Term
|
Definition
Portrait of Giovanni Arnolfini and His Wife, Giovanna Cenami Jan van Eyck 1434 EARLY RENAISSANCE |
|
|
Term
|
Definition
Trinity with the Virgin, St. John the Evangelist and Donors Masaccio 1425 EARLY RENAISSANCE |
|
|
Term
|
Definition
Birth of Venus Botticelli 1486 EARLY RENAISSANCE |
|
|
Term
|
Definition
David. Donatello 1460 EARLY RENAISSANCE |
|
|
Term
|
Definition
St. Teresa of Avila in Ecstacy Bernini 1645 BAROQUE
|
|
|
Term
|
Definition
The Calling of St. Matthew Caravaggio 1600 BAROQUE
|
|
|
Term
|
Definition
Las Menians (The Maids of Honor) Valazquez 1656 BAROQUE |
|
|
Term
|
Definition
Henri IV Receiving the Portrait of Marie de' Medici Peter Paul Rubens 1621-25 BAROQUE |
|
|
Term
|
Definition
School of Athens Raphael 1510-1511 HIGH RENAISSANCE |
|
|
Term
|
Definition
The Last Supper daVinci 1495-1498 HIGH RENAISSANCE |
|
|
Term
|
Definition
Sistine Chapel Michelangelo 1508-1512 HIGH RENAISSANCE |
|
|
Term
|
Definition
Venus of Urbino Titian 1538 HIGH RENAISSANCE |
|
|
Term
|
Definition
| a movement that focuses on human beings and their values and intellectuals |
|
|
Term
|
Definition
| describes a created body in a painting or sculpture which carries weight on one leg, the engaged leg, leaving the other leg with its knee bent |
|
|
Term
|
Definition
| an individual or group that commissions and pays for a work of art |
|
|
Term
|
Definition
| The process of creating an image from an engraving requires tools and a metal plate, developed in Europe |
|
|
Term
|
Definition
| characterized by visual images and symbols being used to represent specific ideas and themes |
|
|
