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| In television programming, the hours between 8 and 11 p.m. when networks have traditionally drawn their largest audiences and charged their highest advertising rates. |
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| A recording that is made by capturing the fluctuations of the original sound wayes and storing those signals on records or casettes as a continuous stream of magnetism - analogous to the actual sound. |
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| Music recorded and played back by laser beam rather than by needle or magnetic tape. |
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| Very High Frequency - in broadcasting, the band in the electromagnetic spectrum that the FCC allocated for TV channels 2 through 13. |
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| Ultra High Frequency - in broadcasting, the band in the electromagnetic spectrum that the FCC allocated for TV channels 14 through 69. |
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| Radio or TV stations that, though independently owned, sign a contract to be part of a network and receive money to carry the network's programs; in exchange, the network reserves time slots, which it sells to national advertisers. |
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| a TV news program format, pioneered by CBS's 60 Minutes in the late 1960's, that features multiple segments in an hour-long episode, usually ranging from a celebrity or political feature story to a hard-hitting investigative report. |
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| a 1950s technique for preserving television broadcasts by using a film camera to record a live TV show off a studio monitor. |
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| Short television comedy skits that are usually segments of TV variety shows; sometimes known as vaudeo, the marriage of vaudville and audio. |
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| A type of comedy series that features a crurring cast and set as well as several narrative scenes; each episode establishes a situation, complicates it, develops increasing confusion among its characters, and then resolves the complications. |
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| A TV hybrid of the sitcom in which characters and settings are usually more important than complicated situations; it generally features a domestic problem or work issue that characters have to solve. |
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| A popular form of early TV programming that brough live dramatic theater to televison; influenced by stage plays, anthologies offered new teleplays, casts, directors, writers, and sets from week to week. |
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| A narrative form well suited to television because main characters appear every week, sets and locales remain the same, and technical crews stay with the program; episodic series feature new adventure each week, but a handful of characters emerge with whom viewers can regularly identify. |
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| Any situation comedy or dramatic program whose narrative structure includes self-contained stories that feature a problem, a series of conflicts, and a resolution from week to week. |
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| Radio or TV programs that feature continuing story lines from day to day or week to week. |
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| Stripped (syndicated re-runs) |
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| The showing of programs five days a week. |
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| 1950s to 1970s when the Big Three Networks - ABC, NBC, and CBS - dominated. The era began eroding with the decline in viewing and with the development of VCRs, cable, and new TV networks. |
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| Videocassette Recorders (VCRs) |
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| Digital Video Recorders (DVRs) |
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