over doorway, Saint-Génis-des-Fontaines, France, 1019–1020. Marble, approx. 2' X 7'. |
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| BERNARDUS GELDUINUS, Christ in Majesty, relief in the ambulatory of Saint-Sernin, Toulouse, France, ca. 1096. Marble, 4' 2" high. |
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| WILIGELMO, Creation and Temptation of Adam and Eve, frieze on the west façade, Modena Cathedral, Modena, Italy, ca. 1110. Marble, approx. 3' high. |
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| Christ in Majesty with angels and the Twenty-Four Elders, tympanum of the south portal of Saint-Pierre, Moissac, France, ca. 1115–1135. Marble, approx. 16' 6" wide at base |
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| Old Testament prophet (Jeremiah or Isaiah?), from the trumeau of the south portal of Saint-Pierre, Moissac, France, ca. 1115–1130. Marble, approx. life size. |
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| Cloister of Saint-Pierre, Moissac, France, ca. 1100–1115. Marble, piers approx. 6' high. |
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| GISLEBERTUS, Last Judgment, west tympanum of Saint-Lazare, Autun, France, ca. 1120–1135. Marble, approx. 21' wide at base |
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| Ascension of Christ and Mission of the Apostles, tympanum of the center portal of the narthex of La Madeleine, Vézelay, France, 1120–1132. |
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| Portal on the west façade of Saint-Trophîme, Arles, France, second third of the 12th century |
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| BENEDETTO ANTELAMI, King David, statue in a niche on the west façade of Fidenza Cathedral, Fidenza, Italy, ca. 1180–1190. Marble, approx. life size |
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| RAINER OF HUY, Baptism of Christ, baptismal font from Notre-Dame-des-Fonts, Liège, Belgium, 1107–1118. Bronze, 25" high. Saint-Barthélémy, Liège |
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| Virgin and Child (Morgan Madonna), from Auvergne, France, second half of 12th century. Painted wood, 31" high. Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 |
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| Head reliquary of Saint Alexander, from Stavelot Abbey, Belgium, 1145. Silver (partly gilt), gilt bronze, gems, pearls, and enamel, approx. 17 1/2" high. Musées Royaux, Brussels. |
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| Christ in Majesty, apse fresco from Santa María de Mur, near Lérida, Spain, mid-12th century. 22' X 24'. Museum of Fine Arts, Boston |
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| Entombment of Christ, fresco above the nave arcade, Sant'Angelo in Formis, near Capua, Italy, ca. 1085 |
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| Nave of the abbey church, Saint-Savin-sur-Gartempe, France. Painted barrel vault, ca. 1100. |
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| STEPHANUS GARSIA, enthroned Christ with signs of the Four Evangelists and the Twenty-Four Elders, folios 121 verso and 122 recto of the Apocalypse of Saint-Sever, from Saint-Sever-sur-l'Adour, France, ca. 1050–1070. Ink and tempera on vellum, approx. 14 1/2" X 22". Bibliothèque Nationale, Paris. |
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| The vision of Hildegard of Bingen, facsimile of a lost folio in the Scivias by Hildegard of Bingen, from Trier or Bingen, Germany, ca. 1050–1079. Formerly in Hessische Landesbibliothek, Wiesbaden. |
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| Initial R with knight fighting a dragon, from the Moralia in Job, from Citeaux, France, ca. 1115–1125. Ink and tempera on vellum, 13 3/4" X 9 1/4". Bibliothèque Municipale, Dijon. |
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| MASTER HUGO, Moses expounding the Law, folio 94 recto of the Bury Bible, from Bury Saint Edmunds, England, ca. 1135. Ink and tempera on vellum, approx. 20" X 14". Corpus Christi College, Cambridge |
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| EADWINE THE SCRIBE(?), Eadwine the scribe at work, folio 283 verso of the Eadwine Psalter, ca. 1160–1170. Ink and tempera on vellum. Trinity College, Cambridge |
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| Funeral procession to Westminster Abbey and the Battle of Hastings, details of the Bayeux Tapestry, from Bayeux Cathedral, Bayeux, France, ca. 1070–1080. Embrodered wool on linen, 20" high (entire length of fabric 229' 8"). Centre Guillaume le Conquérant, Bayeux. |
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