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Jan Molanaer, Lady at Her Toilet, 1633 |
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Hieronymus Bosch, Superbia, 1500 |
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Gabriel Metsu, A Man and a Woman seated by a Virginal, 1660 |
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Jan Vermeer, Lady at the Virginals with a Gentleman, 1664 |
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Jan Steen, The Harpsichord Lesson, 1665 position of woman as a sexualised object |
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Jan Vermeer, Woman Standing at the Virginals, 1672 gazes directly at viewer - plays virginals, music as an allegory of love |
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Vermeer, Girl Interrupted at her Music, 1658 |
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Jan Vermeer, Woman Asleep at a Table, 1657 sleeping - suggests drunkeness open door - vulnerability rounded fruits - echo fleshy form |
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Otto Van Veen, Cupid amorum emblemata, 1606 |
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Vermeer, Young Woman Seated at the Virginals, 1672 |
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Gerrit Dou, Lady at her toilet with her maid, 1665 vanity - mirror is positioned next to reflective vessel - it is not a false object |
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Gerard Ter Borch, A Lady at her Toilet with Her Maid |
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Vermeer, Woman with a Pearl necklace, 1664 |
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Vermeer, Girl Reading a Letter by an Open Window, 1659 tumbling fruits - tumbling hair |
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Cornelis Bischop, A Young Woman and a Cavalier, early 1660s |
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Vermeer, The Glass of Wine, 1660 |
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Vermeer, The Concert, 1664 |
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Gerard ter Borch, The Concert |
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Jan Olis, Concert Party, 1633 |
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P. C. Hooft, It Shines and Makes Everything Else Shine, Emblemata Amatoria, 1611 - book of poems and iconography of love |
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Cornelis de Man, Music Lesson, 1660 |
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Gabriel Metsu, The Music Lesson, 1660 |
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Gerard ter Borch, The Suitor's Visit, 1658 |
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Gerard ter Borch, The Parental Admonition, 1654 |
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Van der Helst, Jacob Trip, 1655 |
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Pieter de Hooch, A Woman Drinking with Two Men, 1655 |
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Vermeer, The Loveletter, 1670 |
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Hans Vredeman de Vries, from Perspective 1604 |
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Willem Blaeu, Map of Delft, 1649 |
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