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| A theory or style of painting originating and developed in France during the 1870s, characterized by concentration on the immediate visual impression produced by a scene and by the use of unmixed primary colors and small strokes to simulate actual reflected light. |
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| Georges-Eugène Haussmann (1809-1891) was a French civic planner whose name is associated with the rebuilding of Paris. |
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| A style of painting produced outdoors in natural light. |
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| A technique of neo-Impressionist painting using tiny dots, which become blended in the viewer's eye. |
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| A late nineteenth-century art movement of French and Belgian origin in poetry and other arts. |
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| A style of decorative art, architecture, and design characterized by intricate linear designs and flowing curves based on natural forms. (late 19th–early 20th centuries) |
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