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Temple of Portunus Rome, Italy 75 BC Part Greek and Etruscan style temple |
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Head of a Roman patrician Otricoli, Italy 75-50 BC Republican Verism - Intense realism |
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Atrium of the House of the Vettii Pompeii, Italy rebuilt 62-79 CE |
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1st Style Samnite house, Herculaneum, Italy Late Second Century BC Fake Mable tiles to emulate wealth |
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2nd Style Pompeii, Italy 60-50 BC people come into our space and move across corners Interaction with humans and those divine |
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2nd Style Boscoreale, Italy 50-40 BC 2nd Style was as had windows looking out into space congruently 3D |
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Detail of a Third Style wall painting Boscotrecase, Italy 10 BC Small picture with dilicate frame out lining it. |
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Fourth Style wall painting Ixion Room, house of vettii, Pompeii, Italy 70-79 CE Mixer of previous three styles that covers vertually the intier wall |
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Still life with Peaches Fourth Style Herculaneum, Italy 62-79 CE |
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Portrait of Husband and wife Pompeii, Italy 70-79 CE Realistic heads on standard bodies people may not have been educated |
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Portrait of Augustus as general Primaporta, Italy 20 BCE Ideal body, breast plate dipicts important political victory, cupid shows his divine descent as ancestor of Venus. |
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Portrait bust of Livia Faiyum, Egypt early 1st century, CE Shares the empores eternal youthfullness with the latest hairstyle. |
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Ara Pacis Augustae (Altar of Augustan Peace) Rome Italy 13-9 BC Denotes Augustus's most important achievement the establishment of peace. |
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Female personification panel Pacis Augustae, Rome, Italy 13-9 BC Show the peace and fertility of the Augustan world. |
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Procession of the imperial family Ara Pacis Augustae, Rome, Italy 13-9 BC To some degree resembles Panathenaic prossesion meant to present Augustus's order as a Golden Age |
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Maison Carrée Nimes, France 1-10 CE Corinthian order coulums |
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Severus and Celer Domus Aurea (Golden House) of Nero Rome, Italy 64-68 CE New approach to Architecture. Octagonal building standing alone inside the rest of the building. |
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Colosseum (Flavian Ampitheater) Rome, Italy 70-80 CE Coloums on outside move up through doric, ionic, and corinthian orders. Was a political statement it was built on the land that Nero stole form the public |
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Portrait bust of Vespasian 75-79 CE Revival of repuclican verism |
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Portrait bust of a Flavian woman Rome, Italy 90 CE People of all ages were depicted during Flavian rule unlike the reaplic where only elder were deemed worthy of depiction. hair was done with drill not chisel |
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Apollodorus of Damascus Market of Trajan Rome, Italy 100-112 CE |
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Pont-du-Gard Nimes, France 16 BC |
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Arch of Titus Rome, Italy 81 CE |
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Spoils of Jerusalem Passageway of the Arch of Titus, Rome, Italy 81 CE Depicts Tituses victory over Jerusalem. The Triumphant parade down the Sacred way after the jewish wars in 70 CE. MANORAH |
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Triumph of Titus Arch of Titus, Rome, Italy 81 CE Victory, Honor, and Valor ride with Titus in his four horse drawn chariot. Intermingaling of human and divine like the Mysteries frieze at Pompeii. First to have human and divine in same panel before they were carefully segrated in seperate panesl |
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Column of Trajan Forum of Trajan, Rome, Italy 112 CE 128 ft tall, Trajans statue was lost in middle ages and replaced by Saint Peter. Depicts campaigns against the Dacian and that the Romans were humans but more organized. |
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Pantheon Rome, Italy 118-125 CE Exeplifies the use fo concrete. |
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Arch of Trajan Benevento, Italy 114-118 CE Similar to the Arch of Titus but it survives more of a billboard purpose honoring Trajan and his Via Traiana. The end point is in Benevento. |
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Portrait bust of Hadrian Tel Shalem, Isreal 130-138 CE He wore a beard took insperation from greek art of old men. |
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Hadrain's Villa Tivoli, Italy 125-128 CE Us of lintal and arch in combination also had a pumkin shaped thinger at the end suppected to be designed by hardrian. |
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Equestrian statue of Marcus Aurelius Rome, Italy 175 CE Super human larger than life also he is large compared to his horse than any human would be. His had is out streched in an offering of greeting and clemancy at the same time. |
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Apotheosis of Antininus Pius and Faustina Pedestal of the Column of Antoninus Pius, Rome, Italy 161 CE Apotheosis - Ascent to the heavens Antoninus and his wife who died years earlier are going together |
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Decursio Pedestal of the Column of Antoninus Pius, Rome, Italy 161 CE Ritual circling of the imperial funerary pyre. |
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Carcophagus with the myth of Orestes 140-150 CE Features several pictures of Orestes, a greek hero Slaying his mother. |
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Mummy portrait of a man Faiyum, Eygpt 160-170 CE After Eygpt was reduced to a Roman province burrial practices continued. |
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Painted portrait of Septimius Severus and his faimly Egypt 200 CE Siptimius, Julia and sons Caracalla and Geta Damnatio Memoriae of Geta Only surviving Tempora of a Roman Emperor |
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Portrait of Caracalla 211-217 CE Depicts his suspicious and ruthless nature |
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Baths of Caracalla Rome, Italy 212-216 They ware huge dwarfing all other baths covering almost 50 acres |
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Portrait bust of Trajan Decius 249-251 CE Show extrem emotion of an emperor that can not bring order to an out of control Roman world. |
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Heroic portrait of Trebonianus Gallus Rome, Italy 251-253 CE Depicts a Strong wrestlers body and his head is dwarfed by his huge trunk. |
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Battle of Romans and Barbarians Rome, Italy 250-260 CE piling of figures was rejection of classical art. Notice central figure with no sword thought to be one of Trajan Decius's sons a Confident commandor in caiotic time for Rome |
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Temple of Venus Baalbek, Lebanon Third Century CE Rejection of classical art also in Architecture. It is an obvious cretique on the pantheon. |
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Portrait of the four tetrarchs Constaninople 305 CE The sharing of power that reigned in a new era of peace in Rome. |
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