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Extreme Close-Up
Cinematography: One part of character/object
Use: Facial features in character/object
Example: Disturbia |
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Close-Up
Cinematography: Head and neck of character, 80% if screen
Use: May be used to show tension Example: Catch Me if You Can |
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Medium Shot
Cinematography: Character shown waist up
Use: Small groups of people Example: The Sixth Sense
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Long Shot
Cinematography: Shot from a distance, full body
Use: Groups of people, large-scale action, architectural details Example: The Breakfast Club |
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Extreme Long Shot
Cinematography: Characters small in frame, major parts of buildings
Use: Show landscape and architectural exteriors Example: The Pursuit of Happyness |
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Establishing Shot
Cinematography: Long shot or a series of shots that sets scene
Use: Give audience a sense of locality at a new location Example: Pretty in Pink |
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Decor
Mise en Scène: Objects within scene, setting
Use: Amplify character emotion or dominant food of a film
Example: Phonebooth |
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Lighting
Mise en Scène: Intensity, direction, and quality of light
Use: Focus attention on particular elements of composition
Example: 17 Again
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Space
Mise en Scène: Depth, proximity, size, and proportion of places and objects
Use: Determining mood or relationships between elements
Example: Little Miss Sunshine |
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Costume
Mise en Scène: Clothes characters wear
Use: Signify characters or make distinctions between them
Example: Marie Antoinette
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Acting
Mise en Scène: Performance style
Use: Bring characters to life
Example: Identity
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Eye Level
Camera Techniques: Camera even with characters' eyes
Use: Make scenes more natural
Example: Home alone |
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High Angle
Camera Techniques: Camera above subject
Use: Makes subjects look small, weak, trapped, and powerless
Example: Signs
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Low Angle
Camera Techniques: Camera below subject
Use: Makes subject look large, strong, powerful, threatening
Example: Matilda
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Camera Techniques: Stationary camera that moves side to side |
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Camera Techniques: Moving in makes shot more personal, moving out makes shot more distant |
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Camera Techniques: Stationary camera that tilts up and down |
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Camera Techniques: Camera on track that allows it to move with the action
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Camera Techniques: Camera on a crane over the action, overhead shots
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High Key
Lighting: Scene is flooded with light
Use: Bright and open looking scene
Example: About a Boy |
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Low Key
Lighting: Scene is flooded with shadows and darkness
Use: Creates suspense and suspicion
Example: Slumdog Millionaire
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Bottom/Side
Lighting: Direct from below or one side
Use: Often dangerous/evil looking or split personality/morally ambiguous
Example: Grease
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Front/Rear
Lighting: Soft, direct lighting on face or behind of subject
Use: Innocence, “halo”
Example: Insomnia
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Editing: Most common transition
Use: “Cut” to another image |
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Editing: Scene fades black or white
Use: Often implies that time has passed |
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Editing: An image dissolves into another
Use: Can create connection between images |
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Editing: A new image wipes off the previous image
Use: More fluid than a cut/quicker than dissolve |
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Two-Shot
(Shot-Reverse-Shot) |
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Editing: Shot of one subject, then another, and then back to first
Use: Conversation often, reaction shot, used with eye-line match |
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Editing: Cut to action that has happened in the past
Use: Show a different time
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Cross Cutting
(Parallel Editing) |
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Editing: Cut to action that is happening simultaneously
Use: Show relationship in time of the two actions |
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Editing: Cut to object then to person
Use: Show that person is looking at the object |
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Editing: Cut to object through the eyes of the subject
Use: Show point of view of person |
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Sound: Sound that characters and audience can hear
a. Voice of characters
b. Sounds made my objects in scene
c. Source music from instruments in scene
d. Basic sound effects, dog barking, etc.
e. Music coming from source on set
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Sound: Sound coming from a source outside the story space
a. Narrator’s commentary
b. Voice of God
c. Sound effect which is added for dramatic effects
d. Mood music
e. Film score
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